NEW YORK — Norman Jewison, the acclaimed and versatile Canadian-born director whose Hollywood films ranged from Doris Day comedies and “Moonstruck” to social dramas such as the Oscar-winning “In the Heat of the Night,” has died at age 97. 

Jewison, a three-time Oscar nominee who in 1999 received an Academy Award for lifetime achievement, died “peacefully” Saturday, according to publicist Jeff Sanderson. Additional details were not immediately available. 

Throughout his long career, Jewison combined light entertainment with topical films that appealed to him on a deeply personal level. As Jewison was ending his military service in the Canadian navy during World War II, he hitchhiked through the American South and had a close-up view of Jim Crow segregation. In his autobiography “This Terrible Business Has Been Good to Me,” he noted that racism and injustice became his most common themes. 

“Every time a film deals with racism, many Americans feel uncomfortable,” he wrote. “Yet it has to be confronted. We have to deal with prejudice and injustice or we will never understand what is good and evil, right and wrong; we need to feel how ‘the other’ feels.” 

He drew upon his experiences for 1967’s “In the Heat of the Night,” starring Rod Steiger as a white racist small-town sheriff and Sidney Poitier as a Black detective from Philadelphia trying to help solve a murder and eventually forming a working relationship with the hostile local lawman. 

James Baldwin condemned the film’s “appalling distance from reality,” and thought the director trapped in a fantasy of racial harmony that would only heighten “Black rage and despair.” But The New York Times’ Bosley Crowther was among the critics who found the movie powerful and inspiring and, in a year, featuring such landmarks as “The Graduate” and “Bonnie and Clyde,” Jewison’s production won the Academy Award for best picture while Steiger took home the best actor Oscar. (Jewison lost out for best director to Mike Nichols of “The Graduate”). 

Among those who encouraged Jewison while making “In the Heat of the Night”: Robert F. Kennedy, whom the director met during a ski trip in Sun Valley, Idaho. 

“I told him I made films and he asked what kind I make,” he recalled in a 2011 interview with The Hollywood Reporter. “So I told him that I was working on ‘In the Heat of the Night’ and that it’s about two cops: one a white sheriff from Mississippi and the other a black detective from Philadelphia. I told him it was a film about tolerance. So he listened and nodded and said ‘You know, Norman, timing is everything. In politics, in art, in life itself.’ I never forgot that.” 

He received two other Oscar nominations, for “Fiddler on the Roof” and “Moonstruck,” the beloved romantic comedy for which Cher won an Academy Award for best actress. He also worked on such notable films as the Cold War spoof “The Russians Are Coming, The Russians Are Coming,” the Steve McQueen thriller “The Thomas Crown Affair” and a pair of movies featuring Denzel Washington: the racial drama “A Soldier’s Story” and “The Hurricane,” starring Washington as wrongly imprisoned boxer Rubin “Hurricane” Carter. 

A third project with Washington never made it to production. In the early 1990s, Jewison was set to direct a biography of Malcolm X, but backed out amid protests from Spike Lee and others that a white director shouldn’t make the film. Lee ended up directing. 

Five Jewison films received best Oscar nominations: “In the Heat of the Night,” “The Russians Are Coming, The Russians Are Coming,” “Fiddler on the Roof,” “Moonstruck” and “A Soldier’s Story.” 

Jewison and his wife Margaret Ann Dixon (nicknamed Dixie) had three children, sons Kevin and Michael and daughter Jennifer Ann, who became an actress and appeared in the Jewison films “Agnes of God” and “Best Friends.” The Jewisons were married 51 years, until her death in 2004. He married Lynne St. David in 2010. 

Jewison, honored by Canada in 2003 with a Governor General’s Performing Arts Award, remained close to his home country. When he wasn’t working, he lived on a 200-acre farm near Toronto, where he raised horses and cattle and produced maple syrup. He founded the Canadian Film Centre in 1988 and for years hosted barbecues during the Toronto Film Festival. 

The Toronto-born Jewison began acting at age 6, appearing before Masonic lodge gatherings. After graduating from Victoria College, he went to work for the BBC in London, then returned to Canada and directed programs for the CBC. His work there brought offers from Hollywood, and he quickly earned a reputation as a director of TV musicals, with stars including Judy Garland, Danny Kaye and Harry Belafonte. Jewison shifted to feature films in 1963 with the comedy “40 Pounds of Trouble,” starring Tony Curtis and Suzanne Pleshette. 

The director’s light touch prompted Universal to assign him to a series of comedies, including “The Thrill of It All,” which paired Day with James Garner, and “Send Me No Flowers,” starring Day and Rock Hudson. Wearying of such scripts, Jewison used a loophole in his contract to move to MGM for 1965’s “The Cincinnati Kid,” a drama of the gambling world starring McQueen and Edward G. Robinson. He followed with “The Russians Are Coming, The Russians Are Coming,” which starred Carl Reiner and Eva Marie Saint and was the breakthrough film for Alan Arkin. 

His other films included “F.I.S.T.”, a flop with Sylvester Stallone as a Jimmy Hoffa-style labor leader; “… And Justice for All” (1979), with Al Pacino fighting a crooked judicial system; and “In Country,” featuring Bruce Willis as a Vietnam War veteran. His most recent work, the 2003 thriller “The Statement,” starred Michael Caine and Tilda Swinton and flopped at the box office. 

“I never really became as much a part of the establishment as I wanted to be,” he told The Hollywood Reporter in 2011. “I wanted to be accepted. I wanted people to say ‘that was a great picture.’ I mean I have a big ego like anyone else. I’m no shrinking violet. But I never felt totally accepted — but maybe that’s good.” 
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New York — On a quiet weekend in movie theaters, “Mean Girls” repeated atop the box office with $11.7 million in ticket sales, according to studio estimates Sunday, while a handful of awards contenders sought to make an impact ahead of Oscar nominations Tuesday.

With a dearth of new releases in cinemas, Paramount Pictures’ Tina Fey-scripted musical “Mean Girls” pushed its two-week total past $50 million, along with $16.2 million internationally. So far, it’s outpacing the tally for the 2004 original “Mean Girls.”

Only one new film debuted in wide release: “I.S.S.,” a modestly budgeted sci-fi thriller starring Ariana DeBose. The film, which speculates what would happen aboard the International Space Station if war broke out between the U.S. and Russia, debuted with $3 million on 2,518 screens for Bleecker Street.

Expectations weren’t high for “I.S.S.,” which drew only so-so reviews and was lightly marketed. Audiences also didn’t like it, giving the film a “C-” CinemaScore.

But even for January, historically a low ebb for moviegoing, it was a sparsely attended weekend, with paltry options on the big screen. The top 10 films collectively accounted for just $51.3 million in box office, according to Comscore.

With a similarly thin release schedule on deck for next weekend, it could be the start of a chastening trend for Hollywood in 2024. Due to production delays caused by last year’s strikes, there are significant holes throughout this year’s movie calendar.

The Jason Statham thriller “The Beekeeper,” from Amazon MGM Studios, remained in second place, grossing $8.5 million in its second weekend to bring its total to $31.1 million. Warner Bros. “Wonka,” six weeks into its smash run in theaters, was third, with $6.4 million in ticket sales. It’s taken in $187.2 million domestically.

Also continuing to leg out was Sony Pictures’ “Anyone But You.” The rom-com starring Sydney Sweeney and Glen Powell, crossed $100 million globally in its fifth week of release. It’s the highest grossing R-rated romantic comedy — a genre that has largely migrated to streaming platforms — since 2016’s “Bridget Jones’s Baby.” Domestically, it came in fourth with $5.4 million.

Much of the weekend’s action was in expanding awards contenders.

After a qualifying release in December, Ava DuVernay’s “Origin,” starring Aunjanue Ellis-Taylor as the “Caste” author Isabel Wilkerson, launched in 125 theaters and pulled in $875,000 — a strong start for the acclaimed film.

Yorgos Lanthimos’ dark fantasy “Poor Things,” starring Emma Stone, added 820 theaters and grossed $2 million from 1,400 locations. The Searchlight Pictures release, which won the Golden Globe for best comedy-musical, has earned $33.7 million globally in seven weeks of slowly expanding release.

Cord Jefferson’s “American Fiction,” starring Jeffrey Wright as a frustrated novelist, expanded to 850 screens and pulled in $1.8 million. “American Fiction,” up to $8 million in six weeks, will look for a boost in Tuesday’s Oscar nominations.

Jonathan Glazer’s Auschwitz film “The Zone of Interest” expanded to 82 screens, grossing $447,684 for A24.

But after a strong launch, another awards contender, “The Color Purple,” has quickly fallen off the radar of moviegoers. Though widely acclaimed and with the backing of producers Oprah Winfrey and Steven Spielberg, the Warner Bros. musical has dropped fast in recent weeks. In its fourth week of release, the Blitz Bazawule-directed film starring Fantasia Barrino, Taraji P. Henson and Danielle Brooks, grossed just $720,000. Its domestic total is $59.3 million, below hopes for the $100-million budgeted film.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Mean Girls,” $11.7 million.

2. “The Beekeeper,” $8.5 million.

3. “Wonka,” $6.4 million.

4. “Anyone But You,” $5.4 million.

5. “Migration,” $5.3 million.

6. “Aquaman and the Lost Kingdom,” $3.7 million.

7. “I.S.S.,” $3 million.

8. “Night Swim,” $2.7 million.

9. “The Boys in the Boat,” $2.5 million.

10. “Poor Things,” $2 million.
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SEOUL, South Korea — Video footage released by an organization that works with North Korean defectors shows North Korean authorities publicly sentencing two teenagers to 12 years’ hard labor for watching K-pop.

The footage, which shows the two 16-year-olds in Pyongyang convicted of watching South Korean movies and music videos, was released by the South and North Development Institute, or SAND.

Reuters was unable to independently verify the footage, which was first reported by the BBC.

North Korea has for years imposed tough sentences on anyone caught enjoying South Korean entertainment or copying the way South Koreans speak in its war on outside influences. A sweeping new “anti-reactionary thought” law was imposed in 2020.

“Judging from the heavy punishment, it seems that this is to be shown to people across North Korea to warn them. If so, it appears this lifestyle of South Korean culture is prevalent in North Korean society,” said Choi Kyong-hui, president of SAND and doctor of political science at Tokyo University, who defected from North Korea in 2001.

“I think this video was edited around 2022. … What is troublesome for [North Korean leader] Kim Jong Un is that Millennials and Gen Z young people have changed their way of thinking. I think he’s working on turning it back to the North Korean way.”

The video, made by North Korean authorities, shows a large public trial in which the two students in grey scrubs are handcuffed while watched by about 1,000 students in an amphitheater. All the students, including the two 16-year-olds, are wearing face masks, suggesting the footage was shot during the COVID pandemic.

The students were sentenced, according to the video, after being convicted of watching and spreading South Korean movies, music and music videos over three months.

“They were seduced by foreign culture … and ended up ruining their lives,” the narrator states, as the video cut away to young girls being handcuffed and Pyongyang women wearing South Korean fashion and hairstyles.

Reclusive North Korea and the rich, democratic South are technically still at war after their 1950-53 conflict ended in a truce, not a peace treaty, and are divided by a heavily fortified demilitarized zone.
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NEW YORK — New York prosecutors on Friday returned two pieces of art they say were stolen by Nazis from a Jewish performer and collector murdered in the Holocaust.

The artworks were surrendered by museums in Pittsburgh and Ohio, but prosecutors are still fighting in court to recover third artwork by the same artist, Austrian expressionist Egon Schiele, that was seized from a Chicago museum at the same time.

On Friday in Manhattan, the estate of Holocaust victim Fritz Grünbaum accepted Portrait of a Man, which was surrendered by the Carnegie Museum of Art and Girl with Black Hair, surrendered by the Allen Memorial Art Museum at Oberlin College. Prosecutors have collectively valued the two pieces at around $2.5 million.

Ten of Schiele’s works have now been returned to the family, but Russian War Prisoner remains at the Art Institute of Chicago, which maintains that it was legally acquired.

Grünbaum was the son of a Jewish art dealer and law school student who began performing in cabarets in Vienna in 1906. As the Nazis rose to power, he mocked them, once saying on a darkened stage, “I can’t see a thing, not a single thing; I must have stumbled into National Socialist culture.”

In 1938, he was captured by Nazi officials, who created a trail of paperwork. Manhattan prosecutors say they forced him to give power of attorney to his wife, and then forced her to sign away the art — including around 80 Schiele works — to Nazi officials. Some of the art was sold to fund the Nazi war effort, they say. Elizabeth and Fritz Grünbaum died in concentration camps.

Prosecutors say the works reappeared in 1956 in Switzerland, part of a shady art deal with members of the Nazi regime, that led to them being sold in New York galleries.

On Friday, one of Grünbaum’s heirs thanked leaders at Oberlin College and the Carnegie Institute, saying they “did the right thing.”

“This is a victory for justice, and the memory of a brave artist, art collector, and opponent of Fascism,” said Timothy Reif, Grünbaum’s great-grandnephew and a federal judge in New York City, in a statement released by the office of Manhattan District Attorney Alvin Bragg. “As the heirs of Fritz Grünbaum, we are gratified that this man who fought for what was right in his own time continues to make the world fairer.”

A New York judge ruled in 2018 that other two works by Schiele had to be turned over to Grünbaum’s heirs under the Holocaust Expropriated Recovery Act, passed by Congress.

In that case, art dealer Richard Nagy said he was the rightful owner of the works because Grünbaum’s sister-in-law had sold them after his death. But the judge in the case ruled that there was no evidence that Grünbaum had given them to her voluntarily, writing it was “a signature at gunpoint.”

The Art Institute of Chicago, however, disputes that. And it argues that Russian War Prisoner, a pencil and watercolor piece, was legally acquired.

“We have done extensive research on the provenance history of this work and are confident in our lawful ownership of the piece,” said Art Institute of Chicago spokesperson Megan Michienzi.

Michienzi pointed to a prior 2010 ruling from another federal judge that she said “explicitly ruled that the Grünbaum’s Schiele art collection was ‘not looted’ and ‘remained in the Grünbaum family’s possession’ and was sold by Fritz Grünbaum’s sister-in-law.”

Reif and his relatives had been fighting in a separate federal civil court case for the return of the work. The Art Institute of Chicago had the case thrown out in November on technical grounds, successfully arguing that, unlike the Nagy case, the family had missed a lawsuit deadline under the Holocaust Expropriated Recovery Act.

After that case was dismissed, Bragg’s office earlier this month asked a Manhattan court to authorize the return of the artwork.
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VALLEJO, Calif. — The ordeal of Denise Huskins, whose kidnapping from her boyfriend’s Northern California home was first dismissed as a hoax by law enforcement, is getting renewed attention as the subject of a new Netflix docuseries, American Nightmare.

Here’s a look at the facts of the case, which captivated the country:

The kidnapping

On March 23, 2015, Huskins was kidnapped by a masked intruder who broke into the home in Vallejo, a city in the San Francisco Bay Area. Her boyfriend, Aaron Quinn, told detectives he woke up to a bright light on his face and that intruders had drugged, blindfolded and tied both of them up before forcefully taking Huskins in the middle of the night. Quinn also said the kidnappers were demanding an $8,500 ransom.

A Vallejo police detective interrogated Quinn for hours, at times suggesting he may have been involved in Huskins’ disappearance. Quinn took a polygraph test which an FBI agent told him he failed, the couple said later in a book about their ordeal.

Huskins, who was 29 at the time, turned up unharmed two days later outside her father’s apartment in Huntington Beach, a city in Southern California, where she said she was dropped off. She reappeared just hours before the ransom was due.

Police call it a hoax

That same day, police in Vallejo announced in a news conference that they had found no evidence of a kidnapping and accused Huskins and Quinn of faking the abduction, which spurred a massive search.

Police said they became suspicious because Quinn waited hours to report the kidnapping. At the news conference, spokesperson Kenny Park expressed disgust over the resources supposedly squandered, with 40 detectives assigned to the case, and the fear it caused among the community.

“It was such an incredible story, we initially had a hard time believing it, and upon further investigation, we couldn’t substantiate any of the things he was saying,” Park said.

But Quinn and Huskins were adamant that it wasn’t a hoax and insisted they were the victims. Quinn’s attorney explained the delay in reporting to police by noting that his client had been bound and drugged.

A suspect is caught and convicted

The couple were proven right when Matthew Muller, a disbarred, Harvard-educated attorney, was caught and charged in Huskins’ abduction.

Muller was arrested on June 8, 2015, in South Lake Tahoe for a home-invasion robbery that occurred in Dublin, a city in the Bay Area, and that had similarities to the Vallejo case. Investigators found a laptop that resembled one that belonged to Quinn and had been taken.

A search of a stolen car connected to Muller turned up numerous other items, including a water pistol with a flashlight and laser pointer on it, and a pair of goggles similar to the ones Huskins and Quinn said they were forced to wear during the kidnapping. In the goggles was a strand of long blond hair, the same color as the victim’s. Detectives also determined that the vehicle’s navigation system history turned up a Huntington Beach address.

Muller pleaded guilty to the kidnapping and is serving a 40-year prison term.

The aftermath

Huskins and Quinn sued the city of Vallejo and its police department for false imprisonment, defamation, false arrest and intentional infliction of emotional distress, and reached a $2.5 million settlement in 2018.

During Muller’s trial, prosecutors said he used a drone to spy on the couple before he broke into the home with the fake gun, tied them up and made them drink a sleep-inducing liquid. While they were blindfolded, Muller, who was dressed in a full-body wetsuit, played a recording that made it seem as if there was more than one kidnapper, they said.

Muller put Huskins in his trunk, drove her to his home in South Lake Tahoe and held her there for two days. Investigators said they found videos of Muller arranging cameras in a bedroom and then recording himself twice sexually assaulting his blindfolded victim. The Associated Press typically does not name victims of sexual assault unless they come forward publicly with their stories, as Huskins has frequently done.

During and after the kidnapping, Muller used an anonymous email account to send messages to a San Francisco reporter claiming that Huskins was abducted by a team of elite criminals practicing their tactics.

Where are they now

Huskins and Quinn married in September 2018 and have two young children. In 2021 they released their book, Victim F: From Crime Victims to Suspects to Survivors.

That same year the city of Vallejo and its police department both apologized to the couple.

“The Huskins Quinn case was not publicly handled with the type of sensitivity a case of this nature should have been handled with, and for that, the City extends an apology to Ms. Huskins and Mr. Quinn,” city officials said in a statement sent to KGO-TV.

Police Chief Shawny Williams, who was not in that post at the time of the kidnapping, called the couple’s ordeal “horrific and evil,” apologized for how they had been treated and promised to ensure that “survivors are given compassionate service with dignity and respect.” 
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SANTA FE, NEW MEXICO — A grand jury indicted Alec Baldwin on Friday on an involuntary manslaughter charge in a 2021 fatal shooting during a rehearsal on a movie set in New Mexico, reviving a dormant case against the actor. 

Special prosecutors brought the case before a grand jury in the city of Santa Fe in New Mexico this week, months after receiving a new analysis of the gun that was used. They declined to answer questions after spending about a day and a half presenting their case to the grand jury. 

Defense attorneys for Baldwin indicated they’ll fight the charge. 

“We look forward to our day in court,” said Luke Nikas and Alex Spiro, defense attorneys for Baldwin, in an email. 

While the proceeding is shrouded in secrecy, two of the witnesses seen at the courthouse included crew members — one who was present when the fatal shot was fired and another who had walked off the set the day before due to safety concerns. 

Baldwin, the lead actor and a co-producer on the Western movie “Rust,” was pointing a gun at cinematographer Halyna Hutchins during a rehearsal on a movie set outside Santa Fe in October 2021 when the gun went off, killing her and wounding director Joel Souza. 

Baldwin has said he pulled back the hammer, but not the trigger, and the gun fired. 

The charge has again put Baldwin in legal trouble and created the possibility of prison time for an actor who has been a TV and movie mainstay for nearly 40 years, with roles in the early blockbuster “The Hunt for Red October,” Martin Scorsese’s “The Departed” and the sitcom “30 Rock.” 

The indictment provides prosecutors with two alternative standards for pursuing an involuntary manslaughter charge against Baldwin in the death of Hutchins. One would be based on negligent use of a firearm, and the other alleges felony misconduct “with the total disregard or indifference for the safety of others.” 

Judges recently agreed to put on hold several civil lawsuits seeking compensation from Baldwin and producers of “Rust” after prosecutors said they would present their case to a grand jury. Plaintiffs in those suits include members of the film crew. 

Los Angeles-based attorney Gloria Allred, who is representing the slain cinematographer’s parents and younger sister in a civil case, said Friday that her clients have been seeking the truth about what happened the day Hutchins was killed and will be looking forward to Baldwin’s trial. 

Neama Rahmani, a former federal prosecutor and president of the West Coast Trial Lawyers firm in Los Angeles, pointed to previous missteps by prosecutors, saying they will need to do more than present ballistics evidence to make a case that Baldwin had a broader responsibility and legal duty when it came to handling the gun on the set. 

Special prosecutors dismissed an involuntary manslaughter charge against Baldwin in April, saying they were informed the gun might have been modified before the shooting and malfunctioned. They later pivoted and began weighing whether to refile a charge against Baldwin after receiving a new analysis of the gun. 

The analysis from experts in ballistics and forensic testing relied on replacement parts to reassemble the gun fired by Baldwin, after parts of the pistol were broken during testing by the FBI. The report examined the gun and markings it left on a spent cartridge to conclude that the trigger had to have been pulled or depressed. 

The analysis led by Lucien Haag of Forensic Science Services in Arizona stated that although Baldwin repeatedly denied pulling the trigger, “given the tests, findings and observations reported here, the trigger had to be pulled or depressed sufficiently to release the fully cocked or retracted hammer of the evidence revolver.” 

The weapons supervisor on the movie set, Hannah Gutierrez-Reed, has pleaded not guilty to involuntary manslaughter and evidence tampering in the case. Her trial is scheduled to begin in February. 

“Rust” assistant director and safety coordinator David Halls pleaded no contest to unsafe handling of a firearm last March and received a suspended sentence of six months of probation. He agreed to cooperate in the investigation of the shooting. 

An earlier FBI report on the agency’s analysis of the gun found that, as is common with firearms of that design, it could go off without pulling the trigger if force was applied to an uncocked hammer, such as by dropping the weapon. 

The only way the testers could get it to fire was by striking the gun with a mallet while the hammer was down and resting on the cartridge, or by pulling the trigger while it was fully cocked. The gun eventually broke during testing. 

The 2021 shooting resulted in a series of civil lawsuits — including wrongful death claims filed by members of Hutchins’ family — centered on accusations that the defendants were lax with safety standards. Baldwin and other defendants have disputed those allegations. 

The Rust Movie Productions company has paid a $100,000 fine to state workplace safety regulators after a scathing narrative of failures in violation of standard industry protocols, including testimony that production managers took limited or no action to address two misfires on set before the fatal shooting. 

The filming of “Rust” resumed last year in Montana under an agreement with the cinematographer’s widower, Matthew Hutchins, that made him an executive producer. 
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Paris — The oldest person ever to win an Oscar, renowned director James Ivory, is still making films at 95, with a documentary about his formative trip to Afghanistan in 1960.

Though American, Ivory is best-known for a string of costume dramas about the repressed emotions of Brits, including Remains of the Day and Howard’s End, both starring Anthony Hopkins, and Room with a View with Daniel Day-Lewis.

In 2017, he reached a new generation with his screenplay for Call Me By Your Name starring Timothee Chalamet as a teenager discovering his sexuality, which won Ivory an Oscar at the age of 89.

But his career began as a student making films about art in Venice and South Asia.

“I was making a film in India, and it was getting hotter and hotter,” he told AFP.

“I couldn’t take it another minute. The backers told me to go to a cooler climate, so I went to Afghanistan. I knew nothing about it, but I went.”

Decades later, his footage from Kabul has been worked into a documentary that shows a peaceful Afghanistan, before the wars and extremism that would drag it into decades of violence.

“(The footage) was amazing from the first reel, very poetic and mysterious,” said Giles Gardner, a long-time collaborator who helped pull the film together after digging the footage out of Ivory’s archives.

“With all we know about Afghanistan, the violence we see on the news, this idea of it as a place of beauty has been erased,” he said.

The resulting film, A Cooler Climate, serves as a sort of origin story for Ivory’s career, since it was immediately after returning from Afghanistan that he met producer Ismael Merchant. They became personally and professionally involved and went on to make more than 40 films together until Merchant’s death in 2005.

By then their names — Merchant Ivory — had become a byword for high-quality period dramas.

Their romantic relationship was never revealed during Merchant’s lifetime as he came from a conservative Indian family.

But Ivory said his own life was largely a breeze. Growing up gay in an Oregon town was fine, even idyllic, he insisted.

“I don’t know why people think I had to escape anything, I was a happy young man,” he said.

Still in good shape for 95, traveling between Europe and the U.S. for screenings of the documentary, he comes across as a man of few regrets, apart from the sadness at losing friends, particularly Merchant and their writing partner, novelist Ruth Prawer Jhabvala.

“I wish they were here every day,” he said. “I love them. I’m a very old man now and have close friends, but I miss them very much.”  
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KUALA LUMPUR, Malaysia — The director and producer of a banned Malaysian film that explores the afterlife were charged Wednesday with offending the religious feelings of others in a rare criminal prosecution of filmmakers, slammed by critics as an attack on freedom of expression.

Mohamad Khairianwar Jailani, the director and co-scriptwriter of Mentega Terbang, and producer Tan Meng Kheng pleaded not guilty to having a “deliberate intention of wounding the religious feelings of others” through the independent, low-budget film. If found guilty, they could face up to a year in jail, a fine or both.

Defense lawyer N. Surendran said the two believe the charge is “unreasonable and unconstitutional” because it violates their right to freedom of expression. “As far as we are concerned, these are groundless charges and we will challenge those charges in court,” he said.

The film, which debuted at a regional film festival in 2021, revolves around a young Muslim girl who explores other religions to figure out where her ailing mother would go when she dies. Scenes that angered Muslims included ones showing the girl desiring to eat pork, which is forbidden in Islam, and pretending to drink holy water, and her father supporting her wish to leave Islam. It also sparked death threats against Khairianwar.

The film was briefly shown on a Hong Kong streaming platform last year before it was removed. The Home Ministry banned the film last September without giving any reason. The two filmmakers filed a suit challenging the government’s decision before they were charged.

Race and religion are sensitive issues in Malaysia. Ethnic Malays account for two-thirds of the country’s 33 million people and must be Muslims, with apostasy considered a sin. There are large ethnic Chinese and Indian minorities that are Buddhist, Hindu and Christian.

Critics say religious conservatism has been on the rise in Malaysia, after an influential Malay-Islam alliance won strong gains in the November 2022 general election.

Human Rights Watch accused Prime Minister Anwar Ibrahim’s government of prosecuting the two filmmakers to win political support from Malays.

“This sort of crude political pandering at the expense of human rights is precisely the sort of thing that Anwar accused previous governments of doing when he was in the opposition — but now he’s hypocritically changed his tune after assuming power, and using the same censorship and persecution,” said the group’s deputy Asia director, Phil Robertson.

“The government should reverse course, uphold human rights principles, immediately direct prosecutors to drop these ludicrous, rights abusing charges, and lift the ban on the film Mentega Terbang,” he said.

The court on Wednesday also forbid the two filmmakers from making statements about the case throughout the trial and ordered them to report to police monthly.

Khairianwar has said this is likely the first time a filmmaker has been criminally charged in the country.

“I am disappointed if this is a way to silence storytellers and concerned that it would make many more storytellers stop telling their stories out of fear of prosecution,” Khairianwar told the online news portal Free Malaysia Today a day before he was charged. 
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In the Western United States, professional bull riders risk serious injury on the back of bulls that can weigh more than 700 kilograms. But eight seconds on a bucking beast can mean thousands of dollars. VOA’s Scott Stearns takes us to the show.
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LOS ANGELES — List of the top winners of the prime-time Emmy Awards.

BEST DRAMA SERIES: “Succession”

BEST COMEDY SERIES: “The Bear”

BEST LIMITED OR ANTHOLOGY SERIES: “Beef”

ACTOR IN A DRAMA SERIES: Kieran Culkin, “Succession”

ACTOR IN A COMEDY SERIES: Jeremy Allen White, “The Bear”

ACTRESS IN A DRAMA SERIES: Sarah Snook, “Succession”

SUPPORTING ACTRESS IN A COMEDY SERIES: Ayo Edebiri, “The Bear”

ACTRESS IN A COMEDY SERIES: Quinta Brunson, “Abbott Elementary”

SUPPORTING ACTRESS IN A DRAMA SERIES: Jennifer Coolidge, “The White Lotus”

SUPPORTING ACTOR IN A DRAMA SERIES: Matthew Macfadyen, “Succession”

SUPPORTING ACTOR IN A COMEDY SERIES: Ebon Moss-Bachrach, “The Bear”

SCRIPTED VARIETY SERIES: “Last Week Tonight With John Oliver”

SUPPORTING ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE: Niecy Nash-Betts, “Dahmer, Monster: The Jeffrey Dahmer Story”

REALITY COMPETITION SERIES: “RuPaul’s Drag Race”

TALK SERIES: “The Daily Show With Trevor Noah”

SUPPORTING ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE: Paul Walter Hauser, “Black Bird”

LIVE VARIETY SPECIAL: “Elton John Live: Farewell From Dodger Stadium”

ACTOR IN A LIMITED SERIES OR TV MOVIE: Steven Yeun, “Beef”

ACTRESS IN A LIMITED SERIES OR TV MOVIE: Ali Wong, “Beef”
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LOS ANGELES — “Succession” secured its legacy with its third best drama series award, “The Bear” feasted as the night’s top comedy, and the two shows about squabbling families dominated the acting awards at Monday night’s Emmys.

Historic wins also came for Quinta Brunson of “Abbot Elementary” and Steven Yeun and Ali Wong of “Beef” at the 75th Primetime Emmy Awards in a Martin Luther King Jr. Day ceremony that was finally held four months late after a turbulent year of strikes in Hollywood.

“Succession,” the HBO saga of the dysfunctional generations of a maladjusted media empire, won the top prize for its fourth and final season. It also won best actress in a drama for Sarah Snook and best actor in a drama for Kieran Culkin.

“We all put our all into it and the bar was set so high,” Snook said.

“The Bear,” the FX dramedy about a contentious family and a struggling restaurant at the center of the life of a talented chef, won best comedy series for its first season. It also made a meal of its acting categories, with Jeremy Allen White winning best actor in a comedy, best supporting actress in a comedy for Ayo Edebiri winning best supporting actress, and Ebon Moss-Bachrach taking best supporting actor. All three were first-time nominees.

“This is a show about family and found family and real family,” Edebiri said from the stage as she accepted the first trophy of the night at the Peacock Theater in Los Angeles.

Instead of the usual producer speeches, Matty Matheson, a real-life elite chef who plays a kitchen newbie and repairman on “The Bear,” spoke for the show near the end of the Fox telecast.

“I just love restaurants so much, the good and the bad, we’re broken inside,” Matheson said before getting a long kiss on the mouth from Moss-Bachrach.

Brunson won best actress in a comedy for the show she created, ABC’s “Abbott Elementary,” becoming the first Black woman to win the award in more than 40 years and the first from a network show to win it in more than a decade.

“I am so happy to be able to live my dream and act out comedy,” Brunson said during her acceptance on the Fox telecast, fighting back tears. The writer-actor was among the stars with standout looks on the Emmys’ silver carpet.

“Succession” won six Emmys overall including best supporting actor in a drama for Matthew Macfadyen and best writing in a drama for show creator Jesse Armstrong. The only drama acting category it didn’t win was supporting actress, taken for the second time by Jennifer Coolidge of “The White Lotus.”

“The Bear” won in every category it was nominated for Monday night, and along with the four it had won previously at the Creative Arts Emmys, took 10 overall, the most of any show.

Landmark wins on TV’s big night

“Beef” won best limited series, while Steven Yeun and Ali Wong became the first Asian Americans to win in their categories – Yeun for best actor in a limited series and Wong for best actress. Creator Lee Sung won Emmys for writing and directing. It had eight Emmys overall after three wins at last weekend’s Creative Arts Emmy Awards.

Brunson had won a writing Emmy for “Abbott Elementary,” her mockumentary about a predominantly Black and chronically underfunded grade school in Philadelphia, but this is her first for acting. Isabel Sanford of “The Jeffersons” was the only previous Black woman to win the category in 1981.

The first hour of the show held on Martin Luther King Jr. Day saw three Black women win major awards: Brunson, Edebiri and Niecy Nash-Betts, who won best supporting actress in a limited series for “Dahmer – Monster: The Jeffrey Dahmer Story.”

On the Netflix show, Nash-Betts played a neighbor of the serial killer whose complaints to authorities about his behavior go unheeded.

“I accept this award on behalf of every Black and brown woman who has gone unheard and over-policed,” she said.

“Everybody having fun at the chocolate Emmys tonight?” host Anthony Anderson said during the show. “We are killing it tonight! … This is like MLK Day and Juneteenth all rolled up in one!”

The tweaked awards calendar made for some oddities. Edebiri and White won their Emmy for the show’s first season eight days after after winning Golden Globes for the second season.

Baby talk amid ‘succession’ wins

Culkin outshined the older brother and the father to win the final lead actor Emmy for “Succession.”

He had twice been nominated for best supporting actor for “Succession” without a win. But in the final season, in which his character Roman Roy goes from sideline wisecracker to emotional disaster at the center of the show’s drama, he was put in the lead category and won over castmates Brian Cox, who played his father, and Jeremy Strong, who played his older brother.

He then shifted to his own family, getting big laughs during his speech when he told his wife Jazz Charton that their two young kids weren’t enough. “I want more,” he said. “You said if I won, we could talk about it.”

Snook took her first Emmy in three nominations for “Succession” and her fictional husband Macfadyen won the second Emmy of his career for playing Tom Wambsgans, the son-in-law that began the HBO series as a hanger-on and ended it as the closest thing it had to a victor on “Succession.”

Many tears, and one concerned mother

Emotions ran high from the start of the ceremony. Edebiri and Brunson were both quick to cry as they took the stage, and the first presenter, Christina Applegate, who said in 2021 that she was diagnosed with multiple sclerosis, got a standing ovation as she came out using a cane, helped by Anderson. She struggled to get through the nominees and winner with the tears in her eyes.

Anderson told the nominees at the beginning of the night that instead of having their speeches cut off by music, his mother, actor Doris Hancox, sitting in the audience, would tell them when it was time to move on. But she more often shouted down her son in the running gag.

Older shows return to spotlight

Honoring TV history was the theme at the 75th Emmys. Anderson opened the show on a “Mr. Rogers” set and performed TV theme songs including “Good Times,” and several cast reunions were spread throughout the show.

Cast members including Martin Lawrence and Tisha Campbell from “Martin,” Ted Danson and Rhea Perlman from “Cheers,” and Rob Reiner and Sally Struthers from “All in The Family,” performed short bits from recreations of their sitcom sets before presenting awards.

Tina Fey and Amy Poehler reunited to present an award in the form of their 2001-2005 “Weekend Update” team-up from “Saturday Night Live.”

“We’ve reached the stage in life where we’ll only present awards sitting down,” Fey said.

One notable appearance came from Katherine Heigl, who joined Ellen Pompeo and other former “Grey’s Anatomy” cast mates on a hospital room set after leaving the show, now about to start its 20th season, on not the best terms in 2010.

“Yes, there have been changes over the years,” Heigl said with a wry smile, “But the one constant is the amazing fanbase.”
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london — Lionel Messi has been named FIFA’s best men’s player after moving from Paris Saint-Germain to Inter Miami and leading the David Beckham-owned team to a little-known Leagues Cup title — all while single-handedly elevating soccer’s relevance in the United States.

The 36-year-old Argentine on Monday was selected over Kylian Mbappe and Erling Haaland,  the same pair he beat for his eighth Ballon d’Or award last October. 

Messi was not in attendance at Hammersmith Apollo theater in west London. 

Moments later, World Cup champion Aitana Bonmati, 25, of Spain was named FIFA’s best women’s soccer player, building on her Ballon d’Or award last October, which followed a Union of European Football Associations award in August.

And that was after she led Spain to World Cup glory and Barcelona to the Champions League title. She was named player of the tournament for both competitions. 

Bonmati won Monday over Spain teammate Jenni Hermoso and Colombia star Linda Caicedo.

They were FIFA finalists in voting by a global panel of national team coaches and captains, selected journalists, plus fans online. The women’s eligibility period covered performances from August 1, 2022, through the World Cup final last August. 

Spain’s women won their first World Cup by beating England 1-0 in the final in Sydney, Australia. 

Messi secured the FIFA award for the eighth time in 15 years. He had won it last year, too, after leading Argentina to the 2022 World Cup title. 

The men’s award did not consider the World Cup, which ended 13 months ago. It recognized achievements from after the tournament through August 20. 

Messi and Mbappe helped PSG win the French league title, but the team underperformed in the Champions League and French Cup — exiting both competitions in the round of 16. 

That means Messi’s exploits in the United States surely swayed some voters. 

In rejecting Saudi Arabia for the MLS, Messi brought star power to a league that fights for relevance in an American sports landscape dominated by the NFL and NBA. 

LeBron James, Serena Williams and Kim Kardashian were all on hand in Fort Lauderdale for Messi’s debut on July 21, when the forward scored from a free kick goal in stoppage time to beat Cruz Azul 2-1. 

The goals kept coming — 10 in seven games to lead the MLS club to its first-ever trophy by winning the Leagues Cup final on August 19, one day before FIFA award eligibility period ended. 

Haaland and Mbappe could make good arguments that they deserved to win. 

Haaland scored 28 goals in 36 games in all club competitions from after the World Cup through the end of the 2022-23 season as a driving force in Manchester City winning the Premier League, Champions League and FA Cup. The 6-foot-4 striker then scored three goals in two appearances for Norway in June.

Mbappe scored at nearly a goal-per-game clip in the period of eligibility for PSG and then for France in European Championship qualifying in March and June. 

Messi’s figures in France after the World Cup were good but unspectacular: nine goals and six assists in 22 games across all competitions.
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Los Angeles — The time has finally come for a most unusual Emmys. 

The 75th Primetime Emmy Awards are arriving four months past their due date on Monday night at the Peacock Theater, coming after a year of historic Hollywood turbulence in an industry whose upheavals are evident everywhere. 

Strikes by both actors and writers, seismic shifts toward streaming, and the dismantling of the traditional TV calendar mean the envelopes opened during the Fox telecast hosted by Anthony Anderson on Martin Luther King Jr. Day will display winners that were decided months ago for shows that in some cases were completed years ago — and have a fraction of the audience they had a few decades ago. 

But for actors and others taking part in the ceremony, norms just aren’t a thing anymore in this business. 

“Since the pandemic it’s been really strange, you shoot something, then sometimes it’s another couple years until you see it, and a while longer until something like this,” actor Nick Offerman told The Associated Press last week after winning an early Emmy for “The Last of Us,” a show that is among Monday night’s top nominees along with “Succession,” “Ted Lasso” and “The Bear.” 

The Emmys will provide some respite and celebration after the strike and the troubles that spurred it, and with its 75th edition, will attempt to provide links to its past and to TV history. It will include a series of cast reunions and scene recreations from beloved shows including “Cheers,” “Game of Thrones,” “Grey’s Anatomy” and “Martin.” 

The nominations themselves provide one big link to Emmys past — the continuation of the decades-long dominance of HBO, which this year has the three most nominated shows with “Succession,” “The White Lotus” and “The Last of Us.” 

Anderson has been tasked with hosting at a time when emceeing awards shows is hardly a coveted job, especially after comic Jo Koy was widely roasted for his Golden Globes performance last weekend. 

But Anderson said he’s actually coming in relaxed and relieved, because for the first time in nearly a decade, he’s not a nominee. He never won an Emmy despite 11 nominations as a producer and actor for his former show, “black-ish.” 

“All the pressure is off of me now,” Anderson, now the host of Fox’s “We Are Family,” said during ceremony preparations. “I don’t have to sit there and wonder, am I going to win? Am I going to get it? What time are they going to get to this category? I just get to come up here and be myself.” 

How to watch 

The Emmys will air live on Fox starting at 8 p.m. Eastern, and available to stream starting Tuesday on Hulu. 

The ceremony is watchable in dozens of countries. The Television Academy website has a handy list of broadcasters and in some instances, air times. 

There are also many ways to watch the Emmys red carpet, which begins at 5 p.m., when E! kicks off its coverage. People and Entertainment Weekly are also hosting a red carpet show that will stream on their websites and YouTube pages. 

The nominees 

“Succession” got a leading 27 nominations. It’s the probable favorite to win its third best drama series Emmy and it has three men — Brian Cox, Jeremy Strong and Kieran Culkin — up for best actor with four more nominated for best supporting actor. 

But it won’t come away with the most wins. That’s because “The Last of Us,” second with 24 nominations, is coming in with eight via last weekend’s Creative Arts Emmys, where “Succession” won none. Those include best guest acting awards for Offerman and Storm Reid, suggesting that voters may also favor its lead actors Pedro Pascal and Bella Ramsey. Both could make history, with Pascal becoming the first Latino to win best actor in a drama and Ramsey the youngest to win best actress. 

The elite ensemble from “The White Lotus” is all over the supporting categories. It has five women up for best supporting actress in a drama, including Jennifer Coolidge and Aubrey Plaza. 

On the comedy side, the night could become a victory lap for the third and final season of “Ted Lasso,” the soccer-themed series that won best comedy for its first two seasons. 

Its main challenger comes from the kitchen. “The Bear,” about a chef struggling with his family’s legacy, will vie for best comedy, and its lead, Jeremy Allen White, could challenge Jason Sudeikis of “Ted Lasso” for best actor in a comedy. 

The long wait 

Last year’s two strikes meant the Emmys, normally held in September, made an unprecedented move to January, putting it in the heart of Hollywood’s awards season. 

Academy voting took place on the normal timetable, however, meaning the winners have been determined since late August. 

The wait and other quirks of the calendar make for some strange award circumstances. “The Bear” is up for Emmys for its first season, after having already won key Golden Globes for its second. 
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New York — Joyce Randolph, a veteran stage and television actress whose role as the savvy Trixie Norton on “The Honeymooners” provided the perfect foil to her dimwitted TV husband, has died. She was 99.

Randolph died of natural causes Saturday night at her home on the Upper West Side of Manhattan, her son Randolph Charles told The Associated Press Sunday.

She was the last surviving main character of the beloved comedy from television’s golden age of the 1950s.

“The Honeymooners” was an affectionate look at Brooklyn tenement life, based in part on star Jackie Gleason’s childhood. Gleason played the blustering bus driver Ralph Kramden. Audrey Meadows was his wisecracking, strong-willed wife Alice, and Art Carney the cheerful sewer worker Ed Norton. Alice and Trixie often found themselves commiserating over their husbands’ various follies and mishaps, whether unknowingly marketing dogfood as a popular snack or trying in vain to resist a rent hike, or freezing in the winter as their heat is shut off.

Randolph would later cite a handful of favorite episodes, including one in which Ed is sleepwalking.

“And Carney calls out, ‘Thelma?!’ He never knew his wife’s real name,” she later told the Television Academy Foundation.

Originating in 1950 as a recurring skit on Gleason’s variety show, “Cavalcade of Stars,” “The Honeymooners” still ranks among the all-time favorites of television comedy. The show grew in popularity after Gleason switched networks with “The Jackie Gleason Show.” Later, for one season in 1955-56, it became a full-fledged series.

Those 39 episodes became a staple of syndicated programming aired all over the country and beyond.

In an interview with The New York Times in January 2007, Randolph said she received no compensation in residuals for those 39 episodes. She said she finally began getting royalties with the discovery of “lost” episodes from the variety hours.

After five years as a member of Gleason’s on-the-air repertory company, Randolph virtually retired, opting to focus full-time on marriage and motherhood.

“I didn’t miss a thing by not working all the time,” she said. “I didn’t want a nanny raising (my) wonderful son.”

But decades after leaving the show, Randolph still had many admirers and received dozens of letters a week. She was a regular into her 80s at the downstairs bar at Sardi’s, where she liked to sip her favorite White Cadillac concoction — Dewar’s and milk — and chat with patrons who recognized her from a portrait of the sitcom’s four characters over the bar.

Randolph said the show’s impact on television viewers didn’t dawn on her until the early 1980s.

“One year while (my son) was in college at Yale, he came home and said, ‘Did you know that guys and girls come up to me and ask, ‘Is your mom really Trixie?'” she told The San Antonio Express in 2000. “I guess he hadn’t paid much attention before then.”

Earlier, she had lamented that playing Trixie limited her career.

“For years after that role, directors would say: ‘No, we can’t use her. She’s too well-known as Trixie,'” Randolph told the Orlando Sentinel in 1993.

Gleason died in 1987 at age 71, followed by Meadows in 1996 and Carney in 2003. Gleason had revived “The Honeymooners” in the 1960s, with Jane Kean as Trixie.

Randolph was born Joyce Sirola in Detroit in 1924, and was around 19 when she joined a road company of “Stage Door.” From there she went to New York and performed in a number of Broadway shows.

In the late 1940s and early 1950s, she was seen often on TV, appearing with such stars as Eddie Cantor, Dean Martin and Jerry Lewis, Danny Thomas and Fred Allen.

Randolph met Gleason for the first time when she did a Clorets commercial on “Cavalcade of Stars,” and The Great One took a liking to her; she didn’t even have an agent at the time.

Randolph spent her retirement going to Broadway openings and fundraisers, being active with the U.S.O. and visiting other favorite Manhattan haunts, among them Angus, Chez Josephine and the Lambs Club.

Her husband, Richard Lincoln, a wealthy marketing executive who died in 1997, served as president at the Lambs, a theatrical club, and she reigned as “first lady.” They had one son, Charles.
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WASHINGTON — Archaeologists have uncovered a cluster of lost cities in the Amazon rainforest, an area that was home to at least 10,000 farmers around 2,000 years ago. 

A series of earthen mounds and buried roads in Ecuador was first noticed more than two decades ago by archaeologist Stephen Rostain. But at the time, ” I wasn’t sure how it all fit together,” said Rostain, one of the researchers who reported on the finding Thursday in the journal Science. 

Recent mapping by laser-sensor technology revealed those sites to be part of a dense network of settlements and connecting roadways, tucked into the forested foothills of the Andes, that lasted about 1,000 years. 

“It was a lost valley of cities,” said Rostain, who directs investigations at France’s National Center for Scientific Research. “It’s incredible.” 

The settlements were occupied by the Upano people between around 500 B.C. and 300 to 600 A.D. — a period roughly contemporaneous with the Roman Empire in Europe, the researchers found. 

Residential and ceremonial buildings erected on more than 6,000 earthen mounds were surrounded by agricultural fields with drainage canals. The largest roads were 33 feet (10 meters) wide and stretched for 6 to 12 miles (10 to 20 kilometers). 

While it’s difficult to estimate populations, the site was home to at least 10,000 inhabitants, and perhaps as many as 15,000 or 30,000 at its peak, said archaeologist Antoine Dorison, a study co-author at the same French institute. That’s comparable to the estimated population of Roman-era London, then Britain’s largest city. 

“This shows a very dense occupation and an extremely complicated society,” said University of Florida archaeologist Michael Heckenberger, who was not involved in the study. “For the region, it’s really in a class of its own in terms of how early it is.” 

Jose Iriarte, a University of Exeter archaeologist, said it would have required an elaborate system of organized labor to build the roads and thousands of earthen mounds. 

“The Incas and Mayans built with stone, but people in Amazonia didn’t usually have stone available to build — they built with mud. It’s still an immense amount of labor,” said Iriarte, who had no role in the research. 

The Amazon is often thought of as a “pristine wilderness with only small groups of people. But recent discoveries have shown us how much more complex the past really is,” he said. 

Scientists have recently also found evidence of intricate rainforest societies that predated European contact elsewhere in the Amazon, including in Bolivia and in Brazil. 

“There’s always been an incredible diversity of people and settlements in the Amazon, not only one way to live,” said Rostain. “We’re just learning more about them.”
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FOXBOROUGH, Mass. — Six-time National Football League champion Bill Belichick agreed to part ways as the coach of the New England Patriots, ending his 24-year tenure as the architect of the most decorated dynasty of the league’s Super Bowl era.

Belichick and team owner Robert Kraft announced the move to the media Thursday at Gillette Stadium. They didn’t take questions, though Kraft scheduled an availability for later in the day.

Belichick, 71, is just the third coach in NFL history to reach 300 career regular-season victories earlier this season, joining Hall of Famers Don Shula and George Halas. With 333 wins including the playoffs, Belichick trails only Shula (347) for the record for victories by a coach.

But the Patriots ended this season 4-13, Belichick’s worst record in 29 seasons as an NFL head coach. It supplanted the 5-11 mark he managed in his last year in Cleveland in 1995 and again in his first year in New England in 2000. Including the playoffs, he ends his Patriots tenure with a 333-178 overall record.

With his cutoff hoodies and ever-present scowl, Belichick teamed with quarterback Tom Brady to lead the Patriots to six Super Bowl victories, nine AFC titles and 17 division championships in 19 years. During a less successful — but also tumultuous — stint with the original Cleveland Browns, Belichick earned 37 of his career victories.

It’s not immediately clear who Kraft will tap to replace the future Hall of Famer.

Patriots linebackers coach Jerod Mayo won a Super Bowl ring playing under Belichick and has interviewed for multiple head coaching vacancies since becoming a New England assistant in 2019. Mayo turned down a few interviews last offseason before signing a contract extension to remain with the Patriots.

Mike Vrabel, who was fired earlier this week by the Tennessee Titans and won three Super Bowls with the Patriots, is also expected to be a candidate for the head coaching job.

Belichick had been grooming offensive coordinator Josh McDaniels to replace him before McDaniels left following the 2021 season to become the coach of the Raiders. He has since been fired by Las Vegas. Belichick’s two sons, Steve and Brian, are also on the coaching staff.

Belichick’s exit from the Patriots comes just a day after another legendary coach and his longtime friend Nick Saban announced he’d retire after winning seven college national championships. Saban worked for Belichick’s father, Steve, in the 1980s as a coach at Navy, and Bill Belichick hired Saban as his defensive coordinator when he became Cleveland’s head coach in 1991.

The six Super Bowl wins tie Belichick with pre-merger mentors Halas and Curly Lambeau for the most NFL championships. Belichick also won two rings as Bill Parcells’ defensive coordinator with the New York Giants.

But the Patriots have stumbled to a 29-38 record since Brady departed following the 2019 season and missed the playoffs in three of those four seasons. Beginning in 2001 when Brady became the starting quarterback, the Patriots missed the playoffs only once (2008) when Brady was injured. This marked New England’s fifth consecutive season without a playoff victory.

Belichick’s subsequent solutions at quarterback haven’t panned out.

Brady’s initial replacement, Cam Newton, didn’t resemble the player who won the 2015 MVP award and was cut after a 7-9 finish in 2020. Meanwhile Brady won his seventh Super Bowl ring with the Tampa Bay Buccaneers that same season.

Potential long-term replacement Mac Jones, a 2021 first-round draft choice, was a Pro Bowl selection as a rookie and led New England to the playoffs. But he regressed in Year 2 when Belichick put longtime defensive assistant Matt Patricia in charge of the offense. Jones didn’t fare much better this season when Bill O’Brien returned as offensive coordinator. He was benched four times before being replaced as starter by backup Bailey Zappe for the final six games.

That left the Patriots looking at a lengthy rebuild, with no candidate on the roster to bring stability to the sport’s most important position.

Belichick, who also served as the de facto general manager with final say on personnel decisions, was celebrated for his ingenuity managing the salary cap during the run of Super Bowl success. It included getting stars like Brady and others to accept cap-friendly contracts or adjust their deals to accommodate the signing of other players.

But that acclaim has waned in the years since Brady left, as a run of draft picks and high-priced free agents didn’t live up to expectations. In addition, Belichick has seen several members of his personnel and scouting departments leave for other jobs. The list includes his former player personnel director, Nick Caserio, who was hired as Houston’s general manager in 2021.

Now it won’t be Belichick making the decisions for the Patriots on or off the field.

The only child of a World War II veteran who spent three decades as a Navy assistant coach, Belichick is a football historian with an encyclopedic knowledge of strategy from the sport’s early days to current NFL trends. His players said his attention to detail never left them unprepared.

Belichick has been a master of the NFL rule book, unearthing loopholes in clock operations and offensive line formations that — though entirely legal — cemented his reputation as a mad genius.

But his legacy in New England also includes two major cheating investigations — and other, minor ones — that cost him and the team draft picks and more than $1 million in fines. Opponents accused the Patriots of everything from hacking their headsets to cutting corners on injury reports.

His friendship with former President Donald Trump, which Belichick insisted was not political, landed the coach on the list to receive a Presidential Medal of Freedom in the waning days of the administration. After the outcry against the U.S. Capitol siege, Belichick announced “the decision has been made not to move forward.”
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KYIV, Ukraine — Hundreds of people attended a ceremony Thursday honoring the memory of renowned Ukrainian poet Maksym Kryvtsov, who was killed in action while serving as a soldier in the war Russia started in Ukraine nearly two years ago.

A large crowd gathered in the courtyard of Kyiv’s St. Michael’s Golden-Domed Monastery, where ceremonies are often held to honor soldiers killed in the war. People brought flowers adorned with blue and yellow ribbons — the colors of the Ukrainian flag — and patiently queued up to enter the monastery and pay their respects. A funeral was scheduled to be held in Kryvtsov’s hometown of Rivne on Friday.

Among those attending the memorial service were many fellow soldiers, including some who had served with Kryvtsov since 2014.

“He became a warrior right away, but he was very kind,” said a soldier who asked to be identified by his military call sign Grandpa. He said he finds it difficult to speak about Kryvtsov, saying that it feels like “a piece of the heart has been torn out.”

“He did not die,” Grandpa said. “We just gained another guardian angel. He will always be with us.”

Book earns high praise

Kryvtsov was killed on January 7 by artillery fire in the Kupiansk area of the Kharkiv region — one of the key fronts in Moscow’s winter offensive.

He was an active participant in the Revolution of Dignity, the uprising that unleashed a decade of momentous change for Ukraine, and joined the army in 2014 after Russia illegally annexed Ukraine’s Crimea Peninsula. Several years later, he took a break from the war and focused on civil activities, including poetry.

His first and last book, “Poems from the Loophole,” published in 2023, received a warm reception and high praise within Ukraine’s cultural community. The published poems primarily reflect on the harsh reality imposed by the war.

With the onset of Russia’s invasion in 2022, Kryvtsov had re-enlisted.

The Ukrainian chapter of the International Association of Poets, Playwrights, Editors, Essayists, and Novelists, or PEN, included his book on its list of the best books of 2023. Earlier, Kryvtsov’s poems were also featured in collections with the works of other poets. The print run of the book has been swept from the shelves of bookstores.

Poet’s work goes viral

Kryvtsov’s death sparked a broad reaction on social media, where his poetry went viral for several days following his passing. Many drew parallels with Ukrainian cultural figures killed during the Soviet repression of artists of the 1920s and early 1930s, known in Ukrainian history as the “Executed Renaissance.”

“They kill our artists and then laugh in our faces,” wrote Ukrainian composer Yana Yaschuk on Facebook.

An assessment by the Ukrainian PEN found that 95 people in artistic professions have been killed in the war as of December 2023. Among them are actors, painters, sculptors, linguists, historians and others. PEN noted that the actual number could be higher.

Award-winning Ukrainian writer Viktoria Amelina was killed in a deadly Russian missile attack on a popular restaurant in Kramatorsk in the Donetsk region in July of last year.

Mourners kneel in respect

Many fans of Kryvtsov’s poetry also attended the memorial, some holding his book in their hands.

As the casket was carried out of the monastery, attendees in the crowded courtyard knelt to bid him farewell. An air raid siren announcing a possible missile threat went off but people continued to kneel, holding flowers and flags.

The crowd proceeded to Kyiv’s central square, where the second part of the memorial service took place. People on the streets stopped and some burst into tears as the column, led by the poet’s body, passed by.

“He left us not just his poems and testimonies of the era but his most powerful weapon, unique and innate,” said poet, volunteer and combat medic Olena Herasymiuk, who was a close friend of Kryvtsov. “It’s the kind of weapon that hits not a territory or an enemy but strikes at the human mind and soul.”

Many attended the memorial service with violets, a reference to his last poem, which was published on Facebook a few days before his death. The poem went viral and in it, he wrote, “my hands torn off will sprout violets in the spring.”
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Los Angeles — Fresh from its wins at the Golden Globes, Christopher Nolan’s “Oppenheimer” on Wednesday topped the nominations for the influential Screen Actors Guild Awards, which are key to Oscars success.

The SAG Awards, voted on by Hollywood actors, are likely to enjoy a profile boost of their own this year as they are broadcast globally on Netflix — an awards show first for the world’s biggest streamer.

“Oppenheimer,” which tells the story of the inventor of the atomic bomb, earned nods for Cillian Murphy, Robert Downey Jr. and Emily Blunt, as well as “outstanding performance by a cast” — the SAG Awards’ top prize.

Nolan’s three-hour epic, which earned nearly $1 billion and received rave reviews from critics, is rapidly becoming the clear favorite for the Academy Awards in March.

“Barbie,” the other half of last summer’s “Barbenheimer” box office phenomenon, and the year’s highest grossing film, picked up nominations for Margot Robbie, Ryan Gosling and overall cast.

The surreal comedy based on the wildly popular doll also picked up an additional nomination for its stunt performers.

The other films with three acting nominations were Martin Scorsese’s epic “Killers of the Flower Moon” — despite Leonardo DiCaprio missing out — and scathing satire “American Fiction,” starring Jeffrey Wright.

Both movies are nominated for best cast, with musical remake “The Color Purple” closing out that category.

Elsewhere, Globes winners Paul Giamatti and Da’Vine Joy Randolph picked up nods for “The Holdovers,” as did Emma Stone and her co-star Willem Dafoe for “Poor Things.”

Bradley Cooper and Carey Mulligan were nominated for Leonard Bernstein biopic “Maestro.”

But all three films missed out on nominations for outstanding cast.

The winner of that prize has gone on to win best picture at the Oscars in three of the past four years (“Parasite,” “CODA” and “Everything Everywhere All at Once”).

The SAG Awards also honor television, with “Succession” on top with five nods, followed by “The Bear,” “The Last of Us” and “Ted Lasso,” all on four.

The 30th annual Screen Actors Guild Awards will take place in Los Angeles on February 24.
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LONDON — Irish singer Sinead O’Connor, who was found unresponsive at an address in London in July last year, died of natural causes, the coroner said on Tuesday. 

O’Connor, known for her stirring voice, outspoken views and 1990 chart-topping hit “Nothing Compares 2 U,” was pronounced dead at the scene. Police had said her death, at the age of 56, was not being treated as suspicious. 

The coroner’s court said at the time that an autopsy would be conducted before a decision was made on whether to hold an inquest. 

“This is to confirm that Ms O’Connor died of natural causes. The coroner has therefore ceased their involvement in her death,” London Inner South Coroner’s Court said in a statement. 

Artists around the world reacted to the news of her death last year, with REM frontman Michael Stipe and U.S. musician Tori Amos among those who paid tribute to O’Connor’s fierce honesty, intense presence and uncompromising spirit. 

Thousands gathered outside O’Connor’s former seaside home to bid farewell to her when her funeral was held in August, some singing along to hits blasted from a vintage Volkswagen camper van and others showering her hearse with flowers. 
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Munich — Franz Beckenbauer, who won the World Cup both as player and coach and became one of Germany’s most beloved personalities with his easygoing charm, has died, news agency dpa reported Monday. He was 78.

“It is with deep sadness that we announce that my husband and our father, Franz Beckenbauer, passed away peacefully in his sleep yesterday, Sunday, surrounded by his family,” the family said in a statement to dpa, the German news agency. “We ask that we be allowed to grieve in peace and be spared any questions.”

The statement did not provide a cause of death. The former Bayern Munich great had struggled with health problems in recent years.

Beckenbauer was one of German soccer’s central figures. As a player, he reimagined the defender’s role in soccer and captained West Germany to the World Cup title in 1974 after it had lost to England in the 1966 final. He was the coach when West Germany won the tournament again in 1990, a symbolic moment for a country in the midst of reunification, months after the Berlin Wall fell.

Beckenbauer was also instrumental in bringing the highly successful 2006 World Cup to Germany, though his legacy was later tainted by charges that he only succeeded in winning the hosting rights with the help of bribery. He denied the allegations.

Beckenbauer and three other members of the committee were formally made criminal suspects that year by Swiss prosecutors who suspected fraud in the true purpose of multi-million euro (dollar) payments that connected the 2006 World Cup with FIFA. But he was eventually not indicted in 2019 for health reasons and the case ended without a judgment when the statute of limitations expired in 2020 amid delays to the court system caused by the coronavirus pandemic.

The allegations damaged Beckenbauer’s standing in public perception for the first time. Until then, Beckenbauer had seemingly been unable to say or do anything wrong. Germans simply loved him.

The son of a post official from the working-class Munich district of Giesing, Beckenbauer became one of the greatest players to grace the game in a career that also included stints in the United States with the New York Cosmos in the late 1970s and early 1980s.

Born on Sept. 11, 1945, months after Germany’s surrender in World War II, Beckenbauer studied to become an insurance salesman but he signed his first professional contract with Bayern when he was 18.

“You are not born to become a world star in Giesing. Football for me was a deliverance. Looking back, I can say: Everything went according to how I’d imagined my life. I had a perfect life,” Beckenbauer told the Sueddeutsche newspaper magazine in 2010.

Beckenbauer personalized the position of “libero,” the free-roaming nominal defender who often moved forward to threaten the opponent’s goal, a role now virtually disappeared from modern football and rarely seen before his days.

An elegant, cool player with vision, Beckenbauer defined as captain the Bayern Munich side that won three successive European Cup titles from 1974 to 1976.

In his first World Cup as player in 1966, West Germany lost the final to host England. Four years later, with his arm strapped to his body because of a shoulder injury, Germany lost a memorable semifinal to Italy.

Finally, in 1974 at home, Beckenbauer captained West Germany to the title.

Beckenbauer left Bayern for New York in 1977 to play for the Cosmos of the North American Soccer League. He missed the 1978 World Cup because the Germans decided not to invite players playing abroad. He returned to Germany in 1980, spent two seasons with Hamburger SV — and won another Bundesliga championship, his fifth — before returning for a final season with the Cosmos.

Although he had never coached before, Beckenbauer was hired to revive West Germany in 1984 after a flop at the European Championship.

West Germany made it to the final of the 1986 World Cup, losing to Diego Maradona’s Argentina in Mexico City. Although West Germany failed to win the 1988 Euros title at home, it went to the final of the 1990 World Cup and defeated Argentina in the final in Rome, another highlight in the year after the fall of the Berlin Wall.

Later, at the news conference, he said he was “sorry for the rest of the world” because a united Germany would be unbeatable for years to come. But Germany had to wait 24 years before winning another World Cup title.

Beckenbauer retired from the West Germany job after coaching the team to the 1990 World Cup triumph. The final was the last tournament game played by a West Germany-only team.

He didn’t have much success at coaching Marseille but won the Bundesliga title with Bayern in 1994 and the UEFA Cup in 1996, both after taking over as coach late in the season. He later became Bayern’s president, until leaving most functions when he turned 65 in 2010.

Beckenbauer’s legal issues around the 2006 World Cup continued into his retirement, but he remained a much-loved figure in German soccer and society.
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