Oscar de la Renta, Calvin Klein, Alexandra Alonso Rojas and many others produce their collections with hand-knitted products made by Ukrainian women. It’s been a year since Russia invaded Ukraine, but despite the war, Ukrainian women continue to work. Nina Vishneva has the story, narrated by Anna Rice. VOA footage by Vladimir Badikov, Natalia Latukhina.
…

Ukrainian diver Stanislav Oliferchyk proudly bears the name of his late grandfather, who died in brutalized Mariupol. Russia’s troops turned the Ukrainian port city into a killing zone in the process of capturing it. The elder Stanislav could no longer get the cancer treatment he needed in the ruins, his grandson says. He was 74 when he died last October.

Another victim of the months-long Russian siege of Mariupol was its gleaming aquatic center. Oliferchyk had planned to use the refurbished sports complex as his training base for the 2024 Paris Olympics. But it was bombed the same day last March as the city’s drama theater. The theater airstrike was the single deadliest known attack against civilians to date in the year-old Russian invasion. An Associated Press investigation determined that close to 600 people died.

So it takes no leap of the imagination to understand why Mariupol-born Oliferchyk is horrified by the idea that he and other war-traumatized Ukrainian athletes might have to put their anger and consciences aside and compete against counterparts from Russia and ally Belarus at next year’s Olympics.

“I’m angry most of the time. I just can’t stand it anymore when shelling happens,” said the 26-year-old Oliferchyk, a European champion in 3-meter mixed synchronized diving in 2019. “I want Russia to let us live in peace and stay away from us.”

Defying fury from Ukraine and misgivings from other nations, the International Olympic Committee is exploring whether to allow Russians and Belarusians back into international sports and the Paris Games. The IOC says it is mission-bound to promote unity and peace — particularly when war is raging. It also cites United Nations human rights experts who argue, on non-discrimination grounds, that athletes and sports judges from Russia and Belarus shouldn’t be banned simply for the passports they hold.

For Ukrainian athletes setting their sights on Paris, the possibility of sharing Olympic pools, fields and arenas with Russian and Belarusian competitors is so repellent that some say they’d not go if it happens.

Sisters Maryna and Vladyslava Aleksiiva — who won Olympic bronze in artistic swimming’s team competition at the Tokyo Olympics in 2021 — are among those who say they’d have to boycott.

“We must,” Maryna said during an Associated Press interview at their training pool in the Ukrainian capital, Kyiv.

Russia is the giant of their sport, previously called synchronized swimming, having won all the gold medals at the past six Olympics.

Completing each other’s sentences, the Ukrainian twins added: “Our moral feelings don’t allow us to stand near … these people.”

Oliferchyk worries that enmity could spill over if Ukrainians encounter Russians and Belarusians in Paris — a likely scenario given that Olympians will be housed and dine together in accommodation overlooking the River Seine in the city’s northern suburbs.

“Anything can happen, even a fight,” Oliferchyk said. “There simply cannot be any handshakes between us.”

Having to train in the midst of war also puts Ukraine’s Olympic hopefuls at a disadvantage. Russian strikes have destroyed training venues. Air raids disrupt training sessions. Athletes have lost family members and friends, or are consumed by worries that they will. Because Russia’s invasion of Ukraine has also closed the country’s airspace, traveling to international competitions has become an arduous odyssey — often of long train rides to neighboring Poland, for onward flights from there.

“Our athletes train while cruise missiles are flying, bombs are flying,” Ukrainian Sports Minister Vadym Guttsait said in an AP interview.

He recalled a meeting he took part in between IOC president Thomas Bach and Ukrainian cyclists given refuge in Swizterland.

“Bach asked one of the cyclists how she was doing,” the minister recounted. “She started crying. He asked why. She said that day they (Russian forces) attacked her city, where her parents were, and she was very nervous.”

“This is how every athlete feels about what is happening in Ukraine,” the minister said.

Ukraine’s artistic swim team, including the Aleksiiva sisters, used to train in the Lokomotiv sports center in Kharkiv, the country’s second-largest city. A Russian strike with powerful S-300 missiles wrecked the complex in September, the region’s governor, Oleh Syniehubov, said at the time. He posted photos showing a giant crater and severe damage to the exterior.

Maryna Aleksiiva said they used to think of the sports center as “our second home.” Their substitute pool in Kyiv doesn’t have the same broad depth of water, making it less suitable for practicing their underwater acrobatics, the sisters said. On a recent morning when they spoke to the AP, air raid sirens interrupted their training and they had to get out of the pool and take refuge in a bomb shelter until the all-clear sounded.

The power also flickered briefly off at times. Russia has been systematically bombarding Ukraine’s electricity infrastructure for months. When attacks shut off the pool’s heating, the water gets so cold that the sisters train in full-body wetsuits — far from ideal for their elegant sport.

“It’s hard to move,” Vladyslava said.

The terrors of war also take a mental toll.

“Every day we read the news — explosion, explosion, air alert,” Maryna said. “We feel so nervous about our relatives.”

Oliferchyk said he cannot imagine a handshake between Ukrainian and Russian athletes for “the next 50, 100 years.”

The Neptune arena in Mariupol where he wanted to train for Paris was wrecked by a Russian strike last March 16. As with Mariupol’s drama theater also destroyed that day, civilians were sheltering at the sports complex from bombardments. They included pregnant women who moved there after a Russian strike the previous week devastated a city maternity hospital. Video posted on Facebook by the region’s governor showed the Neptune’s shattered front and a gaping hole in its roof.

The IOC’s possible pathway out of sports exile for Russians and Belarusians would see them compete as “neutral athletes,” without national flags, colors or anthems.

That idea is a non-starter for Ukraine’s sports minister and athletes who resent that would-be Olympians from Russia and Belarus aren’t taking a stand against the invasion.

“They just do nothing and say nothing. And precisely because of their silence and inaction, all this horror is happening,” Oliferchyk said. “A neutral flag is not an option. It is not possible.”
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An international archeological mission has uncovered the remnants of what is believed to be a 5,000-year-old restaurant or tavern in the ancient city of Lagash in southern Iraq.

The discovery of the ancient dining hall — complete with a rudimentary refrigeration system, hundreds of roughly made clay bowls and the fossilized remains of an overcooked fish — announced in late January by a University of Pennsylvania-led team, generated some buzz beyond Iraq’s borders.

It came against the backdrop of a resurgence of archeology in a country often referred to as the “cradle of civilization,” but where archeological exploration has been stunted by decades of conflict before and after the U.S. invasion of 2003. Those events exposed the country’s rich sites and collections to the looting of tens of thousands of artifacts.

“The impacts of looting on the field of archeology were very severe,” Laith Majid Hussein, director of the State Board of Antiquities and Heritage of Iraq, told The Associated Press. “Unfortunately, the wars and periods of instability have greatly affected the situation in the country in general.”

With relative calm prevailing over the past few years, the digs have returned. At the same time, thousands of stolen artifacts have been repatriated, offering hope of an archeological renaissance.

“‘Improving’ is a good term to describe it, or ‘healing’ or ‘recovering,'” said Jaafar Jotheri, a professor of archeology at University of Al-Qadisiyah, describing the current state of the field in his country.

Iraq is home to six UNESCO-listed World Heritage Sites, among them the ancient city of Babylon, the site of several ancient empires under rulers like Hammurabi and Nebuchadnezzar.

In the years before the 2003 U.S. invasion, a limited number of international teams came to dig at sites in Iraq. During Saddam Hussein’s rule, Jotheri said, the foreign archeologists who did come were under strict monitoring by a suspicious government in Baghdad, limiting their contacts with locals. There was little opportunity to transfer skills or technology to local archeologists, he said, meaning that the international presence brought “no benefit for Iraq.”

The country’s ancient sites faced “two waves of destruction,” Jotheri said, the first after harsh international sanctions were imposed following Iraq’s 1990 invasion of Kuwait and desperate Iraqis “found artifacts and looting as a form of income” and the second in 2003 following the U.S. invasion, when “everything collapsed.”

Amid the ensuing security vacuum and rise of the Islamic State militant group, excavations all but shut down for nearly a decade in southern Iraq, while continuing in the more stable northern Kurdish-controlled area. Ancient sites were looted and artifacts smuggled abroad.

The first international teams to return to southern Iraq came in 2014 but their numbers grew haltingly after that.

The digs at Lagash, which was first excavated in 1968, had shut down after 1990, and the site remained dormant until 2019.

Unlike many others, the site was not plundered in the interim, largely due to the efforts of tribes living in the area, said Zaid Alrawi, an Iraqi archeologist who is the project manager at the site.

Would-be looters who came to the area were run off by “local villagers who consider these sites basically their own property,” he said.

A temple complex and the remains of institutional buildings had been uncovered in earlier digs, so when archeologists returned in 2019, Alrawi said, they focused on areas that would give clues to the lives of ordinary people. They began with what turned out to be a pottery workshop containing several kilns, complete with throwaway figurines apparently made by bored workers and date pits from their on-shift snacking.

Further digging in the area surrounding the workshop found a large room containing a fireplace used for cooking. The area also held seating benches and a refrigeration system made with layers of clay jars thrust into the earth with clay shards in between.

The site is believed to date to around 2,700 BC. Given that beer drinking was widespread among the ancient Sumerians inhabiting Lagash at the time, many envisioned the space as a sort of ancient gastropub.

But Alrawi said he believes it was more likely a cafeteria to feed workers from the pottery workshop next door.

“I think it was a place to serve whoever was working at the big pottery production next door, right next to the place where people work hard, and they had to eat lunch,” he said.

Alrawi, whose father was also an archeologist, grew up visiting sites around the country. Today, he is happy to see “a full throttle of excavations” returning to Iraq.

“It’s very good for the country and for the archeologists, for the international universities and academia,” he said.

As archeological exploration has expanded, international dollars have flowed into restoring damaged heritage sites like the al-Nouri mosque in Mosul, and Iraqi authorities have pushed to repatriate stolen artifacts from countries as near as Lebanon and as far as the United States.

Last month, Iraq’s national museum began opening its doors to the public for free on Fridays — a first in recent history. Families wandered through halls lined with Assyrian tablets and got an up-close look at the crown jewel of Iraq’s repatriated artifacts: a small clay tablet dating back 3,500 years and bearing a portion of the Epic of Gilgamesh that was looted from an Iraqi museum 30 years ago and returned from the U.S. two years ago. The tablet is among 17,000 looted artifacts returned to Iraq from the U.S.

Ebtisam Khalaf, a history teacher who was one of the visitors to the museum on its first free day, said, “This is a beautiful initiative because, we can see the things that we only used to hear about.”

Before, she said, her students could “only see these antiquities in books. But now we can see these beautiful artifacts for real.”
…

Archaeologists say they have uncovered a “unique” cache of well-preserved spices, from strands of saffron to peppercorns and ginger, on the wreck of a royal ship that sank off Sweden’s Baltic coast more than 500 years ago.

The wreck of the Gribshund, owned by King Hans of Denmark and Norway, has lain off the coast off Ronneby since 1495, when it is thought to have caught fire and sank as the monarch attended a political meeting ashore in Sweden.

Rediscovered by sports divers in the 1960s, sporadic excavations of the ship have taken place in recent years. Previous dives recovered large items such as figureheads and timber. Now an excavation led by Brendan Foley, an archaeological scientist at Lund University, has found the spices buried in the silt of the boat.

“The Baltic is strange – it’s low oxygen, low temperature, low salinity, so many organic things are well preserved in the Baltic where they wouldn’t be well preserved elsewhere in the world ocean system,” said Foley. “But to find spices like this is quite extraordinary.”

The spices would have been a symbol of high status, as only the wealthy could afford goods such as saffron or cloves that were imported from outside Europe. They would have been travelling with King Hans as he attended the meeting in Sweden.

Lund University researcher Mikael Larsson, who has been studying the finds, said: “This is the only archaeological context where we’ve found saffron. So, it’s very unique and it’s very special.”
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Tom Sizemore, the “Saving Private Ryan” actor whose bright 1990s star burned out under the weight of his own domestic violence and drug convictions, died Friday at age 61.

The actor had suffered a brain aneurysm on Feb. 18 at his home in Los Angeles. He died in his sleep Friday at a hospital in Burbank, California, his manager Charles Lago said.

Sizemore became a star with acclaimed appearances in Natural Born Killers and the cult-classic crime thriller Heat. But serious substance dependency, abuse allegations and multiple run-ins with the law devastated his career, left him homeless and sent him to jail.

As the global #MeToo movement wave crested in late 2017, Sizemore was also accused of groping an 11-year-old Utah girl on set in 2003. He called the allegations “highly disturbing,” saying he would never inappropriately touch a child. Charges were not filed.

Despite the raft of legal trouble, Sizemore had scores of steady film and television credits — though his career never regained its onetime momentum. Aside from Black Hawk Down and Pearl Harbor, most of his 21st century roles came in low-budget, little-seen productions where he continued to play the gruff, tough guys he became famous for portraying.

“I was a guy who’d come from very little and risen to the top. I’d had the multimillion-dollar house, the Porsche, the restaurant I partially owned with Robert De Niro,” the Detroit-born Sizemore wrote in his 2013 memoir, By Some Miracle I Made It Out of There. “And now I had absolutely nothing.”

The book’s title was taken from a line uttered by his character in Saving Private Ryan, a role for which he garnered Oscar buzz. But he wrote that success turned him into a “spoiled movie star,” an “arrogant fool” and eventually “a hope-to-die addict.”

He racked up a string of domestic violence arrests. Sizemore was married once, to actor Maeve Quinlan, and was arrested on suspicion of beating her in 1997. While the charges were dropped, the couple divorced in 1999.

Sizemore was convicted of abusing ex-girlfriend Heidi Fleiss in 2003 — the same year he pleaded no contest and avoided trial in a separate abuse case — and sentenced to jail. The former Hollywood madam testified that he had punched her in the jaw at a Beverly Hills hotel, and beaten her in New York to the point where they couldn’t attend the Black Hawk Down premiere.

The sentencing judge said drug abuse was likely a catalyst but that testimony had revealed a man who had deep problems dealing with women. Fleiss called Sizemore “a zero” in a conversation with The Associated Press after his conviction.

Sizemore apologized in a letter, saying he was “chastened” and that “personal demons” had taken over his life, though he later denied abusing her and accused her of faking a picture showing her bruises.

Fleiss also sued Sizemore, saying she suffered emotional distress after he threatened to get her own probation revoked. Fleiss had been convicted in 1994 of running a high-priced call-girl ring. That lawsuit was settled on undisclosed terms.

Sizemore was the subject of two workplace sexual harassment lawsuits related to the 2002 CBS show Robbery Homicide Division, in which he played a police detective. He was arrested as recently as 2016 in another domestic violence case.

Sizemore ended up jailed from August 2007 to January 2009 for failing numerous drug tests while on probation and after Bakersfield, California, authorities found methamphetamine in his car.

“God’s trying to tell me he doesn’t want me using drugs because every time I use them I get caught,” Sizemore told The Bakersfield Californian in a jailhouse interview.

Sizemore told the AP in 2013 that he believed his dependency was related to the trappings of success. He struggled to maintain his emotional composure as he described a low point looking in the mirror: “I looked like I was 100 years old. I had no relationship with my kids; I had no work to speak off. I was living in squat.”

He appeared on the reality TV show Celebrity Rehab and its spinoff Sober House, telling the AP that he did the shows to receive help, but also partly to pay off accumulated debts that ran into the millions.

Many of Sizemore’s later-career films had a sci-fi, horror or action bent: In 2022 alone, he starred in movies with such titles as Impuratus, Night of the Tommyknockers and Vampfather. But Sizemore still nabbed a few meaty roles — including in the Twin Peaks revival — and guest spots on popular shows like Entourage and Hawaii Five-O.

A stuntman sued Sizemore and Paramount Pictures in 2016, saying he was injured when the allegedly intoxicated actor ran him over while filming USA’s Shooter. State records obtained by the AP showed that Sizemore was only supposed to be sitting in the unmoving car and that he “improvised at the end of the scene and drove away in his car.” Sizemore was fired from Shooter, and the stuntman’s lawsuit was settled on undisclosed terms.

In addition to his film and TV credits, he was part of the voice cast for 2002’s Grand Theft Auto: Vice City video game. He also taught classes at the LA West Acting Studio, according to recent advertisements.

He is survived by his 17-year-old twin sons, Jayden and Jagger, and his brother Paul, all of whom were by his side when he died.

“I’ve led an interesting life, but I can’t tell you what I’d give to be the guy you didn’t know anything about,” Sizemore wrote in his memoir.
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The second half-century for the world’s most famous sled dog race is getting off to a rough start. 

Only 33 mushers will participate in the ceremonial start of the Iditarod Trail Sled Dog Race on Saturday, the smallest field ever to take their dog teams nearly 1,000 miles (1,609 kilometers) over Alaska’s unforgiving wilderness. This year’s lineup is smaller even than that of the 34 mushers who lined up for the very first race in 1973. 

The small pool of mushers is raising concerns about the future of an iconic race that has taken hits from the pandemic, climate change, inflation and the loss of deep-pocketed sponsors, just as multiple big-name mushing champions are retiring with few to take their place. 

The largest field ever was 96 mushers in 2008; the average number of mushers starting the race over the last 50 years was 63. 

“It’s a little scary when you look at it that way,” said four-time winner Martin Buser, 64, who retired after completing his 39th race last year. “Hopefully it’s not a state of the event and … it’s just a temporary lull.” 

The Iditarod is the most prestigious sled dog race in the world, taking competitors over two mountain ranges, the frozen Yukon River and treacherous Bering Sea ice in frigid temperatures before ending in the old Gold Rush town of Nome. The roughly 10-day event begins with a “ceremonial start” in Anchorage on Saturday, followed by the competitive start in Willow, about 70 miles (113 kilometers) to the north, on Sunday. 

And while the world-renowned race has the highest winner’s purse of any sled dog competition, the winner only pockets about $50,000 before taxes — a payout that is less appealing amid inflation and the continued reverberations of the pandemic. 

Many mushers supplement their income by offering uniquely Alaska experiences to cruise ship passengers, but for several years the pandemic has meant fewer summer visitors to shell out money for a sled dog ride on a glacier. 

“There’s a lot of kennels and a lot of mushers that rely on that to keep going,” said Aaron Burmeister, a Nome native who is sitting out this year’s race to spend more time with family. Burmeister, who works construction, has had eight top 10 finishes in the last decade. 

“Being able to race the Iditarod and the expense of putting together a race team became more than they could bear to maintain themselves,” he said of mushers. 

Inflation has also taken a toll, and several mushers said they’d like to see a higher prize purse to attract younger competitors. 

Defending champion Brent Sass, who supplements his income as a wilderness guide, isn’t surprised some mushers are taking a break to build up bank accounts. 

Sass, who has 58 dogs, orders 500 bags of high-quality dog food a year. Each bag cost $55 a few years ago, but that has swelled to $85 per bag — or about $42,500 total a year. That’s about how much money Sass pocketed from his Iditarod win last year. 

“You got to be totally prepared to run Iditarod, and have enough money in the bank to do it,” said Sass, who lives in Eureka, about a four-hour drive north of Fairbanks. 

With other race costs, Buser said running the Iditarod now can mean spending $250,000 to win a $40,000 championship. 

The race itself has suffered under the increased inflation, Iditarod CEO Rob Urbach said. Supply costs have gone up about 30%, he said, and last year it cost nearly $30,000 to transport specially certified straw from the lower 48 for dogs to sleep on at race checkpoints. 

The Iditarod also continues to be dogged by People for the Ethical Treatment of Animals, which has targeted the race’s biggest sponsors. Over the past decade, Alaska Airlines, ExxonMobil, Coca-Cola and Wells Fargo have ended race sponsorships after being targeted by PETA. 

PETA took out full-page newspaper ads in Anchorage and Fairbanks in February with a husky — the predominate sled dog breed — prominently featured with the headline, “We don’t want to go to the Iditarod. We just want the Iditarod to go.” 

But Urbach said the race’s financial health is good, and payouts should be a little higher this year. The top 20 finishers receive payouts on a sliding scale, and every other finisher gets $1,049, reflecting the stated mileage of the race, though the actual mileage is lower. 

Urbach noted they are paying “the healthiest prize money” among competitive sled dog races and called the PETA campaign “pretty offensive, I think, to most Alaskans.” 

There’s also worry about the future of the race because of climate change. 

The warming climate forced organizers to move the starting line 290 miles (467 kilometers) north from Willow to Fairbanks in 2003, 2015 and 2017 because of a lack of snow in the Alaska Range. Poor winter conditions and urban growth likewise led the Iditarod to officially move the start from Wasilla about 30 miles (48 kilometers) north to Willow in 2008, even though Wasilla last hosted the start in 2002. 

Moving the start of the race north will likely become more common as global warming advances, said Rick Thoman, a climate specialist at the International Arctic Research Center at the University of Alaska Fairbanks. Ice on Alaska’s western coast could also get thinner and more dangerous, he said. 

“It doesn’t have to be that there’s waves crashing on the beach,” Thoman said of the impacts of ice melt. “It just has to be at the point where the ice is not stable.” 

As challenges stack up, several veteran mushers with multiple championships have stepped away this year after decades of braving the frigid and windy conditions to train in the dead of the Alaska winter for the Iditarod. They are finding that few are willing to take their place, at least this year. 

“I just got back from Cancun to see the Grateful Dead play on the beaches of Mexico,” said four-time champion Jeff King, who is now 67. “I first said I was going to retire at 40, and I ran the race at 66, so I don’t feel like I’m bailing on anybody.” 

Five-time champion Dallas Seavey said last year’s race would be his last, at least for a while, to spend time with his daughter. Other past champions not racing include Dallas’ father, three-time champion Mitch Seavey, and Joar Leifseth Ulsom and Thomas Waerner, who have one title each. 

Waerner said sponsors are holding back, and it’s too expensive to pay $60,000 to get his team from Norway to Alaska. 

Lance Mackey, another four-time champion, died last year from cancer. He is the honorary musher for this year’s race, and his children, Atigun and Lozen, will ride in the first sled to leave the ceremonial start line in Anchorage and during the competitive start Sunday. 

That leaves two former winners in this year’s field, Sass and Pete Kaiser.

Sass said he is confident the Iditarod will survive this downturn. 

“If we can just keep the train rolling forward, I think it’s going to come back, and hopefully our world can get things under control and things maybe get a little less expensive,” Sass said. “I think that’s going to help get our numbers back up.” 
…

“The Red Suitcase,” a short film by Iranian-born filmmaker Cyrus Neshvad, will compete for an Oscar at the Academy Awards on March 12. The director and his star tell VOA’s Mike O’Sullivan that the film looks at a young woman’s struggle to determine her own future. Camera: Mike O’Sullivan.
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Nobel Peace Prize winner Ales Bialiatski was sentenced Friday to 10 years in prison by a Belarus court.

Bialiatski is the founder of Viasna, a prominent human rights group in Belarus that has provided legal and financial support to protesters, following a wave of unrest in 2020, following disputed election results that returned Belarus strongman President Alexander Lukashenko back into office, a position he has held  for over 30 years.

Lukashenko, a frequent ally of Russian President Vladimir Putin, is often called Europe’s “last dictator.”   

Bialiatski has said he is being persecuted for political reasons.  

Bialiatski was among the three co-recipients of last year’s Nobel Peace Prize, alongside a Russian and Ukrainian human rights group.
…

Scientists in Egypt have discovered a 9-meter hidden corridor near the main entrance of one of the Great Pyramids of Giza.

The discovery was made as part of the Scan Project that uses noninvasive technology to look into Egypt’s ancient and mysterious structures without causing any harm.

The discovery was found within the Great Pyramid of Khufu, which was built as a tomb for Pharoh Khufu who reigned from 2509-2483 B.C.

The antiquities authorities do not know how the chamber was used. In 2017, another chamber was discovered in the same pyramid.

The Great Pyramids at Giza are the only one of the ancient Seven Wonders of the World that remains standing.
…

He was in bands led by Miles Davis and Art Blakely, and founded the fusion band Weather Report
…

California has a new poet laureate. And for the first time, that state poet is Asian American. For VOA, Genia Dulot traveled to Fresno, California, to hear from Lee Herrick about his roots and his poetry
…

In Israel, the ultra-Orthodox, who strictly observe Jewish law, are currently about 13% of Israel’s population, although their numbers are growing due to a high birthrate. At the same time, a growing number of ultra-Orthodox youth are opting out of the community, often cutting all ties to their past. Linda Gradstein reports from Jerusalem. VOA footage by Ricki Rosen.
…

In Senegal, slam poetry is making its mark on urban culture and offering young people a way to voice their opinions about their lives and society. Seydina Aba Gueye has this report from Senegal, narrated by Salem Solomon.
…

A South African group is bringing films to African youth in impoverished areas with poor services through solar-powered, portable cinemas.  The group, Sunshine Cinema, works in four countries aiming to inspire more youth on the continent through African films. Zaheer Cassim reports from Pankop, South Africa.
…

The unlikely awards-season juggernaut “Everything Everywhere All at Once” marched on at the Screen Actors Guild Awards on Sunday, and even gathered stream with wins not just for best ensemble, Michelle Yeoh and Ke Huy Quan but also for Jamie Lee Curtis.

The SAG Awards, often an Oscar preview, threw some curve balls into the Oscars race in a ceremony streamed lived on Netflix’s YouTube page from Fairmont Century Plaza in Los Angeles.

But the clearest result of the SAG Awards was the overwhelming success of Daniel Kwan and Daniel Scheinert’s madcap multiverse tale, which has now used its hotdog fingers to snag top honors from the acting, directing and producing guilds. Only one film (“Apollo 13”) has won all three and not gone on to win best picture at the Oscars.

After so much of the cast of “Everything Everywhere All at Once” had already been on the stage to accept awards, the night’s final moment belonged to 94-year-old James Hong, a supporting player in the film and a trailblazer for Asian-American representation in Hollywood. He brought up the ignoble yellowface history of the 1937 film “The Good Earth.”

“The leading role was played with these guys with their eyes taped up like this and they talked like this because the producers said the Asians were not good enough and they were not box office,” said Hong. “But look at us now!”

Hong added that the cast of “Everything Everywhere All at Once” wasn’t all Chinese, though he granted Jamie Lee Curtis had a good Chinese name. Curtis’ win was one of the most surprising of the night, coming over the longtime favorite, Angela Bassett (“Black Panther: Wakanda Forever”), who had seemed to be on a clear path to becoming the first actor to win an Oscar for a performance in a Marvel movie.

A visibly moved Curtis said she was wearing the wedding ring her father, Tony Curtis, gave her mother, Janet Leigh.

“I know you look at me and think ‘Nepo baby,’” said Curtis, who won in her first SAG nomination. “But the truth of the matter is that I’m 64 years old and this is just amazing.”

The actors guild, though, lent some clarity to the lead categories. Though some have seen best actress as a toss-up between Yeoh and BAFTA winner Cate Blanchett (“Tar”), Yeoh again took home the award for best female lead performance.

“This is not just for me,” said Yeoh, the first Asian actress to win the SAG Award for female lead. “It’s for every little girl that looks like me.”

Quan, the former child star, also won for best supporting male actor. The “Everything Everywhere All at Once” co-star had left acting for years after auditions dried up. He’s also the first Asian to win best male supporting actor at the SAG Awards.

“When I stepped away from acting, it was because there were so few opportunities,” said Quan. “Now, tonight we are celebrating James Hong, Michelle Yeoh, Stephanie Hsu, Hong Chau, Harry Shum Jr. The landscape looks so different now.”

Best actor has been one of the hardest races to call. Austin Butler (“Elvis”), Brendan Fraser (“The Whale”) and Colin Farrell (“The Banshees of Inisherin”) have all been seen as possible winners. But it was Fraser who went home with the SAG Award for his comeback performance as an obese shut-in in “The Whale.”

“Believe me, if you just stay in there and put one foot in front of the other, you’ll get where you need to go,” said Fraser, who anxiously eyed the actor-shaped trophy and left the stage saying he was going to go look for some pants for him.

The SAG Awards are considered one of the most reliable Oscar bellwethers. Actors make up the biggest percentage of the film academy, so their choices have the largest sway. Last year, “CODA” triumphed at SAG before winning best picture at the Oscar s, while Ariana DeBose, Will Smith, Jessica Chastain and Troy Kotsur all won a SAG Award before taking home an Academy Award.

After the SAG Awards, presented by the film and television acting guild SAG-AFRTA, lost their broadcast home at TNT/TBS, Netflix signed on to stream Sunday’s ceremony. Next year’s show is to be on Netflix, proper.

Sunday’s livestream meant a slightly scaled-down vibe. Without a broadcast time limit, winners weren’t played off. A regal and unbothered Sam Elliott, winner for male actor in a TV movie or limited series for “1883,” spoke well past his allotted time. The show sped through early winners, including awards for Jean Smart (“Hacks”), Jeremy Allen White (“Bear”) and Jason Bateman (“Ozark”).

Another streaming effect: No bleeping.

Quinta Brunson and Janelle James of “Abbott Elementary” kicked off the ceremony with a few opening jokes, including one that suggested Viola Davis, a recent Grammy winner, is beyond EGOT status and has transcended into “ShEGOTallofthem.”

Brunson later returned to the stage with the cast of “Abbott Elementary” to accept the SAG award for best ensemble in a comedy series. Brunson, the sitcom’s creator and one of its producers, said of her castmates, “These people bring me back down to Earth.”

“The White Lotus” also took a victory lap, winning best ensemble in a drama series and another win for Jennifer Coolidge, coming off her wins at the Emmys and the Golden Globes. A teary-eyed Coolidge traced her love of acting to a first-grade trip to see a Charlie Chaplin film. She then thanked her date, a longtime friend, the actor Tim Bagley.

“You’re a wonderful date tonight,” said Coolidge. “I can’t wait until we get home.”

The ceremony’s first award went to a winner from last year: Jessica Chastain. A year after winning for her lead performance in the film “The Eyes of Tammy Faye,” Chastain won best female actor in a TV movie or limited series for Showtime’s country music power couple series “George & Tammy.” Chastain jetted in from previews on the upcoming Broadway revival of “A Doll’s House.”

One award was announced ahead of the show from the red carpet: “Top Gun: Maverick” won for best stunt ensemble. Though some have cheered that blockbusters like “Maverick” and “Avatar: The Way of Water” are best picture nominees to the March 12 Oscars, the indie smash “Everything Everywhere All at Once” increasingly looks like the biggest blockbuster at this year’s Academy Awards.
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Last year, the top winners at the Screen Actors Guild Awards all corresponded exactly with the Academy Awards winners. Will Sunday’s SAGs offer the same preview?

The 29th annual Screen Actors Guild Awards will begin at 8 p.m. EST Sunday and be streamed live on Netflix’s YouTube page. After the awards, presented by the film and television acting guild SAG-AFRTA, lost their broadcast home at TNT/TBS, Netflix signed on to stream the ceremony. Though future editions will be streamed live directly on Netflix, this year’s show, at Fairmont Century Plaza in Los Angeles, will be on the streaming service’s YouTube page and its social media channels.

“Everything Everywhere All at Once” and “The Banshees of Inisherin” come in with a co-leading five nominations. Each film is up for the Guild’s top award, best ensemble, along with “Babylon,” “The Fabelmans” and “Women Talking.”

The SAG Awards are considered one of the most reliable Oscar bellwethers. Actors make up the biggest percentage of the film academy, so their choices have the largest sway. Last year, “CODA” triumphed at SAG before winning best picture at the Oscars, while Ariana DeBose, Will Smith, Jessica Chastain and Troy Kotsur all won both a SAG Award and an Academy Award.

With both supporting categories seemingly sown up by Angela Bassett (“Black Panther: Wakanda Forever”) and Ke Huy Quan (“Everything Everywhere All at Once”), Sunday’s SAG Award could offer the most clarity in the lead acting awards.

Best actress could go to either Michelle Yeoh (“Everything Everywhere All at Once”) or Cate Blanchett (“Tár”). While Andrea Riseborough’s much-debated campaign led to an Academy Awards nomination, some of the most notable Oscar snubs are up for best actress. Though nominated by the actors’ guild, Danielle Deadwyler (“Till”) and Viola Davis (“The Woman King”) were overlooked by the academy, prompting some to decry racial bias in Hollywood. Ana de Armas (“Blonde”) is also nominated.

In the best actor category, Austin Butler (“Elvis”), Brendan Fraser (“The Whale”) and Colin Farrell (“The Banshees of Inisherin”) all are considered contenders with a realistic shot of winning. The Guild also nominated Adam Sandler (“Hustle”) and Bill Nighy (“Living”).

On the TV side, nominated for best ensemble in a drama series are: “Better Call Saul,” “The Crown,” “Ozark,” “Severance” and “The White Lotus.” Up for best comedy series ensemble are the casts of “Abbott Elementary,” “Barry,” “The Bear,” “Hacks” and “Only Murders in the Building.”

Presenters on Sunday include Zendaya (who scored her first SAG nomination for her leading performance in “Euphoria,” Aubrey Plaza, Jenna Ortega, Adam Scott, Chastain and Jeff Bridges. Sally Field is to receive the SAG lifetime achievement award, an honor to be presented to her by Andrew Garfield.
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Tom Cruise was honored for his nearly three decades of work as a producer, and “ Everything Everywhere All at Once ” solidified its status as the frontrunner for the best picture Oscar by taking the top prize at Saturday night’s Producers Guild of America Awards.

“We love you! We love you!” another Oscar favorite and one of the film’s stars, Ke Huy Quan, shouted gleefully from the stage as Jonathan Wang and the other producers of the multiversal dramedy accepted the award for best theatrical motion picture.

The award has proven to be perhaps the best indicator for what will win the top honor at the Oscars, with four of the past five and 11 of the past 14 PGA winners going on to win best picture.

PGA wins by “ CODA ” last year and “ Nomadland ” in 2021 set each apart as frontrunners before winning best picture.

The strong possibility of a big night at Sunday’s Screen Actors Guild Awards could further mark “Everything Everywhere” as the film to beat at the March 12 Academy Awards.

Cruise the actor caused a stir inside and outside with his presence at the show at the Beverly Hilton in Beverly Hills, California, but his producing career beginning in 1996 with “Mission: Impossible” earned him the David O. Selznick Award at the PGAs, a life achievement honor previously bestowed on Steven Spielberg, Kevin Feige, Mary Parent and Brian Grazer.

“My whole life I wanted to make movies,” said Cruise, wearing a tuxedo with his hair grown out to the length he wore it in “Mission: Impossible 2.” “I wanted to travel the world, and have adventure.”

Cruise talked about making his film debut in 1981’s “Taps” at age 18 and how producer Stanley Jaffe let him in on every part of the process.

“I was certain this was something I wanted to do for the rest of my life,” he said.

Cruise thanked Jerry Bruckheimer, producer of the original 1986 “Top Gun” and his producing partner on last year’s “Top Gun: Maverick,” which also was nominated for the top PGA award and is up for the best picture Oscar.

“You opened the door for me,” Cruise told Bruckheimer. “You welcomed me in and I will be grateful forever.”

Since the first “Mission: Impossible,” Cruise has regularly been a producer on the films in which he has starred, including “Vanilla Sky,” “The Last Samurai,” “Jack Reacher” and the other five films in the “Mission: Impossible” franchise.

He paid tribute in his acceptance to many other mentors and partners including Spielberg and former Paramount CEO Sherry Lansing, who presented the award.

“You’ve all enabled me the adventurous life that I wanted,” he said.

Cruise gave a closing shout-out to “all the audiences, for whom I work first and foremost, thank you for letting me entertain you.”

Other movies honored by the PGA included “Navalny,” which won for best documentary feature, “Guillermo del Toro’s Pinocchio,” which took best animated film, and “Till,” which won the Stanley Kramer Award honoring a production or producer that illuminates and raises public awareness of important social issues.

In the PGA’s television categories, “The Bear” won for best comedy, “The White Lotus” won for best drama, “Lizzo’s Watch Out For The Big Grrrls” won for best reality or competition series, “Stanley Tucci: Searching for Italy” won for non-fiction series, “The Dropout” won best limited series and “Weird: The Al Yankovic Story” won best TV movie.

Mindy Kaling received the Norman Lear Achievement Award in Television for her work producing shows including “The Mindy Project,” “The Sex Lives of College Girls,” “Never Have I Ever,” “Velma” and “The Office.”

“I’m a child of immigrants and that unexpectedly became my secret weapon,” Kaling said.

B.J. Novak, her former “Office” co-writer and co-star, presented Kaling with the award, saying she “cared about characters other people hadn’t cared about enough to put on TV, and they cared about things that other people on TV hadn’t cared about.” 

 
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The creator of the Dilbert comic strip faced a backlash of cancellations Saturday while defending remarks describing people who are Black as members of “a hate group” from which white people should “get away.”

Various media publishers across the U.S. denounced the comments by Dilbert creator Scott Adams as racist, hateful and discriminatory while saying they would no longer provide a platform for his work.

Andrews McMeel Syndication, which distributes Dilbert, did not immediately respond Saturday to requests for comment. But Adams defended himself on social media against those who he said “hate me and are canceling me.”

Dilbert is a long-running comic that pokes fun at office-place culture.

The backlash began following an episode this past week of the YouTube show, Real Coffee with Scott Adams. Among other topics, Adams referenced a Rasmussen Reports survey that had asked whether people agreed with the statement “It’s OK to be white.”

Most agreed, but Adams noted that 26% of Black respondents disagreed and others weren’t sure.

The Anti-Defamation League says the phrase was popularized in 2017 as a trolling campaign by members of the discussion forum 4chan but then began being used by some white supremacists.

Adams, who is white, repeatedly referred to people who are Black as members of a “hate group” or a “racist hate group” and said he would no longer “help Black Americans.”

“Based on the current way things are going, the best advice I would give to white people is to get the hell away from Black people,” Adams said on his Wednesday show.

In another episode of his online show Saturday, Adams said he had been making a point that “everyone should be treated as an individual” without discrimination.

“But you should also avoid any group that doesn’t respect you, even if there are people within the group who are fine,” Adams said.

The Los Angeles Times cited Adams’ “racist comments” while announcing Saturday that Dilbert will be discontinued Monday in most editions and that its final run in the Sunday comics — which are printed in advance — will be March 12.

The San Antonio Express-News, which is part of Hearst Newspapers, said Saturday that it will drop the Dilbert comic strip, effective Monday, “because of hateful and discriminatory public comments by its creator.”

The USA Today Network tweeted Friday that it also will stop publishing Dilbert “due to recent discriminatory comments by its creator.”

The Plain Dealer in Cleveland and other publications that are part of Advance Local media also announced that they are dropping Dilbert.

“This is a decision based on the principles of this news organization and the community we serve,” wrote Chris Quinn, editor of The Plain Dealer. “We are not a home for those who espouse racism. We certainly do not want to provide them with financial support.”

Christopher Kelly, vice president of content for NJ Advance Media, wrote that the news organization believes in “the free and fair exchange of ideas.”

“But when those ideas cross into hate speech, a line must be drawn,” Kelly wrote.
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Angela Bassett won entertainer of the year at Saturday’s NAACP Image Awards on a night that also saw her take home an acting trophy for the television series “9-1-1.”

The Bassett-led Marvel superhero sequel “Black Panther: Wakanda Forever” won best motion picture at the ceremony, which was broadcast live on BET from Pasadena, California.

Viola Davis won outstanding actress for the action epic “The Woman King,” a project she championed and starred in. Will Smith won for the slavery drama “Emancipation,” his first release since last year’s Academy Awards, where he slapped comedian Chris Rock on stage before winning his first best actor trophy.

“I never want to not be brave enough as a woman, as a Black woman, as an artist,” Davis said, referencing a quote from her character in the film, which she called her magnum opus. “I thank everyone who was involved with ‘The Woman King’ because that was just nothing but high-octane bravery.”

“Abbott Elementary” won for outstanding comedy series. Creator and series star Quinta Brunson invited her costars onstage and praised shows like “black-ish” for paving the way for her series.

The 54 NAACP Image Awards were presented Saturday in Pasadena, California, with Queen Latifah hosting. Serena Williams received the Jackie Robinson Sports award, which recognizes individuals in sports for high achievement in athletics along with their pursuit of social justice, civil rights and community involvement.
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The French documentary On the Adamant (Sur l’Adamant) directed by Nicolas Philibert was named best film Saturday at this year’s Berlin International Film Festival.

The film takes viewers onto a Seine barge in Paris that serves as a floating day care center for adults suffering from mental disorders.

“That a documentary is awarded and celebrated, that a documentary can be considered to be cinema in its own right touches me deeply,” said a visibly moved Philibert after the prize was announced by the seven-member jury headed by American actor, screenwriter and director Kristen Stewart.

Philibert said that in the film he had tried to “reverse the image” that people have of those with mental illness and allow viewers to see “what unites us beyond our differences.”

“As we all know, the craziest people are not those we think they are,” he added.

The award for best director went to fellow French filmmaker Philippe Garrel for The Plough (Le grand chariot) about three siblings who are trying to keep alive the family puppeteering business.

Best leading performance was awarded to Spanish actor Sofía Ortero, who plays an 8-year-old child searching for identity and acceptance in 20,000 Species of Bees.

The award for best supporting performance went to Austrian actor Thea Ehre for her role in Till the End of the Night, while the best screenplay went to Music by German filmmaker Angela Schanelec.

French cinematographer Hélène Louvart received the Silver Bear for outstanding artistic contribution for her work on Disco Boy.

The 73rd Berlinale kicked off with an address by Ukrainian President Volodymyr Zelenskyy, who asked artists and filmmakers to unequivocally declare their support for his country in its effort to fend off Russia’s invasion forces.

Zelenskyy, a former comedian and actor, featured prominently in Sean Penn’s film about the war in Ukraine, Superpower, which had its world premiere in Berlin.
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Most film festivals can be counted on to provide entertainment, laced with some introspection.

The weeklong FESPACO that opened Saturday in violence-torn Burkina Faso’s capital goes beyond that to also offer hope, and a symbol of endurance: In years of political strife and Islamic extremist attacks, which killed thousands and displaced nearly 2 million in the West African country, it’s never been canceled.

“We only have FESPACO left to prevent us from thinking about what’s going on,” said Maimouna Ndiaye, a Burkinabe actress who has four submissions in this year’s competition. “This is the event that must not be canceled no matter the situation.”

Since the last edition of the biennial festival in Ouagadougou, the country’s troubles have increased. Successive governments’ failures to stop the extremist violence triggered two military coups last year, with each junta leader promising security — but delivering few results.

At least 70 soldiers were killed in two attacks earlier this month in Burkina Faso’s Sahel region. The fighting also has sowed discord among a once-peaceful population, pitting communities and ethnicities against each other.

Nevertheless, more than 15,000 people, including cinema celebrities from Nigeria, Senegal and Ivory Coast are expected in Ouagadougou for FESPACO, Africa’s biggest film festival that was launched in 1969.

Some 1,300 films were submitted for consideration and 100 have been selected to compete from 35 African countries and the diaspora, including movies from the Dominican Republic and Haiti. Nearly half of those in the fiction competition this year are directed by women.

Among them is Burkinabe director and producer Apolline Traore, whose film “Sira” — considered a front-runner in this year’s competition — is emblematic of many Burkinabes’ suffering. It tells the tale of a woman’s struggle for survival after being kidnapped by jihadis in the Sahel, as her fiance tries to find her.

Still, Traore is upbeat about her country’s prospects.

“The world has painted Burkina Faso as a red country. It’s dangerous to come to my country, as they say,” she told The Associated Press. “We’re probably a little crumbled but we’re not down.”

Government officials say they have ramped up security and will ensure the safety of festival attendees.

Many hope FESPACO will help boost domestic unity and strengthen ties with other countries, at a time when anti-French sentiment is on the rise in Burkina Faso.

Wolfram Vetter, the European Union ambassador in Burkina Faso, called the film festival “an important contribution to peace and reconciliation in Burkina Faso and beyond.”

The EU is the event’s largest funder after the Burkinabe government. It has contributed approximately 250,000 euros ($265,000).
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Sixty Ukrainian ballet dancers fled Ukraine to escape Russia’s invasion over the past year. They ended up in the Netherlands, where they continue to dance together. Mariia Ulianovska has the story, narrated by Anna Rice. Camera: Kostiantyn Golubchyk 
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Ukrainians living in South Africa are marking one year since Russia’s invasion with a dance production titled ‘We Stand for Freedom.’ The performance, supported by the Desmond and Leah Tutu Legacy Foundation, draws parallels between racial oppression under apartheid and Moscow’s war on Ukraine. Vicky Stark meets some Ukrainians who fled the war in this report from Cape Town, South Africa.
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A federal judge on Thursday handed singer R. Kelly a 20-year prison sentence for his convictions of child pornography and the enticement of minors for sex but said he will serve nearly all of the sentence simultaneously with a 30-year sentence imposed last year on racketeering charges. 

U.S. District Judge Harry Leinenweber also ordered that Kelly serve one year in prison following his New York sentence. 

The central question going into the sentencing in Kelly’s hometown of Chicago was whether Leinenweber would order that the 56-year-old serve the sentence simultaneously with or only after he completes the New York term for 2021 racketeering and sex trafficking convictions. The latter would have been tantamount to a life sentence. 

Prosecutors had acknowledged that a lengthy term served only after the New York sentence could have erased any chance of Kelly ever getting out of prison alive. It’s what they asked for, arguing his crimes against children and lack of remorse justified it. 

With Thursday’s sentence, though, Kelly will serve no more than 31 years. That means he will be eligible for release at around age 80, providing him some hope of one day leaving prison alive. 

Leinenweber said at the outset of the hearing that he did not accept the government’s contention that Kelly used fear to woo underage girls for sex. 

“The [government’s] whole theory of grooming, was sort of the opposite of fear of bodily harm,” the judge told the court. “It was the fear of lost love, lost affections [from Kelly]. … It just doesn’t seem to me that it rises to the fear of bodily harm.” 

Prosecutors say Kelly’s crimes against children and his lack of remorse justify the stiffer sentence. 

A calm Kelly spoke briefly at the start of the hearing, when the judge asked him if he had reviewed key presentencing documents for any inaccuracies. 

“Your honor, I have gone over it with my attorney,” Kelly said. “I’m just relying on my attorney for that.” 

Two of Kelly’s accusers asked the judge to punish him harshly. 

In a statement read aloud in court, a woman who testified under the pseudonym “Jane” said she had lost her early aspirations to become a singer herself and her hopes for fulfilling relationships. 

“I have lost my dreams to Robert Kelly,” the statement said. “I will never get back what I lost to Robert Kelly. … I have been permanently scarred by Robert.” 

The woman was a key witness for prosecutors during Kelly’s trial; four of his convictions are tied to her. 

“When your virginity is taken by a pedophile at 14 … your life is never your own,” Jane’s statement read. 

Another accuser, who used the pseudonym “Nia,” attended the hearing and addressed Kelly directly in court. Speaking forcefully as her voice quivered, Nia said Kelly would repeatedly pick at her supposed faults while he abused her. 

“Now you are here … because there is something wrong with you,” she said. “No longer will you be able to harm children.” 

Jurors in Chicago convicted Kelly last year on six of 13 counts: three counts of producing child porn and three of enticement of minors for sex. 

Kelly rose from poverty in Chicago to become one of the world’s biggest R&B stars. Known for his smash hit “I Believe I Can Fly” and for sex-infused songs such as “Bump n’ Grind,” he sold millions of albums even after allegations about his abuse of girls began circulating publicly in the 1990s. 

In presentencing filings, prosecutors described Kelly as “a serial sexual predator” who used his fame and wealth to reel in, sexually abuse and then discard star-struck fans. 

U.S. Assistant Attorney Jeannice Appenteng on Thursday urged the judge to set a longer sentence and keep Kelly in prison “for the rest of his life.” 

Kelly’s abuse of children was all the worse, she said, because he “memorialized” his abuse by filming victims, including Jane. She told the court Kelly “used Jane as a sex prop, a thing” for producing pornographic videos. 

In prehearing filings, Kelly’s lawyer, Jennifer Bonjean, accused prosecutors of offering an “embellished narrative” in an attempt to get the judge to join what she called the government’s “bloodthirsty campaign to make Kelly a symbol of the #MeToo movement.” 

Bonjean said Kelly has suffered enough, including financially. She said his worth once approached $1 billion, but that he “is now destitute.” 

In court Thursday, Bonjean said Kelly will be lucky to survive his 30-year New York sentence alone. To give him a consecutive 25-year sentence on top of that “is overkill, it is symbolic,” she said. “Why? Because it is R. Kelly.” 

She also argued that Kelly’s silence should not be viewed as a lack of remorse. 

She said that while she advised Kelly not to speak because he continues to appeal his convictions and could face other legal action, “He would like to, he would like to very much.” 
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