ABUJA, Nigeria — Nigeria adopted a new national anthem Wednesday after lawmakers passed a law that replaced the current one with a version dropped nearly a half-century ago, sparking widespread criticism about how the law was hastily passed without much public input.
President Bola Tinubu’s assent to the law comes a day after it was approved by both chambers of Nigeria’s National Assembly, which is dominated by the governing party. The federal lawmakers introduced and passed the bill in less than a week, an unusually fast process for important bills that usually take weeks or months to be considered.
The Arise, O Compatriots anthem being replaced had been in use since 1978, when it was introduced by the military government. The anthem was composed at a time when the country was reeling from a deadly civil war and calls on Nigerians to “serve our fatherland with love and strength” and not to let “the labor of our heroes past (to be) in vain.”
The new version that takes immediate effect was first introduced in 1960 when Nigeria gained independence from Britain before it was dropped by the military. Titled Nigeria We Hail Thee, it was written by Lillian Jean Williams, a British expatriate who was living in Nigeria at the time.
The new anthem was played publicly for the first time at a legislative session attended by Tinubu, who marked his one year in office as president Wednesday.
Many Nigerians, however, took to social media to say they won’t be singing the new national anthem, among them Oby Ezekwesili, a former education minister and presidential aspirant who said that the new law shows that the country’s political class doesn’t care about the public interest.
“In a 21st Century Nigeria, the country’s political class found a colonial National Anthem that has pejorative words like “Native Land” and “Tribes” to be admirable enough to foist on our Citizens without their consent,” Ezekwesili posted on X.
Supporters of the new anthem, however, argued it was wrong for the country to have adopted an anthem introduced by the military.
“Anthems are ideological recitations that help the people to be more focused. It was a very sad development for the military to have changed the anthem,” public affairs analyst Frank Tietie said.
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PARIS — Of all the decisions Paris Olympics organizers made about where to hold each sport, sending surfing competitions to the other side of the world — in the Pacific waters of Tahiti — provoked the strongest reactions. Tahitians and others railed against the building of a new viewing tower on Teahupo’o reef because of fears it would hurt marine life.
But organizers say it wasn’t just the world-class waves that lured them to the French territory 16,000 kilometers away. Paris Olympic officials had set an ambitious target of halving their overall carbon footprint compared with the 2012 London and 2016 Rio Games.
Tahiti’s surfing reef is too far offshore for fans to see the action clearly from the beach, so organizers say they calculated that most would watch on television instead of taking flights, a major source of carbon emissions.
And fewer spectators, they said, would require little new construction, another key emissions source.
“We actually did the math,” said Georgina Grenon, director of environmental excellence for the Paris Games. “There was less impact in Tahiti compared to other metropolitan areas.”
Tahiti’s selection provides a window into Games organizers’ approach to hitting their goal of reducing emissions, the driver of climate change. It also underscores an inherent tension in the drive for sustainability: There are tradeoffs, and reducing emissions doesn’t necessarily mean preserving the environment.
Organizers’ goal is to limit emissions to 1.58 million metric tons of CO2 equivalent for the July 26-August 11 Games and Paralympics that follow. That’s still a lot of pollution — equal to that of about 1.3 million economy passengers flying one way from New York to Paris on Boeing 787 jets, according to myclimate, a climate and sustainability consultancy.
It’s a lot less, however, than the footprint of previous Games.
Organizers say they’re thinking about the Games’ future, not just the planet’s. Fewer cities are volunteering to spend billions on infrastructure that sometimes falls into disuse. Paris and the next host, Los Angeles in 2028, were the only cities left in the race when picked in 2017. For organizers, hosting less-wasteful Games is key, along with including more inclusive, youth-oriented events such as skateboarding.
Paris is under additional pressure to be a sustainable model: The city hosted the 2015 U.N. climate talks that resulted in the Paris Agreement, the most significant international climate accord to date. Delegates agreed the world should limit average global temperature rise to 2 degrees Celsius above that of the 1850s, and ideally cap it at 1.5 degrees — a goal looking increasingly unattainable.
Independent experts say Paris appears to be decarbonizing in the systematic ways businesses do: Calculate total emissions, then start cutting, including myriad small CO2 savings that add up significantly. Organizers targeted reductions across three categories: construction, transportation and operations.
“They seem to be taking a very thoughtful approach,” said Adam Braun of Clarasight, which builds carbon-planning software for companies. “They are trying to do something that is indicative of how many organizations will be holding themselves accountable.”
The biggest break from previous Games is in construction. Organizers say 95% of facilities are existing or will be temporary. Two new structures were deemed unavoidable: The Olympic Village, to house athletes and later become housing and office space, and the aquatics center in Paris’ disadvantaged northern suburbs.
Using wood, low-carbon cement, and salvaged materials helped reduce emissions by 30% compared with traditional methods, Grenon said.
Reductions in operations include food. The average meal in France — restaurant- or home-prepared — produces about 2 kilograms of CO2, said Philipp Würz, the Games’ catering head. Paris aims to halve that by sourcing 80% of ingredients locally, cutting transport emissions, and offering spectators 60% plant-based foods.
Winning minds as well as taste buds could take work. “Locally grown food, and supporting local farmers, are beautiful things,” tennis player Victoria Azarenka said. But “when people are doing these big gestures, I’m not fully convinced of the impact,” she added of Paris’ overall climate efforts.
Another emissions-savings source is energy. Energy will represent only 1% of emissions, organizers said. They intend to use 100% renewable power from wind and solar farms, plus solar panels on some venues.
Stadiums and temporary venues will get power from the grid instead of diesel generators, which produce much CO2. Giant electrical plugs at venues will remain post-Games, removing the need for generators at future events.
Reducing transportation-related emissions is arguably Paris’ biggest challenge. Tourism officials expect 15.3 million visitors for the Olympics and Paralympics, including 1.9 million from outside France, with at least 850,000 taking long-haul flights.
In Paris, there are low-carbon transport options — cycling routes, Metro trains, buses and other public transit — to all venues.
But the inability to control how people get to the Olympics, or any big event, raises questions about whether humanity can afford such get-togethers at the cost of further climate damage.
“Maybe things like the Olympics have to be reconsidered,” said Seth Warren Rose of the Eneref Institute, an advocacy and research group focused on sustainable development. “Having millions of people congregate in a single area is a very intensive thing.”
Rose said organizers’ efforts are laudable, but they should have gone further — reducing emissions beyond half and finding more ways to make sustainability a central fan experience.
Some critics have also questioned some sponsors. Air France, ports operator CMA CGM Group and metals giant ArcelorMittal are leaders in carbon-intensive industries. On their websites, all tout their Olympic sponsorship and sustainability efforts.
The Upright Project, a Finnish company that creates and analyzes data to evaluate companies’ impact on the world, looked at sponsors, assigning scores for positive and negative impacts on environment, health, jobs and other metrics.
On environment, sponsors’ emissions had an overall 10-fold negative impact.
“I do find the current sustainability discourse, where we effectively celebrate companies’ miniscule sustainability tweaks and greenwashing efforts like they actually make a difference to climate change, extremely harmful,” Upright Project’s Annu Nieminen said in a statement. “If the Paris 2024 sponsors are celebrated by the organizers for their ‘sustainability,’ that’s contributing to the same harmful discourse.”
In a statement, organizers said the Games presented “a unique opportunity to encourage partner businesses to adopt more responsible practices.”
For emissions it can’t cut, Paris plans to compensate – a practice called offsetting. Planting trees, for example, could help take CO2 out of the atmosphere that the Games put in. But offset markets aren’t well regulated, and investigations by news organizations have found some projects to be fraudulent while others miscalculated the quantity of emissions captured.
Organizers say they’ll continue to adapt sustainability plans as they go, including those in Tahiti. The metal judging tower, which replaced the aging wooden one Tahiti previously used to host surfing competitions, was scaled back in size in response to concerns about environmental harm, organizers say. Finished earlier this year, the tower will be dismantled after the Games. It will be erected and used again when Teahupo’o holds world surfing events.
Organizers say they expect about 1,300 people with Olympic accreditation on the island, including 500 flying in. That total, likely much smaller than if the competition took place off France’s coast, includes surfers, judges, journalists and Games workers.
“We say that sustainability is a collective sport,” Grenon said. “Will everything be perfect? No, right? We cannot say that. We’re still working very, very hard to go as far as we can.”
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washington — Chinese artists walk a tightrope when trying to create content acceptable to Beijing’s standards while attempting to seek success among Western audiences. More than one artist who has gained recognition in the West has been punished by Chinese censors, with Chinese filmmaker Lou Ye being the most recent case.
The 2024 Cannes Film Festival featured Lou’s pseudodocumentary “An Unfinished Film” as an Official Selection, and it drew positive reviews. However, the film hardly has any chance to be publicly screened in China.
“An Unfinished Film” is about a film crew’s 2020 experience at the onset of the COVID-19 pandemic in Wuhan.
The fictional plot follows the members of a film crew as they attempt to reshoot a movie, then are forced indoors as the city goes on lockdown.
During this time, the wife of an actor, a member of the film crew, was about to give birth. She tried to rush out of the hotel but was beaten by the security guard.
In the movie version, the wife of Jiang Cheng, the main character, was about to give birth. Desperate to be at the hospital with his wife, Jiang tried to break through the blockade but ended up in a huge scuffle with the security guards. Jiang was beaten up and forced to stay in his hotel room until the lockdown ended in Wuhan.
In the end, the actor, the director and other members of the fictional crew had to stay in the Wuhan hotel and could contact each other only by mobile phone.
The film included many real-life video clips that went viral during the lockdown, including a child crying and chasing his mother who was put on a bus to a makeshift hospital, and residents singing in a locked-down community in Wuhan at night.
Reaction to the film
The film stirred strong emotions among some viewers at the Cannes Film Festival.
After the film’s screening, someone in the audience shouted, “Lou Ye, you are the greatest director in China!”
Another person who watched the film posted on the Chinese social media site Weibo under the name Wu Ke Feng Gao, “In the second half, sobbing was heard everywhere in the theater. The audience in the back row said that everyone was crying for themselves. … To me, this is the greatest Chinese film in the past decade.”
But Zhao Liang, a former Chinese film critic living in the United States who requested to use a pseudonym to avoid retaliation from the Chinese government, had a different reaction to Lou’s film.
“This is a suicidal movie,” he told VOA.
“Lou Ye can’t [work in China anymore]; he has killed himself in front of the Chinese government,” Zhao added.
He said, “He filmed the pandemic, which is very sensitive to the Chinese government and is a subject that cannot be touched. The Chinese government has destroyed all the files related to the pandemic in the hospitals, as if COVID-19 never happened. All the files on the lockdown and all the records at the time, whether in the government, hospitals or neighborhood committees, have been destroyed.”
Lou Ye, the West and Chinese censors
Over the course of Lou’s more than 20-year career, Chinese officials have banned and censored much of his work. Only four of his twelve films have made it to big screens in China.
In 2000, his film “Suzhou River” won the Golden Tiger Award at the Rotterdam Film Festival in the Netherlands. However, because Lou participated in the foreign film festival without official approval, the Chinese government banned the film in China and punished Lou with a two-year prohibition on filming.
In 2006, the Chinese government placed a five-year filming ban on Lou for entering the film “Summer Palace” in the Cannes Film Festival without approval. The film was set during the taboo Tiananmen Square pro-democracy demonstrations and included explicit sexual content.
In 2019, Lou said in an interview about making the banned film, “A Cloud Made of Rain in the Wind,” “Directors should be able to make movies without being threatened by censorship and express themselves freely. This is a right granted by the Constitution. … The censorship system has made the Chinese domestic audience a second-tier audience, a second-rate audience, because they simply cannot see what they should see, what they have the right to see.”
The plight of Chinese artists
Kong Ming, a former Chinese art critic living in the United States who requested to use a pseudonym to avoid retaliation from the Chinese government, told VOA that in an already competitive industry, Chinese artists have very few options to exercise their creativity.
“Chinese artists actually have nowhere to escape,” Kong said. “Even if you give up the Chinese market, you will no longer have the soil for your creations.”
Other artists who have faced Chinese censors include internationally renowned Chinese artist Ai Weiwei, known for his often provocative art. He experienced detention and violence at the hands of Chinese police when living in China.
In 2019, music by contemporary Chinese folk singer Li Zhi disappeared from all music streaming platforms in China. His personal Weibo and other social media accounts were also shut down.
An official reason was never given for the disappearance of Li’s music.
Many of his works touched on the taboos of the Chinese government, including the suppression of the 1989 student movement at Tiananmen Square. During the COVID-19 White Paper Movement, he also posted photos of himself holding white paper.
In April, although Li toured major cities in Japan, attracting tens of thousands of Chinese fans, Kong said the tour in Japan was just a one-time phenomenon.
“China has tightened up its grip in all aspects. Li’s case has definitely alerted the government. In the future, any musician who wants to hold a concert abroad will need a permit,” said Kong.
It is tough for Chinese artists to find success both in China and the West, analysts said. One rare exception is Liu Cixin, the award-winning science fiction writer of The Three-Body Problem. The popularity of the trilogy has led to television adaptions in China and on Netflix about an alien race’s invasion.
“Some individuals may be able to break through the ban, but it is very rare. How many Chinese artists are there in New York? Whose career is actually growing? Almost none,” Zhao said.
In addition to the threat of censors in China, Chinese artists face challenges if they try to expand their careers overseas, Zhao said.
“First of all, the cultural gap is still severe,” he said. “Lou Ye can only shoot Chinese themes, which are also very limited. Overseas audiences care little about Chinese themes, and it is difficult to integrate. It is very difficult for Chinese artists to be truly recognized in the West.”
He said the creative soil overseas is extremely barren for individual Chinese artists, there is no support structure, and they lack funding.
“There are a few capable people, but they are all very depressed when they arrive in the United States. When they live in the U.S. they don’t interact with each other, and it’s impossible for them to come together,” he said.
Adrianna Zhang contributed to this report.
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WASHINGTON — Marian Shields Robinson, the mother of Michelle Obama who moved with the first family to the White House when son-in-law Barack Obama was elected president, has died. She was 86.
Robinson’s death was announced by Michelle Obama and other family members in a statement that said, “There was and will be only one Marian Robinson. In our sadness, we are lifted up by the extraordinary gift of her life.”
She had been a widow and lifelong Chicago resident when she moved to the executive mansion in 2009 to help care for granddaughters Malia and Sasha. In her early 70s, Robinson initially resisted the idea of starting over in Washington, and Michelle Obama had to enlist her brother, Craig Robinson, to help persuade their mother to move.
“There were many good and valid reasons that Michelle raised with me, not the least of which was the opportunity to continue spending time with my granddaughters, Malia and Sasha, and to assist in giving them a sense of normalcy that is a priority for both of their parents, as has been from the time Barack began his political career,” Marian Robinson wrote in the foreword to A Game of Character, a memoir by her son, formerly the head men’s basketball coach at Oregon State University.
“My feeling, however, was that I could visit periodically without actually moving in and still be there for the girls,” she said.
Robinson wrote that her son understood why she wanted to stay in Chicago but still used a line of reasoning on her that she often used on him and his sister. He asked her to see the move as a chance to grow and try something new. As a compromise, she agreed to move, at least temporarily.
Her granddaughters Malia and Sasha were just 10 and 7, respectively, when the White House became home in 2009. In Chicago, Robinson had become almost a surrogate parent to the girls during the 2008 presidential campaign. She retired from her job as a bank secretary to help shuttle them around.
At the White House, Robinson provided a reassuring presence for the girls as their parents settled into their new roles, and her lack of Secret Service protection made it possible for her to accompany them to and from school daily without fanfare.
“I would not be who I am today without the steady hand and unconditional love of my mother, Marian Shields Robinson,” Michelle Obama wrote in her 2018 memoir, Becoming. “She has always been my rock, allowing me the freedom to be who I am, while never allowing my feet to get too far off the ground. Her boundless love for my girls, and her willingness to put our needs before her own, gave me the comfort and confidence to venture out into the world knowing they were safe and cherished at home.”
Robinson gave a few media interviews but never to the White House press. Aides guarded her privacy, and, as result, she enjoyed a level of anonymity openly envied by the president and first lady. It allowed her to come and go from the White House as often as she pleased on shopping runs around town, to the president’s box at the Kennedy Center, and for trips to Las Vegas or to visit her other grandchildren in Portland, Oregon.
She attended some White House events, including concerts, the annual Easter Egg Roll and National Christmas Tree lighting, and some state dinners.
White House residency also opened up the world to Robinson, who had been a widow for nearly 20 years when she moved to a room on the third floor of the White House, one floor above the first family. She had never traveled outside the U.S. until she moved to Washington.
Her first flight out of the country was aboard Air Force One in 2009, when the Obamas visited France. She joined the Obamas on a trip to Russia, Italy and Ghana later that year, during which she got to meet Pope Benedict, tour Rome’s ancient Colosseum and view a former slave-holding compound on the African coast. She also accompanied her daughter and granddaughters on two overseas trips without the president: to South Africa and Botswana in 2011, and China in 2014.
Craig Robinson wrote in the memoir that he and his parents doubted whether his sister’s relationship with Barack Obama would last, though Fraser Robinson III and his wife thought the young lawyer was a worthy suitor for their daughter, also a lawyer. Without explanation, Craig Robinson said his mother gave the relationship six months.
Barack and Michelle Obama were married on October 3, 1992.
One of seven children, Marian Lois Shields Robinson was born in Chicago on July 30, 1937. She attended two years of teaching college, married in 1960 and, as a stay-at-home mom, stressed the importance of education to her children. Both were educated at Ivy League schools, each with a bachelor’s degree from Princeton. Michelle Obama also has a law degree from Harvard.
Fraser Robinson was a pump operator for the Chicago Water Department who had multiple sclerosis. He died in 1991.
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A new Netflix series has turned attention to a historic red-light district in Pakistan. Set in Lahore, “Heeramandi: The Diamond Bazaar” is one of the most popular non-English series on the streaming platform. But as VOA’s Pakistan bureau chief Sarah Zaman reports, not everyone is happy with the attention. Videographer: Wajid Asad; video editor: Malik Waqar Ahmed.
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ACCRA, Ghana — Meet Ace-Liam Ankrah, a Ghana toddler who has set the record as the world’s youngest male artist.
His mother, Chantelle Kukua Eghan, says it all started by accident when her son, who at the time was 6 months old, discovered her acrylic paints.
Eghan, an artist and founder of Arts and Cocktails Studio, a bar that that offers painting lessons in Ghana’s capital, Accra, said she was looking for a way to keep her son busy while working on her own paintings.
“I spread out a canvas on the floor and added paint to it, and then in the process of crawling he ended up spreading all the colors on the canvas,” she said.
And that’s how his first artwork, “The Crawl,” was born, Eghan, 25, told The Associated Press.
After that and with his mother’s prodding, Ace-Liam kept on painting.
Eghan decided to apply for the record last June. In November, Guinness World Records told her that to break a previous record, her son needed to exhibit and sell paintings.
She arranged for Ace-Liam’s first exhibition at the Museum of Science and Technology in Accra in January, where nine out of 10 of his pieces listed were sold. She declined to say for how much the paintings sold.
They were on their way.
Then, Guinness World Records confirmed the record in a statement and last week declared that “at the age of 1 year 152 days, little Ace-Liam Nana Sam Ankrah from Ghana is the world’s youngest male artist.”
Guinness World Records did not immediately respond to an Associated Press query about the previous youngest male artist record holder.
The overall record for the world’s youngest artist is currently held by India’s Arushi Bhatnagar. She had her first exhibition at the age of 11 months and sold her first painting for 5,000 rupees ($60) in 2003.
These days, Ace-Liam, who will be 2 years old in July, still loves painting and eagerly accompanies his mom to her studio, where a corner has been set off just for him. He sometimes paints in just five-minute sessions, returning to the same canvas over days of weeks, Eghan says.
On a recent day, he ran excitedly around the studio, with bursts of energy typical for boys his age. But he was also very focused and concentrated for almost an hour while painting — choosing green, yellow and blue for his latest work-in-progress and rubbing the oil colors into the canvas with his tiny fingers.
Eghan says becoming a world record holder has not changed their lives. She won’t sell “The Crawl” but plans on keeping it in the family.
She added that she hopes the media attention around her boy could encourage and inspire other parents to discover and nurture their children’s talents.
“He is painting and growing and playing in the whole process,” she says.
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The artists from South Africa’s Mzansi Gay Choir are known not just for their music, but also for their role in LGBTQI advocacy. Ihsaan Haffejee brings us this story from a rehearsal studio in Johannesburg, where the musicians gather for a practice session.
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America’s oldest Chinatown sustains traditions even as members of the Chinese diaspora continue to spread out and evolve. Matt Dibble has the story from San Francisco, California.
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Los Angeles’ Chinatown has undergone many changes, as immigrants from mainland China join those from Hong Kong, Taiwan and other parts of Southeast Asia. As Mike O’Sullivan reports, the growing community has also expanded to the suburbs, where recent arrivals find much that is familiar. Mo Yu contributed.
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MADISON, Wis. — Schuylar Jones, a globe-trotting American adventurer whose exploits drew comparisons to iconic movie character Indiana Jones, has died. He was 94.
Jones’ stepdaughter, Cassandra Da’Luz Vieira-Manion, posted on her Facebook page that Jones died on May 17. She said she had been taking care of him for the last six years and “truly thought he might live forever.”
“He was a fascinating man who lived a lot of life around the world,” she wrote.
Da’Luz Vieira-Manion didn’t immediately respond to messages from The Associated Press on Saturday.
Jones grew up around Wichita, Kansas. His younger sister, Sharon Jones Laverentz, told the Wichita Eagle that her brother had visited every U.S. state before he was in first grade thanks to their father’s job supplying Army bases with boots.
He wrote in an autobiography posted on Edinburgh University’s website that he moved to Paris after World War II, where he worked as a photographer. He also spent four years in Africa as a freelance photographer. In his 1956 book “Under the African Sun,” he tells of surviving a helicopter crash in a marketplace in In Salah, Algeria, the Wichita Eagle reported. After the helicopter crashed he discovered he was on fire; gale-force winds had reignited the ashes in his pipe.
“Camels bawled and ran, scattering loads of firewood in all directions,” Jones wrote. “Children, Arabs and veiled women either fled or fell full length in the dust. Goats and donkeys went wild as the whirling, roaring monster landed in their mist … weak with relief, the pilot and I sat in the wreckage of In Salah’s market place and roared with laughter.”
He later moved to Greece, where he supported himself by translating books from German and French to English. He decided to drive through India and Nepal in 1958. He said he fell in love with Afghanistan during the trip and later enrolled at Edinburgh to study anthropology.
“He was more interested in the people and cultures he was finding than he was in photography and selling those,” his son, archeologist Peter Jones, told the Wichita Eagle.
After graduating he returned to Afghanistan and began study natives living in the country’s remote eastern valleys. He parlayed that research into a doctorate at Oxford University and went on to become a curator and later director at that university’s Pitt Rivers Museum. Upon retirement, he was awarded the Commander of the Order of the British Empire award, one step below knighthood.
Similarities between Jones and George Lucas’ Henry “Indiana” Jones Jr. character are striking. Aside from the name and the family business — Indy’s father, Henry Sr., was an archaeologist, just like Schuyler Jones’ son, Peter, are archeologists — they were both adept at foreign languages and wore brown fedoras.
And like Indy, Schuylar Jones believed artifacts belonged in museums, Da’Luz Vieiria-Manion told the Wichita Eagle. Eric Cale, executive director of the Wichita-Sedgwick County Historical Museum, told the newspaper that Jones permanently donated his grandfather’s artifacts to the museum. Jones wrote in his 2007 book “A Stranger Abroad” that he wanted to find the Ark of Covenant and donate it to a museum, which is exactly what Indy accomplished in “Raiders of the Lost Ark” — at least until the U.S. government seized the relic and hid it away again at the end of the movie.
Pat O’Connor, a publisher who worked with Jones, told the newspaper that Jones had a “low tolerance” for slow-witted and pretentious people.
“I’ve never met a man so talented and capable and at the same time approachable,” O’Connor said. “But if you transgressed . . . by trying to present yourself as somewhat above your station intellectually, then that is the end.”
Jones wrote in “A Stranger Abroad” that he first heard of Indy in the 1980s when a museum director in Madras asked him if he was the real-life version. He wrote that he had no idea what she was talking about, but later thought the comparison was driving more students to attend his lectures at Oxford.
Jones was married twice, first to Lis Margot Sondergaard Rasmussen, and then to Da’Luz Vieria-Manion’s mother, Lorraine, who died in 2011. He later began a relationship with actress Karla Burns, who died in 2021, the Wichita Eagle reported.
He is survived by his son, three daughters, a sister, six grandchildren, six great-grandchildren and one great-great-grandchild, the newspaper reported.
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NEW YORK — Three years ago, Erin Decker was a middle school librarian in Kissimmee, Florida, increasingly frustrated by the state’s book bans and worried that she couldn’t make a difference remaining in her job.
So, she and fellow librarian Tania Galiñanes thought of a way to fight back.
“We just put our heads together and decided a bookstore would help make sure students could get to books that were being pulled from shelves,” says Decker, whose White Rose Books & More opened last fall in Kissimmee. The store is named for a resistance group in Nazi Germany and features a section — ringed by yellow “caution” tape — dedicated to such banned works as Maia Kabobe’s Gender Queer, Jonathan Evison’s Lawn Boy and John Green’s Looking for Alaska.
White Rose Books is part of the ever-expanding and diversifying world of independent bookstores. Even as industry sales were slow in 2023, membership in the American Booksellers Association continued its years-long revival. It now stands at 2,433, more than 200 over the previous year and nearly double since 2016. Around 190 more stores are in the process of opening over the next two years, according to the ABA.
“Our numbers are really strong, and we have a solid, diverse pipeline of new stores to come,” says Allison Hill, the book association’s CEO. She cites a range of reasons for people opening stores, from opposing bans to championing diversity to pursuing new careers after the pandemic.
“Some are opening to give back to their community. And some still just love books,” she said during a phone interview this week.
Recent members include everyone from the romance-oriented That’s What She Read in Mount Ayr, Iowa; to Seven Stories in Shawnee, Kansas, managed by 15-year-old Halley Vincent; to more than 20 Black-owned shops.
In Pasadena, California, Octavia’s Bookshelf is named for the late Black science fiction author Octavia Butler and bills itself as “a space to find community, enjoy a cup of coffee, read, relax, find unique and specially curated products from artisans from around the world and in our neighborhood.” Leah Johnson, author of the prize-winning young adult novel You Should See Me In a Crown, was troubled by the surge in book bans and by what she saw as a shortage of outlets for diverse voices. Last year, she founded Loudmouth Books, one of several independent sellers to open in Indianapolis.
“I’m not a person who dreamed of opening a bookstore. I didn’t want to be anybody’s boss,” Johnson says. “But I saw a need and I had to fill it.”
Most of the new businesses are traditional “brick and mortar” retailers. But a “bookstore” can also mean a “pop-up” business like Loc’d & Lit, which has a mission to bring “the joy of reading to the Bronx,” the New York City borough that had been viewed by the industry as a “desert” for its scarcity of bookstores. Other new stores are online only, among them the Be More Literature Children’s Bookshop and the used books seller Liberation Is Lit. Nick Pavlidis, a publisher, ghost writer and trainer of ghost writers, launched the online Beantown Books in 2023 and has since opened a small physical store in suburban Boston.
“My goal is to move into a larger space and create a friendly place for authors to host events,” he says, adding that he’d like to eventually own several stores.
Independent bookselling has never been dependably profitable, and Hill notes various concerns — rising costs, dwindling aid from the pandemic and the ongoing force of Amazon.com, which remains the industry’s dominate retailer even after the e-book market stalled a decade ago. Last month, the booksellers association filed a motion with the Federal Trade Commission, seeking to join the antitrust suit against Amazon that the FTC announced in 2023. The motion states in part that Amazon is able to offer prices “that ABA members cannot match except by forgoing a sustainable margin, or incurring a loss.”
Just opening a store requires initiative and a willingness to take risks. Decker says that she and Galiñanes had to use retirement money because lenders wouldn’t provide credit until they were actually in business. The owner of Octavia’s Bookshelf, Nikki High, is a former communications director for Trader Joe’s who relied on crowdfunding and her own savings to get her store started.
“Even with tons of planning, and asking questions and running numbers, it’s been very difficult,” High says. “I don’t know that I could have prepared myself for what a shrewd business person you have to be to making a living out of this.”
High cites a variety of challenges and adjustments — convincing customers they don’t have to order items from Amazon.com, supplementing sales by offering tote bags and journals and other non-book items. Knowing which books to stock has also proved an education.
“I would read a book and think it’s the best thing ever and order a bunch of copies, and everybody else is like, ‘No, I don’t want that book,'” she explains. “And when we started, I wanted to be everything for everybody. We had a ton of different categories. But I found out that short stories and poetry almost never sell for us. People want general fiction, bestsellers, children’s books. Classics sell very well, books by James Baldwin and Toni Morrison and bell hooks and June Jordan.”
“It’s incredibly important to listen to your customers.”
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LIMA, Peru — With their unmistakable red noses, extravagant shoes, colorful outfits and unique makeup, hundreds of clowns Saturday gathered in the streets of Peru’s capital to mark Clown Day. They have sought for years to gain official recognition of the day.
The colorful parade in Lima, which includes awards for the best costumes, makeup, routine and improvisation, takes place every year on May 25.
“In Peru, there is Lawyer’s Day, Ceviche Day, and we also want a Clown Day because it would open doors for us to have support from the State and from the municipalities,” said Marcos Chininín, known as the clown “Chalupa.”
Chininin said the official recognition would give clowns access to government funds and performance spaces overseen by municipalities and local communities, as well as open the possibility of establishing schools to teach the art of clowning.
Members of Parliament have not yet discussed a proposed bill to create the holiday. Chininín, 42, estimated that about 200,000 people across Peru work as clowns, including at children’s events and the circus.
Miguel Ara Stein participated in Saturday’s parade dressed as his character “Chuchurro.” He said establishing the holiday would also be an acknowledgement of the talents that clowns must have.
“You have to have the gift of acting, the gift of character, of improvising,” Ara, 57, said. “We are all born for something and making people laugh is a gift.”
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NEW YORK — Richard M. Sherman, one half of the prolific, award-winning pair of brothers who helped form millions of childhoods by penning the instantly memorable songs for Mary Poppins, The Jungle Book and Chitty Chitty Bang Bang — as well as the most-played tune on Earth, It’s a Small World (After All) — has died. He was 95.
Sherman, together with his late brother Robert, won two Academy Awards for Walt Disney’s 1964 smash Mary Poppins — best score and best song, Chim Chim Cher-ee. They also picked up a Grammy for best movie or TV score. Robert Sherman died in London at age 86 in 2012.
The Walt Disney Co. announced that Sherman died Saturday in a Los Angeles hospital of an age-related illness.
“Generations of moviegoers and theme park guests have been introduced to the world of Disney through the Sherman brothers’ magnificent and timeless songs. Even today, the duo’s work remains the quintessential lyrical voice of Walt Disney,” the company said in a remembrance posted on its website.
Their hundreds of credits as joint lyricist and composer also include the films Winnie the Pooh, The Slipper and the Rose, Snoopy Come Home, Charlotte’s Web and The Magic of Lassie. Their Broadway musicals included 1974’s Over Here! and stagings of Mary Poppins and Chitty Chitty Bang Bang in the mid-2000s.
“Something good happens when we sit down together and work,” Richard Sherman told The Associated Press in a 2005 joint interview. “We’ve been doing it all our lives. Practically since college we’ve been working together.”
Their awards include 23 gold and platinum albums and a star on the Hollywood Walk of Fame. They became the only Americans ever to win first prize at the Moscow Film Festival for Tom Sawyer in 1973 and were inducted into the Songwriters’ Hall of Fame in 2005.
President George W. Bush awarded them the National Medal of Arts in 2008, commended for music that “has helped bring joy to millions.”
Most of the songs the Shermans wrote — in addition to being catchy and playful — work on multiple levels for different ages, something they learned from Disney.
“He once told us, early on in our career, ‘Don’t insult the kid — don’t write down to the kid. And don’t write just for the adult.’ So we write for Grandpa and the 4-year-old — and everyone in between — and all see it on a different level,” Richard Sherman said.
The Shermans began a decade-long partnership with Disney during the 1960s after having written hit pop songs like Tall Paul for ex-Mouseketeer Annette Funicello and You’re Sixteen, later recorded by Ringo Starr.
They wrote more than 150 songs at Disney, including the soundtracks for such films as The Sword and the Stone, The Parent Trap, Bedknobs and Broomsticks, The Jungle Book, The Aristocrats and The Tigger Movie.
It’s a Small World — which accompanies visitors to Disney theme parks’ boat ride sung by animatronic dolls representing world cultures — is believed to be the most performed composition in the world. It first debuted at the 1964-65 New York World’s Fair pavilion ride.
The two brothers credited their father, composer Al Sherman, with challenging them to write songs and for their love of wordsmithing.
The Shermans teased songs out of each other, brainstorming titles and then trying to top each other with improvements. “Being brothers, we sort of short-cut each other,” Richard Sherman said. “We can almost look at each other and know, ‘Hey, you’re onto something, kiddo.'”
Away from the piano, the two raised families and pursued their own interests, yet still lived close to each other in Beverly Hills and continued working well into their 70s.
Richard Sherman is survived by his wife, Elizabeth, and their two children: Gregory and Victoria. He also is survived by a daughter, Lynda, from a previous marriage.
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The Hague, Netherlands — U.S. rapper Nicki Minaj was detained at Amsterdam’s Schiphol Airport on suspicion of possessing soft drugs before being released with a fine, Dutch media reported Saturday.
The singer was to perform a show in Britain later Saturday and posted images on social media of her being questioned by officials.
Police confirmed to AFP that they had detained a 41-year-old American woman but declined to confirm that it was Minaj, as per their usual policy.
“We never confirm the identity of a person in custody, but I can confirm we have arrested a 41-year-old woman suspected of trying to export soft drugs to another country,” Robert Kapel, a military police spokesman, told AFP.
Kapel later told AFP the suspect had been released after the payment of a “reasonable” fine.
“There’s no reason for us to keep her in custody any longer. We have all the information for our file. Case closed,” he told AFP.
The rapper posted on X that authorities told her they had found cannabis in her luggage, which she said belonged to her security personnel.
A common misconception outside the Netherlands is that marijuana is legal in the country, home to world-famous coffee shops (which actually sell pot) that are a huge draw for cannabis smokers.
The consumption of small quantities of cannabis is technically illegal but police choose not to enforce the law as part of a tolerance policy in place since the 1970s.
Transporting the drugs to another country is illegal.
Minaj was due to perform in Manchester on her Pink Friday 2 World Tour, and the hashtag #FREENICKI was trending on X.
The Manchester concert originally scheduled for Saturday night has now been postponed.
Promoter Live Nation said the performance will be rescheduled and tickets will be honored.
“Despite Nicki’s best efforts to explore every possible avenue to make tonight’s show happen, the events of today have made it impossible,” the promoter said in a statement. “We are deeply disappointed by the inconvenience this has caused.”
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MARSEILLE, France — Brought into the international spotlight by the ban on hijabs for French athletes at the upcoming Paris Olympics, France’s unique approach to “laïcité” — loosely translated as “secularism” — has been increasingly stirring controversy across the country.
The struggle cuts to the core of how France approaches not only the place of religion in public life, but also the integration of its mostly immigrant-origin Muslim population, Western Europe’s largest.
Perhaps the most contested ground is public schools, where visible signs of faith are barred under policies seeking to foster national unity. That includes the headscarves some Muslim women want to wear for piety and modesty, even as others fight them as a symbol of oppression.
“It has become a privilege to be allowed to practice our religion,” said Majda Ould Ibbat, who was considering leaving Marseille, France’s second-largest city, until she discovered a private Muslim school, Ibn Khaldoun, where her children could both freely live their faith and flourish academically.
“We wanted them to have a great education, and with our principles and our values,” added Ould Ibbat, who only started wearing a headscarf recently, while her teen daughter, Minane, hasn’t felt ready to.
For Minane, as for many French Muslim youth, navigating French culture and her spiritual identity is getting harder. The 19-year-old nursing student has heard people say even on the streets of multicultural Marseille that there’s no place for Muslims.
“I ask myself if Islam is accepted in France,” she said.
Minane also lives with the collective trauma that has scarred much of France in the aftermath of Islamist attacks, which have targeted schools and are seen by many as evidence that laïcité (pronounced lah-eee-see-tay) needs to be strictly enforced to prevent radicalization.
Minane vividly remembers observing a moment of silence at Ibn Khaldoun in honor of Samuel Paty, a public school teacher beheaded by a radicalized Islamist in 2020. A memorial to Paty as a defender of France’s values hangs in the entrance of the Education Ministry in Paris.
For its officials and most educators, secularism is essential. They say it encourages a sense of belonging to a united French identity and prevents those who are less or not religiously observant from feeling pressured.
For many French Muslims, however, laïcité is exerting precisely that kind of discriminatory pressure on already disadvantaged minorities.
Amid the tension, there’s broad agreement that polarization is skyrocketing, as crackdowns and challenges mount.
“Laws on laïcité protect and allow for coexistence — which is less and less easy,” said Isabelle Tretola, principal of the public primary school across from Ibn Khaldoun.
She addresses challenges to secularism daily — like children in choir class who put their hands on their ears “because their families told them singing variety songs isn’t good.”
“You can’t force them to sing, but teachers tell them they can’t cover their ears out of respect for the instructor and classmates,” Tretola said. “In school, you come to learn the values of the republic.”
Secularism is a fundamental value in France’s constitution. The state explicitly charges public schools with instilling those values in children, while allowing private schools to offer religious instruction as long as they also teach the general curriculum that the government establishes.
Government officials argue the prohibition against showcasing a particular faith is necessary to avoid threats to democracy. The government has made fighting radical Islam a priority, and secularism is seen as a bulwark against the feared growth of religious influence on daily life, down to beachwear.
“In a public school, the school for everyone, one behaves like everyone else, and should not make a display,” said Alain Seksig, secretary general of the Education Ministry’s council on secularism.
For many teachers and principals, having strict government rules is helping confront multiplying challenges.
Some 40% of teachers report self-censoring on subjects from evolution to sexual health after the attacks on Paty and another teacher, Dominique Bernard, slain last fall by a suspected Islamic extremist, said Didier Georges of SNPDEN-UNSA, a union representing more than half of France’s principals.
Like him, Laurent Le Drezen, a principal and a leader of another education workers union, SGEN-CFDT, sees a nefarious influence of social media in the growth of Muslim students challenging secularism at school.
His classroom experience in Marseille’s Quartiers Nord — often dilapidated suburbs with projects housing mostly families of North African origin — also taught him the importance of showing students that schools aren’t coming after them for being Muslim.
At Marseille’s Cedres Mosque, next to the projects, Salah Bariki said youth are struggling with exactly that sense of rejection from France.
“What do they want us to do, look at the Eiffel Tower instead of Mecca?” Bariki quipped. Nine of 10 young women in the neighborhood are now veiled, “for identity more than religion,” he added.
To avoid a vicious cycle, more — not less — discussion of religion should be happening in schools, argued Haïm Bendao, rabbi at a conservative synagogue in a nearby neighborhood.
“To establish peace, it’s a daily effort. It’s crazy important to speak in schools,” said Bendao, who has gone to both Ibn Khaldoun and the Catholic school across from it, Saint-Joseph, which also enrolls many Muslim students.
Several families at Ibn Khaldoun said they chose it because it can support both identities instead of exacerbating all-too-public doubts over whether being Muslim is compatible with being French.
“When I hear the debate over compatibility, that’s when I turn off the TV. Fear has invaded the world,” said Nancy Chihane, president of the parents’ association at Ibn Khaldoun.
At a recent spring recess where girls with hijabs, others with their hair flowing in the wind, and boys all mingled, one headscarf-wearing high-schooler said transferring to Ibn Khaldoun meant both freedom and community.
“Here we all understand each other, we’re not marginalized,” said Asmaa Abdelah, 17.
Nouali Yacine, her history and geography teacher, was born in Algeria — which was under French colonial rule until it won independence in 1962 after a violent struggle — and raised in France since he was 7 months old.
“We are within the citizenry. We don’t pose that question, but they pose it to us,” Yacine says.
The school’s founding director, Mohsen Ngazou, is equally adamant about respecting religious and education obligations.
He recalls once “making a scene” when he saw a student wearing an abaya over pajamas — the student code prohibits the latter alongside shorts and revealing necklines.
“I told her she wasn’t ready for class,” Ngazou said. “The abaya doesn’t make a woman religious. The important thing is to feel good about who you are.”
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RIYADH, Saudi Arabia — Leaning into the microphone in Saudi Arabia’s capital, Nora let loose a primal scream. Guitars wailed and drums throbbed behind her as part of a set with her bandmates during a recent show.
The performance by Seera, an all-women psychedelic rock band that blends traditional Arabic melodies with the resurgent psychedelia of bands like Tame Impala, would have been unthinkable just years earlier in the kingdom.
But as Saudi Arabia liberalizes some aspects of its society, Seera represents the way women now are finding their voice and expressing themselves through the arts in a nation long associated with ultraconservative Islam and the strict separation of the sexes.
“We didn’t know how people would react,” said Meesh, the band’s bassist, who like other members asked to be identified by their stage names. “We believe strongly in self-expression. To our surprise, they really had open arms for us.”
The band’s name, Seera, can mean “life” or “biography” in Arabic. Band members say they try to embrace the multiple meanings one can draw from a word in the language in its sound, whether through the driving drums and cymbals or the synthesizer backing the guitars.
Seera’s music style revolves around the life experiences of the four-member band, who are all Saudi nationals. They sing in the Saudi dialect of Arabic, while drummer Thing wears a traditionally embroidered red face covering.
“I thought this would be great as a reflection of the culture, the heritage and the roots,” she said. “At the same time it would be a cool representation between the traditional and the modern and the expression of it. That’s also within our sonic identity as well.”
Seera is quick to point out they aren’t the first female band in the kingdom. Instead, they say that goes to The Accolade, which formed in 2008 and could only play underground. Things have changed radically in the kingdom in recent years since the accession of King Salman and his assertive son, Crown Prince Mohammed bin Salman.
In 2018, women gained the right to drive. Movie theaters and other entertainment centers opened. Women are no longer required to wear the fully cloaking black abaya.
Clear limits still remain on speech and any political activity in the tightly governed kingdom. But in the arts space, Saudi Arabia is slowly opening up, as could be seen by Seera’s show earlier this month at The Warehouse, a live music space in Riyadh’s Diriyah neighborhood.
There, dozens of youths in leather jackets and black rock T-shirts swayed and danced to the music. One young man with heavy eyeliner wore a shirt declaring: “I HATE LIFE.” The fashion choices resembled any other punk show at a club in the West, though there was an absence of smoking or any alcohol in the dry kingdom.
“Things have become definitely better, more towards inclusivity and in a broader perspective and in a broader way,” Thing said. “There’s definitely room for more growth.”
Seera plans to release their debut album later this year. They’ve also booked their first international concert in Dubai, where they’ll get their first chance to perform outside of Saudi Arabia.
Nora said she wanted the band to be “an inspiration for the younger generation” to express themselves.
“It’s OK to look, act, behave the way you want as long as you’re not harming anyone,” she said.
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