NASCAR, the American stock car racing company, is celebrating its 75th anniversary and striving to bring diversity to the sport. Genia Dulot visited a preseason NASCAR race in Los Angeles and spoke to Daniel Suarez, the first Mexican-born racing driver to win a NASCAR cup series.
Camera: Genia Dulot
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U.S. basketball star LeBron James of the Los Angeles Lakers became the National Basketball Association’s all-time leading scorer Tuesday. 

James hit a two-point basket late in the third quarter in the game against the visiting Oklahoma City Thunder to surpass the 38,387 career points held by Lakers’ legend and Hall-of-Famer Kareem Abdul-Jabbar. Abdul-Jabbar, who was in Crypto.com Arena to watch the historic moment, had held the record since April 5,1984.  

James entered Tuesday’s game needing just 36 points to break the record. He finished the game with 38 points, giving him 38,390 points for his career to date. But the Thunder won the game 133-130. 

The record adds to James’s already illustrious 20-year NBA career, which began as an 18-year-old rookie with the Cleveland Cavaliers. He has since won four NBA championships, four season Most Valuable Player awards and four NBA Finals MVP awards. 

Following James and Abdul-Jabbar on the NBA’s all-time scoring list are Karl Malone, the late Kobe Bryant and Michael Jordan, universally considered to be the greatest NBA player of all time. Another Lakers’ legend, the late Wilt Chamberlain, is in seventh-place with 31,419 points. 

When asked in a post-game interview with retired great Shaquille O’Neal, who won three NBA titles with the Lakers, if he was now the greatest player in NBA history, James said he always feels like “I’m the best to ever play this game” but said he was happy to be mentioned with the league’s other great players.  

Some information for this report came from The Associated Press and Reuters. 
…

There are fans for all kinds of things, from sports to birds to stamps. This is true for trains as well. VOA’s Aunshuman Apte reports.
…

British author Salman Rushdie said he finds it “very difficult” to write after being stabbed last year, in an interview published Monday ahead of the release of his new novel Victory City.

Rushdie, whose “epic tale” of a 14th-century woman who defies a patriarchal world to rule a city hits U.S. shelves Tuesday, said the attack had scarred him mentally.

“There is such a thing as PTSD you know,” the 75-year-old told the New Yorker magazine in his first interview since the August 12 stabbing at a conference in Chautauqua in upstate New York.

“I’ve found it very, very difficult to write. I sit down to write, and nothing happens. I write, but it’s a combination of blankness and junk, stuff that I write and that I delete the next day. I’m not out of that forest yet, really,” he added.

The award-winning novelist, a naturalized American citizen who has lived in New York for 20 years, lost sight in one eye and the use of one hand, his agent said in October.

Rushdie told journalist David Remnick that “big injuries are healed” but he was not able to type very well because of a lack of feeling in some fingertips.

“I’ve been better. But, considering what happened, I’m not so bad,” said the Indian-born author, describing himself as “lucky.”

Rushdie lived in hiding for years after Iran’s first supreme leader Ayatollah Ruhollah Khomeini ordered his killing for what he deemed the blasphemous nature of The Satanic Verses, published in 1988.

The attack shocked the West but was welcomed by extremists in Muslim countries such as Iran and Pakistan.

Words ‘the only victors’

Rushdie was asked whether he thought it had been a mistake to let his guard down in recent decades.

“I’m asking myself that question, and I don’t know the answer to it,” he said. “Three-quarters of my life as a writer has happened since the fatwa. In a way, you can’t regret your life.”

Hadi Matar, a 24-year-old from New Jersey with roots in Lebanon, was arrested immediately after the attack and pleaded not guilty to assault charges.

“I blame him,” said Rushdie, simply.

Victory City purports to be a translation of a historical epic originally written in Sanskrit. It’s his 15th novel and was penned before the attack.

The much-anticipated work tells the tale of young orphan girl Pampa Kampana who is endowed by a goddess with magical powers and founds the city, in modern-day India, of Bisnaga, which translates as Victory City.

While not personally promoting the book, Rushdie has begun to communicate via social media on Twitter, most often to share press reviews of his new novel.

An icon of free speech since he was subjected to the fatwa that forced him into hiding, Rushdie is still an outspoken defender of the power of words.

His new work follows a heroine on a mission to “give women equal agency in a patriarchal world,” according to publisher Penguin Random House’s summary.

The book tells the tale of Pampa Kampana’s creation of a city and of its downfall.

A triumph

“Over the next 250 years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s, from its literal sowing from a bag of magic seeds to its tragic ruination in the most human of ways: the hubris of those in power,” it added.

The novel concludes with the statement: “Words are the only victors.”

U.S. author Colum McCann wrote in The New York Times that his friend Rushdie was saying “something quite profound” in his new novel.

“In the face of danger, even in the face of death, he manages to say that storytelling is one currency we all have,” said McCann.

The Atlantic magazine called it a “triumph — not because it exists, but because it is utterly enchanting.”

Born in Mumbai in 1947, Rushdie published his first novel Grimus in 1975, and gained worldwide fame six years later with Midnight’s Children, which won him the Booker Prize.

Victory City will be released in Britain Thursday.
…

Iran-based singer Shervin Hajipour’s Grammy Award for a song he produced last year in honor of Iran’s peaceful protest movement against Islamist rule has prompted an outpouring of positive reactions from Iranian social media users.

U.S. first lady Jill Biden announced Hajipour’s win of the U.S. Recording Academy’s first-ever Song for Social Change Special Merit Award at Sunday’s annual ceremony in Los Angeles.

Hajipour produced the award-winning song “Baraye” in September with lyrics drawn from social media posts in which other Iranians stated what they were protesting “for” and “because of.”

The song, which he posted on his Instagram account, became an instant hit and a protest anthem, garnering 40 million views in its first 48 hours. But it also led to his arrest by Iranian security forces on September 29. He was released on bail on October 4 but still faces charges of spreading anti-government “propaganda” and “instigating violence.” He also has been barred from leaving the country, according to Iran’s Human Rights Activist News Agency.

Social media reactions to Hajipour’s Grammy were overwhelmingly positive, as observed by VOA Persian.

The singer was seen reacting to his win early Monday morning Iran time in an Instagram video posted by his friend Amirparsa Neshat.

The video showed Hajipour with several other people in the living room of a home inside Iran, watching a TV screen showing the U.S. first lady announcing his award. The people in the room erupted in cheers and embraced the singer, who appeared to wipe away tears.

Neshat also posted a video of himself hours later saying, “Wow, I cannot believe it. We didn’t sleep from last night. It was worth it. It was a great feeling. I hope when you are waking in the morning, you get the good news instead of [execution] news!”

Hajipour’s own response to the award was a simple “We won” message posted to his Instagram account along with a black-and-white photo of himself.

Some Iranians loyal to the country’s ruling Islamist clerics tried to discredit Hajipour’s award, posting social media messages calling it a political move. 

But in a sign of how much the song resonated within Iran, an Iranian activist posted an audio clip Monday on Twitter with a recording of what he said was a group of prisoners in the Greater Tehran Central Penitentiary singing “Baraye” in a phone call made from the prison sometime in the last few months.

The activist who posted the video, Shahriyar Shams, was recently freed from prison after being jailed for his involvement in the protests that began in September.

In the recording, the voices singing the song are interrupted several times by a recording that appears to be a typical automated announcement of a phone call being made from the prison to someone on the outside. 
…

Centuries-old weavings from the Caucasus, Iran and Turkey show the individual stories and intertwined histories of the region in a museum exhibit in the Western U.S. state of Colorado. VOA Correspondent Scott Stearns has our story.
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The success of the critically acclaimed 2022 film “Everything Everywhere All at Once” has put a spotlight on Asian representation in the U.S. film industry. Now, an American actor of Hmong descent and a Cambodian American filmmaker have made a new movie about the Asian experience in the United States. VOA’s Chetra Chap reports.
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Beyonce’s four wins were one of many highlights of Sunday’s Grammys, making her the artist with the most Grammys ever.

Beyonce, the Queen Bee, can now proudly wear the crown of most decorated artist in Grammy history, breaking the 26-year record held by the late Hungarian-British conductor Georg Solti.

However, she was not in the room when she broke Solti’s record. Host Trevor Noah said she was stuck in traffic, clearly news to some of her Beehive fans, and showing that the Queen suffers some of the same problems as mere mortals.

Beyonce was up for album of the year but was beat out by Harry Styles for that honor.

Sunday’s show was a lively mix of music, musicians, fans and U.S. First Lady Jill Biden.

In fact, a 70-plus-year old fan read the card announcing Styles’ best album victory.

Earlier in the show, there was video of the senior citizen fan attending a Styles concert with her granddaughter.

Beyonce bypassed Solti’s record with her win for best dance/electronic music album for “Renaissance.” After thanking her family in her acceptance speech, she also thanked “the queer community for your love and for inventing the genre.”

Biden introduced a new category — Best Song for Social Change category. She also announced the Grammy for best song.

The first winner of the social change category was Iranian singer and songwriter Shervin Hajipour for the song Baraye which Biden described as a “powerful and poetic call for freedom and women’s rights.” It contains the phrase “women, life, freedom” that has become synonymous with the Iranian protests.

Biden also presented Bonnie Raitt with the best song Grammy for “Just Like That.”

Sam Smith and Kim Petras’ “Unholy” won for best pop duo-group performance. Petras told the audience that she is “the first transgender woman to win the award.”

Another highlight of Sunday’s show was a wonderful array of hip hop artists celebrating the 50th anniversary of the genre. What could be better than The Roots playing for Missy Elliot, Salt ‘N Pepa, Queen Latifah, Run DMC, Busta Rhymes, Grandmaster Flash, and Public Enemy.

Actor Viola Davis won a Grammy in a part of the show that was not televised. Her Grammy for the narration of her memoir initiated her into that rarified EGOT group — artists who have won an Emmy, a Grammy, an Oscar and a Tony.

 
…

Here is a list of winners in key categories for the 65th annual Grammy Awards, which were handed out on Sunday in Los Angeles.

Beyonce led the field with a total of nine nominations and scooped up four awards, making her the winningest artist in Grammys history.

Harry Styles won the Album of the Year award, while Lizzo, Adele, Kendrick Lamar, Brandi Carlile and Bonnie Raitt also took home golden statuettes.

Album of the Year: “Harry’s House,” Harry Styles

Record of the Year, recognizing overall performance of a song: “About Damn Time,” Lizzo

Song of the Year, recognizing songwriting: “Just Like That,” Bonnie Raitt

Best New Artist: Samara Joy

Best Dance / Electronic Music Album: “Renaissance,” Beyonce

Best Dance / Electronic Recording: “Break My Soul,” Beyonce

Best Pop Vocal Album: “Harry’s House,” Harry Styles

Best Rap Album: “Mr. Morale & the Big Steppers,” Kendrick Lamar

Best Rock Album: “Patient Number 9,” Ozzy Osbourne

Best Pop Solo Performance: “Easy on Me,” Adele

Best Pop Duo/Group Performance: “Unholy,” Sam Smith and Kim Petras

Best Americana Album: “In These Silent Days,” Brandi Carlile

Best Country Album: “A Beautiful Time,” Willie Nelson

Best Music Video: “All Too Well (The Short Film),” Taylor Swift

Best Global Music Album: “Sakura,” Masa Takumi

Best Score Soundtrack for Video Games and Other Interactive Media: “Assassin’s Creed Ragnarok: Dawn of Ragnarok,” Stephanie Economou

Artists with Most Wins

Beyonce – 4

Bonnie Raitt – 3

Kendrick Lamar – 3

Brandi Carlile – 3
…

For Wilfred Cadet, buying soup on Sunday is the equivalent of going to church.  

Seated on plastic chairs next to a street food stand tucked in an alleyway, the 47-year-old Haitian slurps orange-colored soup out of a metal bowl next to his 9-year-old son.

Haitians mill past them cradling larger plastic containers, each eager to get a giant spoonful of the stew boiling in two human-sized pots behind them.

Made of pumpkin, beef, carrots, cabbage – ingredients produced on the island – soup joumou is a cultural staple in Haiti.

And in a moment of deepening crisis in the Caribbean nation, it’s one of the few points of enduring national pride.

To this day, when you mention the soup, Haitians are quick to crack a smile.

“It’s our tradition, our culture. It makes people proud. No matter what happens (in Haiti), the soup is going to stay around,” said Cadet.

During the colonial period, slaves were banned from eating the spicy dish, and would have to prepare it for French slave owners.

But Haitians claimed soup joumou as their own in 1804 when they staged one of the biggest and most successful slave rebellions in the Western Hemisphere.

The uprising put an end to slavery in Haiti far before much of the region, and the dish gained the nickname “independence soup.”

In 2021 – the same year the country spiraled into chaos following the assassination of its president – the soup was added to UNESCO’s Intangible Cultural Heritage List, the first cuisine Haiti has on the list.

“It is a celebratory dish, deeply rooted in Haitian identity, and its preparation promotes social cohesion and belonging among communities,” reads the UNESCO entry.

It’s traditionally eaten on Sunday mornings, and on Haitian Independence Day in early January.

That’s when customers begin filing through a pair of black metal gates into 50-year-old Marie France Damas’ makeshift restaurant at 7:30 a.m.

Tucked behind rows of parked cars, a brick wall with a painted sign reading “Every Sunday: Soup Joumou” and a pile of local pumpkins, Damas labors away over her two big pots just like she has for the past 18 years.

Her husband weaves between plastic tables taking orders while her daughter chops vegetables behind her. It’s a family affair, but Damas is clear.

“I’m the boss of the soup,” she said with a grin.

The business has allowed her to put her children through school and give a good life to her family in a place with some of the highest poverty and unemployment rates in the region.

To each Haitian, the cuisine means something different.

For Cadet and his son, it represents one moment of an escape from the day-to-day pandemonium of Haiti’s capital, Port-au-Prince.

It has also allowed Cadet to pass on a cherished part of Haitian culture at a time when they’re slowly fading away. Celebrations like Carnival that once took center stage on the island have withered due to deep gang violence tearing apart the nation.

“The violence in the country is making everyone leave, and over time, we’re going to lose a lot of cultural traditions,” Cadet said. “My son, of course, (will go). Right now, he doesn’t like Haiti.”

He hopes that when his son goes, he’ll remember their Sunday mornings together.

To others, like 35-year-old Maxon Sucan, it’s a way to reconnect with family and home in the countryside.

He grew up in a rural town in western Haiti in a farming family cultivating the very vegetables used to make the soup.

He came to Port-au-Prince 13 years ago to support his family, and works as a manager at a nightclub.

He would once visit his family six to eight times a year, but because of kidnappings and gang control of the countryside, he’s now unable to go home.

So Sunday mornings, he drinks the soup just like he once did as a kid, and he thinks about his daughter who he sometimes goes weeks without speaking to.

“She’s 3 years old and it hurts me that I can’t see her,” Sucan said. “(When I eat soup joumou) I remember my family.”

As he gets ready to leave the restaurant alone, cradling a large Tupperware filled with steaming soup, he pauses.

“When I go home today, I’ll call her. And when I do, I’ll ask if she ate the soup,” he adds.
…

— Best alternative music performance: “Chaise Longue” by Wet Leg

— Best alternative music album: “Wet Leg,” Wet Leg

— Best rock album: “Patient Number 9,” Ozzy Osbourne

— Best rock performance: “Broken Horses” by Brandi Carlile

— Best rock song: “Broken Horses” by Brandi Carlile

— Best rap performance: “The Heart Part 5,” Kendrick Lamar

— Best rap song: “The Heart Part 5” by Kendrick Lamar

— Best melodic rap performance: “WAIT FOR U” by Future featuring Drake & Tems

— Best R&B album: “Black Radio III,” Robert Glasper

— Best R&B performance: “Hrs & Hrs” by Muni Long

— Best traditional R&B performance: “Plastic Off The Sofa” by Beyonce

— Best progressive R&B album: “Gemini Rights,” Steve Lacy

— Best audio book, narration and storytelling recording: “Finding Me” by Viola Davis

— Best traditional pop vocal album: “Higher,” Michael Buble

— Best solo country solo performance: “Live Forever,” Willie Nelson

— Best country duo/group performance: “Never Wanted To Be That Girl,” Carly Pearce and Ashley McBryde

— Best country album: “‘Til You Can’t,” Cody Johnson

— Best jazz vocal album: Samara Joy

— Best dance/electronic recording: “Break My Soul,” by Beyonce

— Best metal performance: “Degradation Rules” by Ozzy Osbourne featuring Tony Iommi

— Best engineered, non-classical album: “Harry’s House,” Harry Styles

— Best compilation soundtrack for visual media: “Encanto”

— Best score soundtrack for visual media: “Encanto,” Germaine Franco

— Best score soundtrack for video games and other interactive media: “Assassin’s Creed Valhalla: Dawn of Ragnarok,” Stephanie Economou.
…

Pop superstar Beyonce, winner of more Grammy awards than any other female artist, has never taken home the coveted album of the year trophy at the music industry’s highest honors.

That could change on Sunday, according to industry experts and awards pundits, although it is not a sure thing in a formidable, wide-ranging field that includes Puerto Rican rapper Bad Bunny, pop musician Harry Styles, singer and flutist Lizzo, and disco-era Swedish hitmaker ABBA.

Winners will be announced during a ceremony that will be broadcast live on U.S. broadcast network CBS and streamed on Paramount+ starting at 5 p.m. Pacific time/8 p.m. Eastern time (0100 GMT on Monday).

Beyonce heads into the show in Los Angeles with nine nominations, including an album of the year nod for dance-heavy album “Renaissance.” She has won 28 Grammys over her career, and she could break the all-time record of 31 on Sunday.

But the top prize has escaped her. The acclaimed 2016 album “Lemonade” was defeated by Adele’s “25,” prompting the British vocalist to say on stage that Beyonce deserved the honor.

Beyonce “is about to be the most-winningest Grammy award winner. There’s almost no way she’s not going to break the record,” said Jem Aswad, deputy music editor for Variety.

“But she has never won album of the year, one of the top awards, and that’s just wrong,” he added.

Adele, who has claimed the album trophy twice, also is in the mix this year with “30.” It is possible that Adele and Beyonce voters could cancel each other out, Aswad said, opening a door for Styles to prevail with “Harry’s House.”

Beyonce’s other nominations include record and song of the year for “Break My Soul.” If she wins at least four awards, she will top the late classical conductor Georg Solti as the most-decorated artist in Grammys history.

The winners are chosen by roughly 11,000 members of the Recording Academy, which has faced complaints that it has not given Black talent proper recognition. The organization has worked to diversity its membership in recent years.

In the best new artist category, contenders include Italian rock band Maneskin, jazz artist Samara Joy, American bluegrass singer Molly Tuttle and TikTok phenom Gayle, who rose to fame with “abcdefu.”

Taylor Swift’s 10-minute version of her 2012 song “All Too Well” was nominated for best song. Swift’s latest album, “Midnights,” was released after this year’s eligibility window, which ran from October 2021 through September 2022.

Comedian Trevor Noah will host Sunday’s awards show. Scheduled performers include Styles, Lizzo, Sam Smith, Luke Combs and Bad Bunny. First lady Jill Biden is among the night’s presenters.

Like other awards shows, the Grammys have seen their television audience decline in recent years. Last year’s ceremony drew roughly 9 million viewers, the second-smallest on record.
…

The tea tasted bitter and earthy, but Lorenzo Gonzales drank it anyway. On that night in remote Utah, he was hoping for a life-changing experience, which is how he found himself inside a tent with two dozen others waiting for the psychedelic brew known as ayahuasca to kick in.

Soon, the gentle sounds of a guitar were drowned out by people vomiting — a common downside of the drug.

Gonzales started howling, sobbing, laughing and repeatedly babbling. Facilitators from Hummingbird Church placed him face down, calming him momentarily before he started laughing again and crawling.

“I seen these dark veins come up in this big red light, and then I seen this image of the devil,” Gonzales said later. He had quieted only when his wife, Flor, touched his shoulder and prayed.

His journey to this town along the Arizona-Utah border is part of a growing global trend of people turning to ayahuasca to treat an array of health problems after conventional medications and therapy failed. Their problems include eating disorders, depression, substance use disorders and PTSD.

The rising demand for ayahuasca has led to hundreds of churches like this one, which advocates say are protected from prosecution by a 2006 U.S. Supreme Court ruling. In that case, a New Mexico branch of a Brazilian-based ayahuasca church won the right to use the drug as a sacrament — even though its active ingredient remains illegal under U.S. federal law. A subsequent lower court decision ruled Oregon branches of a different ayahuasca church could use it.

“In every major city in the United States, every weekend, there’s multiple ayahuasca ceremonies,” said Sean McAllister, who represents an Arizona church in a lawsuit against the federal government after its ayahuasca from Peru was seized at the port of Los Angeles.

The pro-psychedelics movement’s growth has sparked concerns of a government crackdown. In addition to ayahuasca shipments being seized, some churches stopped operating over fears of prosecution. There are also concerns these unregulated ceremonies might pose a danger for some participants and that the benefits of ayahuasca haven’t been well studied.

It was dark as the Hummingbird ceremony began on a Friday night in October, except for flickering candles and the orange glow of heaters. Psychedelic art hung from the walls; statues of the Virgin Mary and Mother Earth were positioned near a makeshift altar.

Participants sat in silence, waiting for Taita Pedro Davila, the Colombian shaman and traditional healer who oversaw the ceremony.

A mix of military veterans, corporate executives, thrill seekers, ex-members of a polygamous sect and a man who struck it rich on a game show had turned up for the $900 weekend. Many appeared apprehensive yet giddy to begin the first of three ceremonies.

The brew contains an Amazon rainforest shrub with the active ingredient N, N-Dimethyltryptamine, or DMT, and a vine containing alkaloids that prevents the drug from breaking down in the body.

Those who drink ayahuasca report seeing shapes and colors and going on wild, sometimes terrifying journeys that can last hours. In this dreamlike state, some say they encounter dead relatives, friends and spirits.

“You were invited for a weekend of healing,” Davila told the group, before people lined up for their tea.

Locking eyes with each participant, Davila uttered a prayer over the cups before blowing on them with a whistling sound and handing them over to drink.

Gonzales and his wife, Flor, were among the ayahuasca newcomers.

They had driven from California, hoping for relief for 50-year-old Gonzales. He’d battled drug addiction for much of his life, was suffering the effects of COVID-19 and had been diagnosed with early stage dementia.

“My poor body is dying and I don’t want it to die,” said Gonzales, who rarely sleeps and is prone to fits of anger.

Maeleene Jessop was also a newcomer but grew up in Hildale, the Utah town where the ceremony was held. She is a former member of the Fundamentalist Church of Jesus Christ of Latter Day Saints, or FLDS, a polygamist offshoot of The Church of Jesus Christ of Latter-day Saints.

Hildale was the group’s stronghold. The ceremony was held in a tent on the grounds of a house once owned by a former FLDS member.

Jessop, 35, left the church after its leader, Warren Jeffs, was arrested for sexually assaulting girls he considered brides. He is serving a life sentence in federal prison. Jessop has struggled to adapt to her new life, battling depression and haunted by the physical and sexual abuse she endured as a child.

The roots of ayahuasca go back hundreds of years to ceremonial use by Indigenous groups in the Amazon. In the past century, churches have emerged in several South American countries where ayahuasca is legal.

The movement found a foothold in the United States in the 1980s and interest has intensified more recently as celebrities like NFL quarterback Aaron Rodgers and Hollywood actor Will Smit h talked about attending ceremonies.

Some spend thousands of dollars to attend five-star ayahuasca retreats in the Amazon. But in the U.S., the movement remains largely underground, promoted by social media and word of mouth, with ceremonies held in supporters’ homes, Airbnb rentals and remote areas to avoid law enforcement scrutiny.

Like many of these, Hummingbird won’t be mistaken for a traditional Western church.

It has no written text and relies primarily on Davila’s prayers, chants and songs to guide participants through the ceremony. Davila follows traditions learned from his grandfather.

Courtney Close, Hummingbird’s founder who credits ayahuasca with helping her overcome cocaine addiction and postpartum depression, believes the designation as a church helps show that participants are “doing this for religious reasons.” But when it comes to defining it as a religion, Close stressed that depends on individual participants’ experience.

“We just try to create a spiritual experience without any dogma and just let people experience God for themselves,” she said.

Back in California, Flor Gonzales is convinced ayahuasca is behind her husband’s improvement. “I just feel like we have a future,” she said.
…

It is a long and sometimes dangerous journey for truckers transporting the avocados destined for guacamole on tables and tailgates in the United States during the Super Bowl.

It starts in villages like Santa Ana Zirosto, high in the misty, pine-clad mountains of the western Mexico state of Michoacan. The roads are so dangerous — beset by drug cartels, common criminals, and extortion and kidnap gangs — that state police provide escorts for the trucks brave enough to face the 60-kilometer trip to packing and shipping plants in the city of Uruapan.

Truck driver Jesús Quintero starts early in the morning, gathering crates of avocados picked the day before in orchards around Santa Ana, before he takes them to a weighing station. Then he joins up with other trucks waiting for a convoy of blue-and-white state police trucks — they recently changed their name to Civil Guard — to start out for Uruapan.

“It is more peaceful now with the patrol trucks accompanying us, because this is a very dangerous area,” Quintero said while waiting for the convoy to pull out.

With hundreds of 10-kilogram crates of the dark green fruit aboard his 10-ton truck, Quintero’s load represents a small fortune in these parts. Avocados sell for as much as $2.50 apiece in the United States, so a single crate holding 40 is worth $100, while an average truck load is worth as much as $80,000 to $100,000.

Mexico supplies about 92% of U.S. avocado imports, sending north over $3 billion worth of the fruit every year.

But it’s often not just the load that is stolen.

“They would take away our trucks and the fruit, sometimes they’d take the truck as well,” Quintero said. “They would steal two or three trucks per day in this area.”

It happened to him years ago. “We were coming down a dirt road and two young guys came out and they took our truck and tied us up.”

Such thefts “have gone down a lot” since the police escorts started, Quintero said. “They have stolen one or two, one every week, but it’s not daily like it used to be.”

State police officer Jorge González said the convoys escort about 40 trucks a day, ensuring that around 300 tons of avocados reach the packing plants each day.

“These operations have managed to cut the (robbery) rate by about 90 to 95%,” González said. “We accompany them to the packing house, so they can enter with their trucks with no problem.”

Grower José Evaristo Valencia is happy he doesn’t have to worry if his carefully tended avocados will make it to the packing house. Packers depend on arrangements they have made with local orchards to fill promised shipments, and lost avocados can mean lost customers.

“The main people affected are the producers,” Valencia said. “People were losing three or four trucks every day. There were a lot of robberies between the orchard and the packing house.”

The police escorts “have helped us a lot,” he said.

Once the avocados reach Uruapan or the neighboring city of Tancitaro — the self-proclaimed avocado capital of the world that greets visitors with a giant cement avocado — the path to the north is somewhat safer.

The shipment north of avocados for Super Bowl season has become an annual event, this year celebrated in Uruapan. It is a welcome diversion from the drumbeat of crimes in the city, which is being fought over by the Viagras and Jalisco cartels.

On Jan. 17, Michoacan Gov. Alfredo Ramírez Bedolla “kicked off” the first Super Bowl avocado shipments, literally, kicking a football through tiny goalposts on an imitation football field.

Behind him, a big tractor trailer bore a huge sign reading “Let’s Go! Super Bowl 2023.”

It was an attempt by Michoacan growers to put behind them last year’s debacle, when the U.S. government suspended inspections of the fruit in February, right before the 2022 Super Bowl.

The inspections were halted for about 10 days after a U.S. inspector was threatened in Michoacan, where growers are routinely subject to extortion by drug cartels. Some Michoacan packers were reportedly buying avocados from other, non-certified states and trying to pass them off as being from Michoacan and were angry the U.S. inspector wouldn’t go along with that.

U.S. agricultural inspectors have to certify that Mexican avocados don’t carry diseases or pests that would harm U.S. orchards. The Mexican harvest is January through March, while avocado production in the U.S. runs from April to September.

Exports resumed after Mexico and the United States agreed to enact “measures that ensure the safety” of the inspectors.

“This season we are going to recover the confidence of the producers, growers and consumers. By increasing the export production, we hope to send 130,000 tons this season,” the governor said.
…

Paco Rabanne, the Spanish-born designer known for perfumes sold worldwide and for metallic, space-age fashions, has died, the group that owns his fashion house announced Friday.     

“The House of Paco Rabanne wishes to honor our visionary designer and founder who passed away today at the age of 88. Among the most seminal fashion figures of the 20th century, his legacy will remain,” the statement from beauty and fashion company Puig said.   

Le Telegramme newspaper quoted the mayor of Vannes, David Robo, as saying that Rabanne died at his home in the Brittany region town of Portsall.   

Rabanne’s fashion house shows its collections in Paris and is scheduled to unveil the brand’s latest ready-to-wear designs during the upcoming Feb. 27-March 3 fashion week.   

Rabanne was known as a rebel designer in a career that blossomed with his collaboration with the family-owned Puig, a Spanish company that now also owns other design houses, including Nina Ricci, Jean Paul Gaultier, Caroline Herrera and Dries Van Noten. The company also owns the fragrance brands Byredo and Penhaligon’s.    

“Paco Rabanne made transgression magnetic. Who else could induce fashionable Parisian women (to) clamor for dresses made of plastic and metal? Who but Paco Rabanne could imagine a fragrance called Calandre – the word means ‘automobile grill,’ you know – and turn it into an icon of modern femininity?” the group’s statement said.   

Calandre perfume was launched in 1969, the first product by Puig in Spain, France and the United States, according to the company.   

Born Francisco Rabaneda y Cuervo in 1934, the future designer fled the Spanish Basque country at age 5 during the Spanish Civil War and took the name of Paco Rabanne.     

He studied architecture at Paris’ Beaux Arts Academie before moving to couture, following in the steps of his mother, a couturier in Spain. He said she was jailed at one point for being dressed in a “scandalous” fashion.   

Rabanne sold accessories to well-known designers before launching his own collection.   

He titled the first collection presented under his own name “12 unwearable dresses in contemporary materials.” His innovative outfits were made of various kinds of metal, including his famous use of mail, the chain-like material associated with Medieval knights.   

Coco Chanel reportedly called Rabanne “the metallurgist of fashion.”   

“My colleagues tell me I am not a couturier but an artisan, and it’s true that I’m an artisan. … I work with my hands,” he said in an interview in the 1970s.   

In an interview given when he was 43, and now held in France’s National Audiovisual Institute, Rabanne explained his radical fashion philosophy: “I think fashion is prophetic. Fashion announces the future.” He added that women were harbingers of what lies on the horizon.   

“When hair balloons, regimes fall,” Rabanne said. “When hair is smooth, all is well.”   

The president of the Association of Fashion Designers of Spain, Modesto Lomba, said Rabanne “left an absolute mark on the passage of time. Let’s not forget that he was Spanish and that he triumphed inside and outside Spain.”
…

“Helloooo! Hello the Universe! Whoo!” shouted Jakkaphong “Anne” Jakrajutatip, the latest owner of the Miss Universe contest, from a stage filled with beauty queens.

Jakkaphong, a Thai media tycoon and trans rights activist, bought the parent company, Miss Universe Organization (MUO), last year. She is the first non-American and first transgender woman to own the 7-decade-old pageant, which drew contestants to New Orleans from 83 countries last month.

The competition, launched in 1952, was once co-owned by former U.S. President Donald Trump, who bought it in in 1996 from ITT Corp., then sold it in 2015 to WME/IMG, a talent agency and entertainment company, according to Variety.

In October, Jakkaphong expanded her business, JKN Global Group, headquartered in Samut Prakan, Thailand, by taking over the MUO offices in New York City when she bought the Miss Universe, Miss USA and Miss Teen USA pageants for $20 million.

She’s cut a $12.2 million deal with organizers in El Salvador, which will host the Miss Universe competition in 2023 for the first time since 1975.

Jakkaphong saw the Miss Universe platform as a promising asset, one that will help her fulfill her goal of empowering women and promoting feminism by encouraging all women — transgender, married, pregnant, divorced — to enter the contest.

“I was born as a trans woman,” Jakkaphong told VOA’s Thai Service during an exclusive interview in New York last month.

“My life purpose here is to help other people to transform, to lead, to teach and to inspire people,” said the 43-year-old businesswoman educated in Australia who is a celebrity in Thailand. “I need to become the inspiration for a lot of people [like] ‘you don’t give up no matter what and nobody can bring you down once they see you are good.’ ”

Describing herself as having been born “without a golden spoon in my mouth,” Jakkaphong comes from a Thai Chinese upper-middle class family that ran a video rental store, which she inherited before starting her own foreign TV content import business. She founded JKN Global Group in 2013.

Jakkaphong advocates for transgender rights in Thailand through her Life Inspired for Thailand Foundation. Since 2019, the group has campaigned for a draft bill to address transgender rights, including recognizing legal gender title change for people who go through gender reassignment operations. The draft needs more signatures to move forward to the Thai parliament.

Although considered one of the most LGBTQ+ friendly Asian countries, Thailand’s laws do not grant equal rights to members of the LGBTQ+ community in title change and marriage.

Jakkaphong believes the Miss Universe pageant comes with enough influence that it may be able to help change the laws in Thailand and other countries that do not yet provide equal rights to LGBTQ+ people.

“I believe that politicians wishing to run as countries’ leaders will raise this [gender title change] issue and will make it happen for us… MUO is the platform that helps urge countries to look at this matter,” she said, adding that she will soon raise the issue with Thai Prime Minister Prayuth Chan-ocha.

“The [Thai] government is occupied with so many things, and of course, we don’t even know [whether] we will have the same government or not. We will have the election coming up,” in May, said Jakkaphong. “But [gender title change] has to happen one day.”

Despite her belief that the pageant is a force for change, Jakkaphong said there’s no talk of politics on stage. “We talk about inspiration. We talk about the power of feminism and that is more important,” she said.

While Jakkaphong acknowledges that “many countries on the stage don’t get along with each other,” the contest is “about a dream of one woman. You cannot stop her dream no matter where she comes from. We cannot block anybody’s dreams, particularly young women’s.”

She sees those dreams as countering the notion that pageants impose rigid standards of beauty on contestants, standards that exclude rather than include, and objectify women.

Some 2.4 million people watched the Miss Universe 2022 final competition on January 14 on the U.S.-based, Spanish-language Telemundo network, according to ustvdb.com. This was the first year the streaming service Roku Channel broadcast the contest. It has yet to disclose viewing numbers.

Nielsen, the company that rates the popularity of American television shows, reported 2.7 million people watched the 2021 competition, a drop from 2019 when 3.8 million people watched the competition. In 2014, the last year of Trump’s involvement, 8.8 million people watched the contest, according to Nielsen.

On the final day of competition, January 14, Jakkaphong said, “We can elevate our women to feel strong enough, good enough, qualified enough, and never be objectified again,” before presenting the Transformational Leadership award to Thai entrant Anna Sueangam-iam, whose family collects garbage for recycling.

In New York Jakkaphong told VOA’s Thai Service that promoting inclusivity while recognizing beauty lets audiences “see the diversity… But the brain and the beauty must come together.”

Miss USA, R’Bonney Gabriel, who on January 14 won the first Miss Universe competition under Jakkaphong’s regime, is a fashion entrepreneur who designs a line of sustainable clothing.

Becoming an inspiration for others is central to the role of beauty queens, said Jakkaphong, adding that the Miss Universe pageant helps promote the message of “becoming the best version of oneself” and “becoming so beautifully confident that you would love to lift up the spirit of other human beings.”

Jakkaphong said the pageant under her ownership will continue to be different from its predecessors.

“This is the new paradigm of the beauty competition, which I don’t see as the beauty competition alone. It’s actually a female platform to raise awareness. Therefore, the whole world can listen to them.”
…

Acclaimed Iranian filmmaker Jafar Panahi has been released on bail after starting a hunger strike protesting his almost seven-month detention, supporters said Friday. 

The director had been arrested months before the current anti-regime protests erupted, but his imprisonment became a symbol of the plight of artists speaking out against the authorities. 

Panahi was released from Tehran’s Evin prison “two days after starting his hunger strike for freedom,” the U.S.-based Center for Human Rights in Iran said on Twitter, while Iran’s reformist Shargh newspaper posted an image of Panahi jubilantly embracing a supporter. 

His wife, Tahereh Saeedi, posted a picture on Instagram of Panahi being driven from prison in a vehicle. 

The prize-winning director was arrested in July and went on a dry hunger strike Wednesday to protest his continued detention. 

“Mr. Panahi was temporarily released from Evin prison with the efforts of his family, respected lawyers and representatives of the cinema,” Iran’s House of Cinema, which groups together industry professionals, said in a statement. 

The announcement that Panahi was going on a dry hunger strike sparked a wave of concern around the world about the director, who has won prizes at all of Europe’s top three film festivals. 

“Today, like many people trapped in Iran, I have no choice but to protest against this inhumane behavior with my dearest possession — my life,” Panahi had said in the statement published by his wife. 

“I will remain in this state until perhaps my lifeless body is freed from prison,” he said. 

Relief and joy 

Panahi, 62, was arrested July 11 and had been due to serve a six-year sentence handed down in 2010 after his conviction for “propaganda against the system.” 

On October 15, the Supreme Court quashed the conviction and ordered a retrial, raising hopes among his legal team that he could be released, but he remained in prison. 

Panahi won a Golden Lion at the Venice Film Festival in 2000 for his film “The Circle.” In 2015, he won the Golden Bear in Berlin for “Taxi Tehran,” and in 2018, he won the best screenplay prize at Cannes for “Three Faces.” 

Panahi’s latest film, “No Bears,” which like much of his recent work stars the director himself, was screened at the 2022 Venice Film Festival when the director was already behind bars. It won the Special Jury Prize. 

“It is extraordinary, a relief, a total joy. We express our gratitude to all those who mobilized yesterday,” his French distributor, producer Michele Halberstadt, told AFP. 

“His next fight is to have the cancellation of his sentence officially recognized. He’s outside, he’s free, and this is already great.” 

Panahi’s July arrest came after he attended a court hearing for fellow film director Mohammad Rasoulof, who had been detained a few days earlier. 

Rasoulof was released from prison January 7 after being granted a two-week furlough for health reasons and is still believed to be outside jail. 

Cinema figures have been among the thousands of people arrested by Iran in its crackdown on the protests sparked by the September 16 death in custody of Mahsa Amini, 22, who had been arrested for allegedly violating Iran’s strict dress code for women. 

Star actor Taraneh Alidoosti, who had published images of herself without wearing the Islamic headscarf, was among those detained, although she was released in early January after being held for almost three weeks. 
…

Inspired by the lifesaving medical attention Damar Hamlin received on the field during a game last month, the NFL and American Heart Association will provide free CPR education in Arizona throughout Super Bowl week as part of the NFL Experience at the Phoenix Convention Center.

Hamlin, the 24-year-old Buffalo Bills defensive back, needed to be resuscitated after making a tackle in a game against the Cincinnati Bengals. Bills assistant athletic trainer Denny Kellington performed CPR on Hamlin on the field.

“Being able to deliver care in emergency situations is not just important at sporting events, but in all walks of life,” NFL Commissioner Roger Goodell said in a statement.

People who visit the mobile training unit will receive hands-only CPR training from experts and receive CPR information that can be shared in their communities. Also, the American Heart Association is working with Hamlin and his #3forHeart CPR Challenge, a social media initiative that encourages people to learn CPR, donate money to support CPR research, education and training, and share the word with others.

“Coming out of the events from last month with Damar Hamlin on the field and the remarkable work that the emergency responders performed, we thought about what opportunities existed for us to share some of the learnings that came from that experience more broadly, which is part of our responsibility throughout the world of football and maybe the world of sports,” NFL executive Jeff Miller told The Associated Press.

“There’s a long history of the NFL trying to share learnings on the health and safety side from what we experienced at the NFL level, whether that be about concussions, concussion education or about emergency action plans. We take as an obligation to share what we’ve learned and highlight some of the best health and safety approaches that we can with other levels of sport,” Miller added.

Anna Isaacson, the NFL’s vice president of social responsibility, said the league approached the American Heart Association and the American Red Cross with a simple question: “What can we do here? We saw one life saved. How can we save many more?”

“The world was watching,” Isaacson told The AP. “I think that while we face challenges, we use these moments to try to make a positive impact.”

In addition to free CPR training in Arizona, the league throughout February is raising money to support CPR education and youth sports safety efforts across the country.

These include a Super Bowl 50/50 raffle open to Arizona residents and fans attending the game at State Farm Stadium. The winner of the raffle will receive half of the jackpot total from raffle ticket sales; the other half will benefit the NFL Foundation to support CPR-related initiatives, including through the American Heart Association, the Red Cross and their local affiliates.

“Only one out of three high schools has full-time access to an athletic trainer and only about another third even have part-time access to one,” Miller said. “That’s a huge gap in sports and in sports medicine that the league, over a period of time with partners like AHA and others, is going to hopefully try to rectify or address at least a little bit.”
…

An Iranian director who was arrested last summer, weeks before his latest film was released to widespread acclaim, has gone on a hunger strike to protest his continued detention amid more than four months of anti-government protests.

Jafar Panahi, whose films have thrilled critics and won numerous international prizes, issued a statement saying he would refuse food or medicine starting Wednesday “in protest against the extra-legal and inhumane behavior of the judicial and security apparatus.”

He’s among a number of Iranian artists, sports figures and other celebrities who have been detained after speaking out against Iran’s theocracy. Such arrests have become increasingly frequent since nationwide protests broke out in September over the death of a young woman in police custody.

Panahi, 62, was sentenced to six years in prison in 2011 on charges of producing anti-government propaganda, but the sentence was never carried out. Banned from both travel and filmmaking, he continued to make underground films that were released abroad to great acclaim.

He was arrested in July when he went to the Tehran prosecutor’s office to inquire about the arrests of two other Iranian filmmakers. A judge later ruled that he must serve the earlier sentence.

His latest film, “No Bears,” in which he plays a fictionalized version of himself while making a film along the Iran-Turkey border, premiered at the Venice Film Festival in September, a week before the protests began. The New York Times and The Associated Press named it one of the top 10 films of the year, and film critic Justin Chang of the Los Angeles Times called it 2022’s best movie.

The protests erupted after Mahsa Amini, 22, died while being held by Iran’s morality police for allegedly violating the country’s strict Islamic dress code. The demonstrations rapidly escalated into calls for the overthrow of Iran’s ruling clerics, a major challenge to their four-decade rule.

On Wednesday, around 100 people took part in a protest in the western Iranian city of Abdanan, the semiofficial Tasnim news agency reported. It said that five “rioters” suffered minor injuries when security forces intervened and that 10 people were arrested, without providing further details.

Iran heavily restricts media access to demonstrations and periodically shuts down the internet, making it difficult to confirm specific incidents or gauge the scale of the ongoing protests.

At least 527 protesters have been killed and more than 19,500 people have been detained since the demonstrations began, according to Human Rights Activists in Iran, a group that has closely monitored the unrest. Iranian authorities have not released official figures on deaths or arrests.

Taraneh Alidoosti, the star of Asghar Farhadi’s Oscar-winning 2016 film, “The Salesman,” was arrested in December after taking to social media to criticize the crackdown on protests. She was released three weeks later on bail.
…

Tom Brady, who won a record seven Super Bowls for New England and Tampa, has announced his retirement from the U.S. National Football League.

Brady — the most successful quarterback in NFL history, and one of the greatest athletes in team sports — posted the announcement on social media Wednesday morning, a brief video lasting just under one minute.

“Good morning guys. I’ll get to the point right away,” Brady says as the message begins. “I’m retiring. For good.”

He briefly retired after the 2021 season, but wound up coming back for one more year with the Tampa Bay Buccaneers. He retires at age 45, the owner of numerous passing records in an unprecedented 23-year career.

A year ago when he retired, it was in the form of a long Instagram post. But about six weeks later, he decided to come back for one more run. The Buccaneers — with whom he won a Super Bowl two seasons ago — made the playoffs again this season, losing in their playoff opener. And at the time, it begged the question about whether Brady would play again.

Only a couple weeks later, he has given the answer.

“I know the process was a pretty big deal last time, so when I woke up this morning, I figured I’d just press record and let you guys know first,” Brady says in the video. “I won’t be long-winded. You only get one super emotional retirement essay and I used mine up last year.

“I really thank you guys so much, to every single one of you for supporting me. My family, my friends, teammates, my competitors. I could go on forever. There’s too many. Thank you guys for allowing me to live my absolute dream. I wouldn’t change a thing. Love you all.”

Brady is the NFL’s career leader in yards passing (89,214) and touchdowns (649). He’s the only player to win more than five Super Bowls and has been MVP of the game five times.

Brady has won three NFL MVP awards, been a first-team All-Pro three times and selected to the Pro Bowl 15 times.

Brady and supermodel Gisele Bündchen finalized their divorce this past fall, during the Bucs’ season. It ended a 13-year marriage between two superstars who respectively reached the pinnacles of football and fashion.

It was announced last year that when Brady retires from playing, he would join Fox Sports as a television analyst in a 10-year, $375 million deal.
…

Cindy Williams, who played Shirley opposite Penny Marshall’s Laverne on the popular sitcom “Laverne & Shirley,” has died, her family said Monday.

Williams died Wednesday in Los Angeles at age 75 after a brief illness, her children, Zak and Emily Hudson, said in a statement released through family spokeswoman Liza Cranis.

“The passing of our kind, hilarious mother, Cindy Williams, has brought us insurmountable sadness that could never truly be expressed,” the statement said.

“Knowing and loving her has been our joy and privilege. She was one of a kind, beautiful, generous and possessed a brilliant sense of humor and a glittering spirit that everyone loved.”

Williams also starred in director George Lucas’ 1973 film “American Graffiti” and director Francis Ford Coppola’s “The Conversation” from 1974.

But she was by far best known for “Laverne & Shirley,” the “Happy Days” spinoff that ran on ABC from 1976 to 1983 that in its prime was among the most popular shows on TV.

Williams played the straitlaced Shirley to Marshall’s more libertine Laverne on the show about a pair of roommates who worked at a Milwaukee bottling factory in the 1950s and ’60s.

Marshall, whose brother, Garry Marshall, co-created the series, died in 2018.

“Laverne & Shirley” was known almost as much for its opening theme as the show itself. Williams’ and Marshall’s chant of “schlemiel, schlimazel” as they skipped together became a cultural phenomenon and oft-invoked piece of nostalgia.
…

Ukraine official said Russian presence at Games would constitute giving the country ‘a platform to promote genocide’
…

Barrett Strong, one of Motown’s founding artists and most gifted songwriters who sang lead on the company’s breakthrough single “Money (That’s What I Want)” and later collaborated with Norman Whitfield on such classics as “I Heard It Through the Grapevine,” “War” and “Papa Was a Rollin’ Stone,” has died. He was 81.     

His death was announced Sunday on social media by the Motown Museum, which did not immediately provide further details.     

“Barrett was not only a great singer and piano player, but he, along with his writing partner Norman Whitfield, created an incredible body of work,” Motown founder Berry Gordy said in a statement.     

Strong had yet to turn 20 when he agreed to let his friend Gordy, in the early days of building a recording empire in Detroit, manage him and release his music. Within a year, he was a part of history as the piano player and vocalist for “Money,” a million-seller released early in 1960 and Motown’s first major hit. Strong never again approached the success of “Money” on his own, and decades later fought for acknowledgement that he helped write it. But, with Whitfield, he formed a productive and eclectic songwriting team.     

While Gordy’s “Sound of Young America” was criticized for being too slick and repetitive, the Whitfield-Strong team turned out hard-hitting and topical works, along with such timeless ballads as “I Wish It Would Rain” and “Just My Imagination (Running Away with Me).” With “I Heard it Through the Grapevine,” they provided an up-tempo, call-and-response hit for Gladys Knight and the Pips and a dark, hypnotic ballad for Marvin Gaye, his 1968 version one of Motown’s all-time sellers.      

As Motown became more politically conscious late in the decade, Barrett-Whitfield turned out “Cloud Nine” and “Psychedelic Shack” for the Temptations and for Edwin Starr the protest anthem “War” and its widely quoted refrain, “War! What is it good for? Absolutely … nothing!”     

“With `War,’ I had a cousin who was a paratrooper that got hurt pretty bad in Vietnam,” Strong told LA Weekly in 1999. “I also knew a guy who used to sing with (Motown songwriter) Lamont Dozier that got hit by shrapnel and was crippled for life. You talk about these things with your families when you’re sitting at home, and it inspires you to say something about it.”     

Whitfield-Strong’s other hits, mostly for the Temptations, included “I Can’t Get Next to You,” “That’s the Way Love Is” and the Grammy-winning chart-topper “Papa Was a Rollin’ Stone” (Sometimes spelled “Papa Was a Rolling Stone”). Artists covering their songs ranged from the Rolling Stones (“Just My Imagination”) and Aretha Franklin (“I Wish It Would Rain”) to Bruce Springsteen (“War”) and Al Green (“I Can’t Get Next to You”).    

Strong spent part of the 1960s recording for other labels, left Motown again in the early 1970s and made a handful of solo albums, including “Stronghold” and “Love is You.” In 2004, he was voted into the Songwriters Hall of Fame, which cited him as “a pivotal figure in Motown’s formative years.”      

Whitfield died in 2008.     

The music of Strong and other Motown writers was later featured in the Broadway hit “Ain’t Too Proud: The Life and Times of the Temptations.”    

Strong was born in West Point, Mississippi and moved to Detroit a few years later. He was a self-taught musician who learned piano without needing lessons and, with his sisters, formed a local gospel group, the Strong Singers. In his teens, he got to know such artists as Franklin, Smokey Robinson and Gordy, who was impressed with his writing and piano playing. “Money”’ with its opening shout, “The best things in life are free/But you can give them to the birds and bees,” would, ironically, lead to a fight — over money.      

Strong was initially listed among the writers and he often spoke of coming up with the pounding piano riff while jamming on Ray Charles’ “What’d I Say” in the studio. But only decades later would he learn that Motown had since removed his name from the credits, costing him royalties for a popular standard covered by the Beatles, the Rolling Stones and many others and a keepsake on John Lennon’s home jukebox. Strong’s legal argument was weakened because he had taken so long to ask for his name to be reinstated. (Gordy is one of the song’s credited writers, and his lawyers contended Strong’s name only appeared because of a clerical error).      

“Songs outlive people,” Strong told The New York Times in 2013. “The real reason Motown worked was the publishing. The records were just a vehicle to get the songs out there to the public. The real money is in the publishing, and if you have publishing, then hang on to it. That’s what it’s all about. If you give it away, you’re giving away your life, your legacy. Once you’re gone, those songs will still be playing.” 
…

“Avatar: The Way of Water” claimed the No. 1 spot on the domestic box office charts for the seventh weekend in a row with an additional $15.7 million, according to studio estimates on Sunday. 

It was a quiet weekend overall, notable mostly for the Hindi language blockbuster “Pathaan” that broke into the top five and the post-Oscar nominations rereleases of films like “Everything Everywhere All At Once” and “The Fabelmans.” 

“Avatar 2’s” first-place North American run has only been matched by the first “Avatar,” and, in the past 25 years, bested by “Titanic” (which stayed in first place for 15 weeks). All three were directed by James Cameron. 

Globally, “The Way of Water” has now grossed an estimated $2.1 billion, passing “Star Wars: The Force Awakens,” to become the fourth-highest grossing film of all time (of which Cameron has directed three). 

“James Cameron just keeps ticking off all the records and milestones,” said Paul Dergarabedian, the senior media analyst for Comscore. “And it’s still got a wide-open marketplace.” 

Second place went to Universal and DreamWorks’ family-oriented offering “Puss In Boots: The Last Wish,” which made $10.6 million in its sixth weekend. The animated spinoff has earned over $140.8 million in North America and was recently made available to stream at home, too. 

Third place went to Sony’s “A Man Called Otto” with $6.8 million from 3,957 locations. The meme-able horror “M3GAN,” a Universal release, snuck into fourth place with $6.4 million in its fourth weekend, bringing its domestic total to $82.3 million. 

The Indian film “Pathaan,” starring Shah Rukh Kha in his first role in five years, settled in fifth place with $5.9 million from only 695 screens. 

“A top five appearance is really impressive,” Dergarabedian said, noting that the marketplace over the past several years has presented opportunities for Indian films to break into the domestic top 10. 

Neon also launched the horror movie “Infinity Pool,” written and directed by Brandon Cronenberg and starring Mia Goth and Alexander Skarsgård, in 1,853 locations following its Sundance debut. It made an estimated $2.7 million. The romantic comedy “Maybe I Do,” with Diane Keaton, Richard Gere and Susan Sarandan, made $562,000 from 465 screens. And Lukas Dhont’s Cannes-winning boyhood drama “Close” opened on four screens in New York and Los Angeles, earning $68,143. 

Many studios boasting best picture nominees also chose to capitalize on the buzz of Tuesday’s Oscar nominations with sizable re-releases. “Everything Everywhere All At Once,” which got a leading 11 nominations, came back to theaters in force playing on 1,400 screens where it earned another $1 million. The A24 release has made $71 million domestically to date. Steven Spielberg’s “The Fabelmans,” nominated for seven Oscars, also expanded to 1,962 screens in North America and took in an additional $760,000, bringing its domestic total to $16 million. And Sarah Polley’s “Women Talking” also added a few hundred screens, earning $1 million over the weekend. It’s made $2.4 million to date. The Oscar boosts could continue over the coming weeks, too — the show isn’t until March 12. 

“We are seeing in real time the halo effect of the Oscar nominations on these best picture nominees,” Dergarbedian said. “The Oscar bounce is back, something we haven’t seen over the past couple of years.” 

Several of the highest profile releases of the weekend were both star-driven comedies that went straight to streaming: Netflix had “You People,” with Eddie Murphy, Julia Louis-Dreyfus, Jonah Hill and Lauren London and Amazon Prime Video offered “Shotgun Wedding,” with Jennifer Lopez, Josh Duhamel and Jennifer Coolidge. 

Seven weekends into “Avatar 2,” theater owners are also likely looking for the next big blockbuster, which is still a ways off. “Ant-Man and The Wasp: Quantumania” doesn’t arrive in theaters until Feb. 17. 

But, as Dergarabedian said, “2023 is already looking more like 2019 rather than the last three years.” 

“This is great news for theaters,” he said. “You have the Oscar bounce in play, an Indian film in the top 5 and ‘Avatar’ breaking records left and right.” 

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore, with Wednesday through Sunday in parentheses. Final domestic figures will be released Monday. 

1. “Avatar: The Way of Water,” $15.7 million. 

2. “Puss in Boots: The Last Wish,” $10.6 million. 

3. “A Man Called Otto,” $6.8 million, 

4. “M3GAN,” $6.4 million. 

5. “Pathaan,” $5.9 million. 

6. “Missing,” $3.8 million. 

7. “Plane,” $3.8 million. 

8. “Infinity Pool,” $2.7 million. 

9. “Left Behind: Rise of the Antichrist,” $2.4 million. 

10. “The Wandering Earth 2,” $1.4 million. 
    …