“The Woman King” is a rare example of an African story told in the form of a Hollywood historical epic. Around the world, it has won praise for its acting, directing, and themes of female empowerment with women, led by General Nanisca, fighting a war that men cannot.

While the film is set in the 1800s in the kingdom of Dahomey, today the same area is known as Abomey. The story of the female warriors and General Nanisca has echoed down the ages here and in the rest of Benin.

Nan Zognidi is the present-day queen mother of Abomey.

She said she teaches young people the same values as the female warriors, a mindset that shows young girls are equal to boys.

“They have the same abilities and the same competencies as boys,” she said.

Zognidi’s role of queen mother is ceremonial. As with royalty in other parts of the world, it involves attracting tourists to the kingdom. But before she took on the role, she was a women’s rights activist.

Now, she runs a program to teach girls trades that promote financial independence and the history and culture of the kingdom. She also encourages leadership among her courtiers.

Pkadomi Sylvestre, a 13-year-old courtier, said the queen mother has taught her how to work on political activities for women’s empowerment.

A statue depicting one of Abomey’s female warriors in Benin’s commercial capital, Cotonou, was inaugurated earlier this year.

The example set by the female warriors of Abomey is something Africa needs more of, according to U.N. Women, a branch of the United Nations dedicated to female empowerment.

“Women who are involved in politics are not usually positively seen by society,” said regional adviser Soulef Guessoum, noting that in Africa, only 25% of the elected assembly are women — short of the 30% target set by the U.N. in 1995 and well below the 50% that many consider the ultimate goal.

Marion Ogeto, a human rights lawyer who works with Equality Now, a non-profit working for female empowerment, said the female warriors of Abomey are inspiring.

“This community was way ahead of its time by advocating for an army that is all and only women,” said Ogeto. “That already just blows your mind and then it goes a step further and shows you that they have a woman leader, a woman king and then she’s in a position where she’s able to sit at the same table as the king as well as all the others and tell the king, ‘This is not how we handle the situation, we need to do X, Y and Z.'”

As for Zognidi, she thinks the most important lesson Abomey’s warriors must teach the world — not the least the world of politics — is that “everything that men can do, women can do today. We can’t say that women are weak, it is wrong.”

Women, she said, are as strong as men.
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Former Walt Disney Co Chief Executive Bob Iger is returning to the media company as CEO less than a year after he retired, a surprise appointment that comes as the entertainment company struggles to turn its streaming TV services into a profitable business.

Iger, who retired last year after 15 years as chief executive, has agreed to serve as CEO for two more years, Disney said in a statement late on Sunday. He will replace Bob Chapek, who took over as Disney CEO in February 2020.

While Chapek steered Disney through the COVID-19 pandemic, Disney disappointed investors this month with an earnings report that showed continued losses at its streaming media unit that includes Disney+.

“The Board has concluded that as Disney embarks on an increasingly complex period of industry transformation, Bob Iger is uniquely situated to lead the Company through this pivotal period,” Susan Arnold, chair of Disney’s board, said in the statement.

In June, Disney’s board voted unanimously to extend Chapek’s contract for three years.

Through Chapek’s short tenure, Disney became engulfed in an internal culture war after being accused of remaining silent on Florida legislation that would limit classroom discussion of sexual orientation and gender identity.

Iger exited Disney on a high note as the company led the entertainment industry’s battle against Netflix in the streaming wars. The economic slowdown and high interest rates have hurt Disney+ as the company prepares for deep cost cuts.

“I am an optimist, and if I learned one thing from my years at Disney, it is that even in the face of uncertainty – perhaps especially in the face of uncertainty – our employees and Cast Members achieve the impossible,” Iger said in a memo to employees seen by Reuters.

The leadership change caught employees by surprise, one company source said.
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U.S. basketball star Brittney Griner has been taken to the Russian region of Mordovia, notorious since Soviet times for its penal colonies, to serve a nine-year sentence on drugs charges.

Here are excerpts from a Reuters interview with Olga Romanova, a representative of the prison rights group Russia Behind Bars, on the conditions Griner can expect in the IK-2 colony in the town of Yavas. Russia’s prison service has not responded to questions from Reuters about living and working conditions in such institutions.

Living conditions

In the living quarters there are barracks, each with its own yard. The women live in barracks, around 80-100 people, up to 120 – Mordovia has big prisons. There’s a simple shower room, a bathroom with several toilets, a sink, a storage room to keep things and a small room with a kettle where a few people can drink tea together. From 6 a.m. till 9 p.m., you are prohibited from lying or sitting on your bed.

The yard is fenced off with barbed wire. It is an area where women who live in a barrack, which is usually one squad that has a number assigned, can step outside to get some air and smoke, look at the sunset, so to speak. This is where in the morning they have the daily inspection, roll call and physical exercise, whatever the weather.

Exercise is mandatory.

The women eat in a communal dining room. They go there in rows within their squad. They always wear uniform. The uniform is green. They sew it there for themselves. The uniform is low-quality, light fabric like they use for rainwear, and compulsory footwear.

The footwear is those artificial black boots, very uncomfortable. You can’t wear any other footwear. I think that will be a problem for Brittney: she’s a tall woman with a non-standard figure and I think non-standard shoe size. It will be problematic to dress her and find shoes for her. You’re not allowed not to wear a uniform.

Work

Mordovia’s women’s prisons, like penal colony IK-14 where (Pussy Riot activist Nadezhda) Tolokonnikova was serving, as well as IK-2, where Brittney has been sent, are very well known among human rights defenders, I would say, because of their horrible work conditions.

They sew clothes there — manufacturing clothes is the main thing. They sew uniforms for police; they sew children’s clothes there.

They work in a number of shifts. One salary — about 5,000 rubles ($83) a month – is divided between a number of women. Sometimes 10 women. So they each get about 500 rubles a month.

The women there get punished. They punish the unit that’s at fault, when they haven’t worked hard enough, for example; when they don’t take part properly in (prison) activities; when there’s some kind of incident where they don’t do some exercise the right way. Someone refuses to go to work. That kind of thing. And when they punish the unit, they don’t get any hot water. And not for an hour or two, but for a few days.

There’s a particular time when you can ask to go to the toilet. They accompany you to the toilet. You can’t just get up and drink some water, drink some tea, have a smoke, chat with someone, take a breather, or go to the toilet. Going to the toilet is a problem.

Food

The budget for prisoners’ food is about 70 rubles ($1.16) per day. Breakfast is definitely going to be porridge – not with milk, and it’s porridge made from barley, that’s the most “popular.”

Lunch is some nondescript soup — hard to find any chunks of meat or fish in it. It’s a vegetable soup — cabbage, potato, carrot. Or it’ll be little patties of meat — but there’s more bread in there than any memories of meat.

And for dinner, it’s the same barley porridge or the same potato (soup). That’s it. There’s an acute lack of eggs — eggs are considered a luxury; eggs are for pregnant women, or prescribed by the doctor, and so on. And there’s an acute lack of dairy products.

The prison kiosk has condensed milk, tea, instant coffee, three or four types of candies, cigarettes, possibly some cheese, if you’re lucky, possibly some kind of dried sausage, mayonnaise, ketchup — that’s it.

The Gulag, created in 1933, and the current prison system (in Russia) are identical except for the name.
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Official-looking flyers have circulated on social media describing cultural expectations for fans attending the World Cup in Qatar. Some include rules for women’s attire: Shoulders and knees must be covered.

Problem is, it’s bogus.

While the local organizing committee suggests that fans “respect the culture,” no one will be detained or barred from games in Qatar because of clothing choices. But persistent rumors swirling around appropriate garb and modesty at soccer’s biggest tournament have also drawn attention to the country’s record on equality.

Rothna Begum, a senior researcher at Human Rights Watch, has studied Qatar’s male guardianship rules and women’s rights in the conservative country.

“There isn’t anyone is going to go around arresting you for this because there isn’t an official dress code,” Begum said. “There isn’t a compulsory dress code and you can’t get sanctioned for it. It’s just a social restriction, a social tradition.”

The local organizing committee includes a section on cultural awareness in its fan guide.

“People can generally wear their clothing of choice. Shoulders and knees should be covered when visiting public places like museums and other government buildings,” it said.

The phrase “public places” is up to interpretation.

The American Outlaws, the U.S. national team’s supporters’ group, produced its own fan guide.

“Fans can wear shorts and short sleeve shirts, and women are not required to cover their heads or faces. However, there are many buildings that require both men and women to cover their shoulders and knees before entering, including museums, shopping centers, and some restaurants,” the guide says. “We recommend that fans carry some pants and/or a top with sleeves if they plan on entering any buildings, as they may be asked to put them on.

“In the stadiums, men and women will be required to wear tops. People will not be permitted to go shirtless during matches or in public settings.”

The first World Cup in the Middle East comes at a time when there is international attention on the treatment of women in Iran. The nation, which sits across the Persian Gulf from Qatar, has been rocked by anti-hijab protests following the death of 22-year-old Mahsa Amini, who died while being held by morality police for allegedly violating the country’s compulsory dress code for women. Activists have called for Iran to be expelled from the World Cup.

With Islam encouraging female modesty, most Qatari women wear headscarves and a loose cloak known as the abaya.

Begum, who wrote about Qatar and its treatment of women in a 2021 report for Human Rights Watch, said that while women have made progress in Qatar, they still face discrimination in almost every facet of their lives. Women must get permission from male guardians to marry, pursue higher education and work at certain jobs. Guardians can bar women under 25 from traveling abroad.

It’s a conservative culture that has little tolerance for dissent among its own citizens, she said.

“There are no independent women’s rights organizations and that’s partly because the authorities have laws that make it difficult for you to set up associations that are in any way deemed political. You are not allowed,” Begum said. “Women find it difficult to express or demand their rights offline or even online.”

That’s one of the reasons critics are questioning FIFA for awarding of the 2022 World Cup to Qatar. Observers certainly noticed when retired American soccer star Carli Lloyd wore a long, high-collared dress with long sleeves for the World Cup draw earlier this year.

A letter recently circulated among teams from FIFA president Gianni Infantino and secretary general Fatma Samoura asked nations not to bring political or ideological issues into the tournament.

“Please,” they wrote, “let’s now focus on the football.”
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Robert Clary, a French-born survivor of Nazi concentration camps during World War II who played a feisty prisoner of war in the improbable 1960s sitcom “Hogan’s Heroes,” has died. He was 96. 

Clary died during the night Wednesday of natural causes at his home in Beverly Hills, niece Brenda Hancock said Thursday. 

“He never let those horrors defeat him,” Hancock said of Clary’s wartime experience as a youth. “He never let them take the joy out of his life. He tried to spread that joy to others through his singing and his dancing and his painting.” 

When he recounted his life to students, he told them, “Don’t ever hate,” Hancock said. “He didn’t let hate overcome the beauty in this world.” 

“Hogan’s Heroes,” in which Allied soldiers in a POW camp bested their clownish German army captors with espionage schemes, played the war strictly for laughs during its 1965-71 run. The 5-foot-1 Clary sported a beret and a sardonic smile as Corporal Louis LeBeau. 

Clary was the last surviving original star of the sitcom that included Bob Crane, Richard Dawson, Larry Hovis and Ivan Dixon as the prisoners. Werner Klemperer and John Banner, who played their captors, both were European Jews who fled Nazi persecution before the war. 

Clary began his career as a nightclub singer and appeared on stage in musicals including “Irma La Douce” and “Cabaret.” After “Hogan’s Heroes,” Clary’s TV work included the soap operas “The Young and the Restless,” “Days of Our Lives” and “The Bold and the Beautiful.” 

He considered musical theater the highlight of his career. “I loved to go to the theater at quarter of 8, put the stage makeup on and entertain,” he said in a 2014 interview. 

Wartime experience

He remained publicly silent about his wartime experience until 1980 when, Clary said, he was provoked to speak out by those who denied or diminished the orchestrated effort by Nazi Germany to exterminate Jews. 

A documentary about Clary’s childhood and years of horror at Nazi hands, “Robert Clary, A5714: A Memoir of Liberation,” was released in 1985. The forearms of concentration camp prisoners were tattooed with identification numbers, with A5714 to be Clary’s lifelong mark. 

“They write books and articles in magazines denying the Holocaust, making a mockery of the 6 million Jews — including a million and a half children — who died in the gas chambers and ovens,” he told The Associated Press in a 1985 interview. 

Twelve of his immediate family members, his parents and 10 siblings, were killed under the Nazis, Clary wrote in a biography posted on his website. 

In 1997, he was among dozens of Holocaust survivors whose portraits and stories were included in “The Triumphant Spirit,” a book by photographer Nick Del Calzo. 

“I beg the next generation not to do what people have done for centuries — hate others because of their skin, shape of their eyes, or religious preference,” Clary said in an interview at the time. 

Retired from acting, Clary remained busy with his family, friends and his painting. His memoir, “From the Holocaust to Hogan’s Heroes: The Autobiography of Robert Clary,” was published in 2001. 

“One Of the Lucky Ones,” a biography of one of Clary’s older sisters, Nicole Holland, was written by Hancock, her daughter. Holland, who worked with the French Resistance against Germany, survived the war, as did another sister. Hancock’s second book, “Talent Luck Courage,” recounts Clary and Holland’s lives and their impact. 

Clary was born Robert Widerman in Paris in March 1926, the youngest of 14 children in the Jewish family. He was 16 when he and most of his family were taken by the Nazis. 

In the documentary, Clary recalled a happy childhood until he and his family was forced from their Paris apartment and put into a crowded cattle car that carried them to concentration camps. 

“Nobody knew where we were going,” Clary said. “We were not human beings anymore.” 

After 31 months in captivity in several concentration camps, he was liberated from the Buchenwald death camp by American troops. His youth and ability to work kept him alive, Clary said. 

Career in entertainment

Returning to Paris and reunited with his two sisters, Clary worked as a singer and recorded songs that became popular in America. 

After coming to the United States in 1949, he moved from club dates and recording to Broadway musicals, including “New Faces of 1952,” and then to movies. He appeared in films including 1952’s “Thief of Damascus,” “A New Kind of Love” in 1963 and “The Hindenburg” in 1975. 

In recent years, Clary recorded jazz versions of songs by Ira Gershwin, Stephen Sondheim and other greats, said his nephew Brian Gari, a songwriter who worked on the CDs with Clary. 

Clary was proud of the results, Gari said, and thrilled by a complimentary letter he received from Sondheim. “He hung that on the kitchen wall,” Gari said. 

Clary didn’t feel uneasy about the comedy on “Hogan’s Heroes” despite the tragedy of his family’s devastating war experience. 

“It was completely different. I know they [POWs] had a terrible life, but compared to concentration camps and gas chambers, it was like a holiday.” 

Clary married Natalie Cantor, the daughter of singer-actor Eddie Cantor, in 1965. She died in 1997. 

 
…

As the Kremlin escalates its war on Ukraine and tightens its clampdown on any domestic opposition to the invasion, the world of Russian arts and culture, historically opposed to violence and war, descends into pessimism. Marcus Harton narrates this report from VOA’s Moscow bureau.
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Qatar is preparing to welcome hundreds of thousands of visitors to the 2022 World Cup and many local businesses are eager to receive them. For many tourists, it’s a chance to see this part of the world for the first time.  VOA News reporter Celia Mendoza has the story from Doha, Qatar. Camera: Celia Mendoza, Nelson Biñoles
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Beyoncé has propelled herself into the highest Grammy echelon: The singer claimed a leading nine nominations Tuesday, making her tied — with her husband, Jay-Z — as the most nominated music act in the history of the awards show. 

Beyoncé’s “Break My Soul” reeled in record and song of the year nominations, while “Renaissance,” which ventured into the world of dancehall music, netted an album of the year nod. With Jay-Z also earning five nods this year, each spouse now holds the record for the most-ever Grammy nominations at 88 apiece. 

Kendrick Lamar came away with the second-most nominations, with eight. Adele and Brandi Carlile both received seven nods. Harry Styles, Mary J. Blige, Future, DJ Khaled, The-Dream and mastering engineer Randy Merrill each picked up six. 

Nearly half of this year’s leading nominees are women and more than half are people of color, according to the recording academy. The ceremony will be held February 5 in Los Angeles. 

“This makes me feel very proud, but it makes me conscious of the fact that we have to maintain the work we have done,” said Harvey Mason jr., the Recording Academy’s CEO. He said there have been strides in the peer-driven voting system and increased membership, but he still believes more progress can be made. 

“We have almost 13,000 voters now.” Mason said. … “I’m pleased to think they spent the time listening to the music and evaluating. I think you see by the type of nominations that they are not only going for just popular music or music that has a lot of streams. It’s just music of high quality.” 

The academy added a special song for social change and five new categories including songwriter of the year, which Harvey says will further help diversify the 65th edition of the annual awards. 

The non-classical songwriter category will recognize one individual who was the “most prolific” non-performing and non-producing songwriter for a body of new work during an eligibility year. It will take a different approach than song of the year, which awards the songwriters who wrote the lyrics or melodies to one song. 

Harvey said implementing the songwriter category is a significant step forward for the music industry. Last year, a rule update allowed that any songwriter, producer, engineer or featured artist on a work nominated for album of the year could ultimately earn a nomination. 

“The academy and voters are placing a high importance on the craft of songwriting,” Harvey said of the new category, in which nominees include The-Dream, Amy Allen, Nija Charles, Tobias Jesso Jr. and Laura Veltz. 

Harvey said it’s his priority to earn the trust from the music community including The Weeknd and Drake, who are still unwilling to submit any of their music. Drake declined to submit his album “Honestly Nevermind” for the awards, but the Canadian rapper still received four nominations, including album of the year for his co-writing efforts on Beyoncé’s “Renaissance.” 

Beyoncé, the most decorated woman in Grammy history with 28 wins, could break the late Hungarian-British conductor Georg Solti’s record for most awards won if she wins four awards. Solti, who has 31 Grammys, has held on to the record since 1997. 

For the first time in Beyoncé’s lauded career, she was nominated in the dance category. Her seventh studio project is up for best dance-electronic music album and “Break My Soul” is nominated for best dance-electronic recording. Other nominations include best R&B song for “Cuff It,” R&B performance for “Virgo’s Groove,” traditional R&B performance for “Plastic Off the Sofa” and song written for visual media for “Be Alive,” the Oscar-nominated song from the “King Richard” soundtrack. 

Other album of the year nominees include: Adele’s “30,” ABBA’s “Voyage,” Bad Bunny’s “Un Verano Sin Ti,” Mary J. Blige’s “Good Morning Gorgeous” (Deluxe), Carlile’s “In These Silent Days,” Coldplay’s “Music of the Spheres,” Lamar’s “Mr. Morale & the Big Steppers,” Lizzo’s “Special” and Styles’ “Harry’s House.” Bad Bunny made history, with his album becoming the first sung entirely in Spanish to compete in the category. 

Tracks competing with “Break My Soul” for record of the year include Styles’ “As It Was,” Doja Cat’s “Woman,” Adele’s “Easy On Me,” ABBA’s “Don’t Shut Me Down,” Blige’s “Good Morning Gorgeous,” Steve Lacy’s “Bad Habit,” Lamar’s “The Heart Part 5,” Lizzo’s “About Damn Time” and Carlile’s “You and Me On the Rock” featuring Lucius. 

Three of Jay-Z’s nominations came through DJ Khaled’s “God Did,” a song featuring Rick Ross, Lil Wayne, John Legend and Fridayy. The track is up for best rap performance and rap song along with song of the year, which also has Jay-Z nominated for his writing efforts on Beyoncé’s “Break My Soul.” The rapper also received a nod for album of the year for his work on his wife’s “Renaissance” album. 

Young Thug and Gunna both received nominations despite being currently locked up in a racketeering criminal case. The rappers are up for best rap song and rap performance through Gunna’s “pushin P,” featuring Thug and Future. 

Christina Aguilera’s comeback to Latin music with her self-titled album earned her two nominations for best Latin pop album and immersive audio album. Among the 10 nominees for best new artist are Muni Long, Latto and Eurovision winner Maneskin. 
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In a last-minute controversial move, Pakistan has banned the screening of its international award-winning movie, “Joyland” in theaters across the country for containing “highly objectionable” content.

The movie, which features a married man falling for a transgender woman, was supposed to be released in Pakistani cinemas Friday.

In May, “Joyland” became the first Pakistani feature film to win a prize at the Cannes Film Festival. It is also Pakistan’s entry for the 2023 Academy Awards in the United States.

The government-led Central Board of Film Censors (CBFC) had in August formally granted the filmmaker the license to screen the movie in cinemas.

A federal information ministry statement, however, said that it had stopped the screening of the movie as the material in question does not “conform with the social values and moral stands of our society.”

The material in question is “clearly repugnant to the norms of decency and morality” in line with the relevant laws, said the statement without elaborating.

The director of “Joyland” denounced the decision as “absolutely unconstitutional and illegal.”

“We — a team — are gutted by this development but fully intend to raise our voice against this grave injustice,” Saim Sadiq said in an Instagram post late Sunday.

Senator Mushtaq Ahmad Khan, who represents the right-wing Jamaat-e-Islami party in the upper house of parliament, was leading the campaign against the screening of “Joyland” in Pakistan. He praised the government’s decision to revoke the license.

“Pakistan is an Islamic state where no law, no step and no ideology against Islam can work here,” Khan wrote on Twitter.

Sadiq criticized the government, saying it “caved under pressure from a few extremist factions … and made a mockery of our federal censor board.” He urged the information ministry to review its decision.

Independent critics, Pakistani show business celebrities and social media activists also questioned the movie ban in a country that recognizes and gives legal rights to transgender people.

Salman Sufi, a key government adviser, announced Monday on Twitter that Prime Minister Shehbaz Sharif had constituted a high-level committee to “assess the complaints as well as merits to decide on its release in Pakistan.”

“I personally do not believe in banning films that highlight issues faced by marginalized segments of our society. People should be trusted to watch & make their own mind,” Sufi tweeted Sunday in response to the widespread outcry sparked by the ban.

Pakistan has in recent years taken significant legal and administrative measures in its bid to protect the rights of transgender people who are often considered outcasts in the Muslim-majority South Asian nation.

The reforms effectively started with a landmark Supreme Court ruling a decade ago, which directed authorities to register transgender people as voters and give them, among others, equal inheritance and job opportunity rights.

The government launched a hotline this past September for transgender people, estimated to number around 500,000, to protect them against discrimination and harassment.
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California is home to the largest Arab American community in the United States. That growing economic and political visibility is evident in Southern California’s newly designated “Little Arabia” neighborhood. For VOA, Genia Dulot takes us there. Videographer and producer: Genia Dulot
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Facial hair enthusiasts claimed to have set a new world record for longest beard chain during an event in Wyoming on Friday, the Casper Star-Tribune reports.

Participants gathered at Gaslight Social, a bar in Casper, where they stood side by side and clipped their beards together to create a hairy chain that was measured at 150 feet long, according to the newspaper. That’s more than double the Guinness World Record of 62 feet, 6 inches, set in Germany in 2007.

To participate, people needed to sport a beard at least 8 inches long, according to the Star-Tribune.

The event occurred on the sidelines of the National Beard and Moustache Championships, which took place Saturday at the city’s Ford Wyoming Center.
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Phrygian caps will be the Paris 2024 Olympic and Paralympic Games mascots as organizers look to to celebrate the French revolution’s spirit.

“‘Phryges’ aim to show that sport can change everything, and that it deserves to have a prominent place in our society,” Paris 2024 brand director Julie Matikhine said on Monday.

The Phrygian caps were favored over animals, who have mostly been the first choice in other Olympics — such as the ‘Bing Dwen Dwen’ panda at the 2022 Winter Games in Beijing this year.

“We were almost ready not to make a mascot if we didn’t find a real reason to do so, and a real message to convey,” said Matikhine.

“The mascot must embody the French spirit, which is something very fine to grasp. It’s an ideal, a kind of conviction that carries the values of our country, and which has been built up over time, over history.”

The red Phrygian caps come in two versions — the Olympic and the Paralympic one — with a blade leg.

The Olympic Games will be held from July 26-Aug. 11 and the Paralympics from Aug. 28-Sept. 8.
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Art restorers in the Italian city of Florence have begun a six-month project to clean and virtually “unveil” a long-censored nude painting by Artemisia Gentileschi, one of the most prominent women in the history of Italian art.

Swirling veils and drapery were added to the “Allegory of Inclination” some 70 years after Gentileschi painted the life-size female nude, believed to be a self-portrait, in 1616.

The work to reveal the image as originally painted comes as Gentileschi’s contribution to Italian Baroque art is getting renewed attention in the #MeToo era, both for her artistic achievements but also for breaking into the male-dominated art world after being raped by one of her art teachers.

Her work was featured in a 2020 exhibit at the National Gallery in London.

“Through her, we can talk about how important it is to restore artwork, how important it is to restore the stories of women to the forefront,” said Linda Falcone, coordinator of the Artemisia Up Close project.

“Allegory of Inclination” originally was commissioned for the family home of Michelangelo Buonarroti the Younger, the great-nephew of the famed artist. The building later became the Casa Buonarotti museum, and the painting was displayed until recently on the ceiling in a gilded frame. When lead conservator Elizabeth Wick removed the painting in late September, a shower of 400-year-old dust was released.

Wick’s team of restorers is using ultraviolet light, diagnostic imaging and X-rays to differentiate Gentileschi’s brush strokes from those of the artist that covered the nudity. The public can watch the project underway at the museum through April 23.

Restorers won’t be able to remove the veils because the cover-up was done too soon after the original, raising the risk that Gentileschi’s painting would be damaged in the process.

Instead, the restoration team plans to create a digital image of the original version that will be displayed in an exhibition on the project opening in September 2023.

Gentileschi arrived in Florence shortly after the trial in Rome of her rapist, during which the then-17-year-old was forced to testify with ropes tied around her fingers that were progressively tightened in a test of her honesty.

She also had to endure a physical examination in the courtroom behind a curtain to confirm that she was no longer a virgin. Eventually, her rapist was convicted and sentenced to eight months in prison.

“Somebody else would have been crushed by this experience,” Wick said. “But Artemisia bounces back. She comes up to Florence. She gets this wonderful commission to paint a full-length nude figure for the ceiling of Casa Buonarroti. So, I think she’s showing people, ‘This is what I can do.'”

While in Florence, Gentileschi also won commissions from the Medici family. Her distinctive, dramatic and energetic style emerged, taking inspiration from the most renowned Baroque painter of the time, Caravaggio. Many of her paintings featured female heroines, often in violent scenes and often nude.

She was 22 when she painted “Allegory of Inclination,” which was commissioned by Michelangelo Buonarroti the Younger. Another member of the family, Leonardo Buonarroti, decided to have it embellished to protect the sensibilities of his wife and children.

“This is one of her first paintings. In the Florentine context, it was her debut painting, the same year she was then accepted into the Academy of Drawing, which was the first drawing academy in Europe at the time,” Falcone said.

With the younger Michelangelo as her patron, Gentileschi gained entry to the cultural milieu of the time.

“She was able to hobnob with Galileo and with other great thinkers. So this almost illiterate woman was suddenly at the university level, producing works of art that were then, you know, appreciated by the Grand Duke,” Falcone said. “And she became a courtly painter from then on.”
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Taylor Swift walked away with four prizes at MTV’s Europe Music Awards on Sunday, including best video for her 10-minute “All Too Well.”   

Double-award winners included Nicki Minaj for best song and best hip-hop, and the French DJ and record producer David Guetta won the best electronic award and best collaboration.   

The event, broadcast on MTV from Duesseldorf in western Germany, honored musicians from Brazil to South Korea.   

It featured an appearance by Ukraine’s Kalush Orchestra, the winner of this year’s Eurovision Song Contest, which performed “Stefania” in an arena glowing with Ukraine’s national colors of blue and yellow.   

The U.S. pop singer Swift, wearing a dress of bejeweled mesh, won best artist, best pop, best video and best long form video.   

“I felt like I learned so much about how making film can be a natural extension of my storytelling,” Swift said as she accepted the long form video award.   

In “All Too Well,” Swift draws inspiration from 1970s Hollywood and recounts a fraying romantic relationship that disintegrates, leaving behind only a scarf and memories.   

“It was rare, I was there, I remember it all too well,” Swift sings.   

Minaj’s winning song “Super Freaky Girl” incorporates the 1981 hit “Super Freak” with lyrics “I can lick it, I can ride it while you slippin’ and slidin’.”   

British pop star Harry Styles won in the “best live” category and the Thai-born Lalisa ‘Lisa’ Manoban won best K-pop. South Korea’s BTS, the global K-pop sensation, won the biggest fans category.   

The hosts for the show were British pop star Rita Ora and the film director Taika Waititi, who married this year. Ora herself won for “best look.”   

Duesseldorf has a musical heritage as home to the pioneering German electronic band Kraftwerk, which influenced generations of pop and dance musicians with mesmerizing tracks such as “Autobahn.”   

The city also hosted the Eurovision Song Contest in 2011.   

Screaming teens watched the stars walk down a red carpet before the event was broadcast from the PSD Bank Dome.   

Julian Lennon, the son of the Beatles’ John Lennon, said as he entered that he had not seen a concert in years and was looking forward to it.   

The rock band Muse, which won the best rock award, said it was dedicating its victory to the people of Ukraine and Iran.   

Kalush Orchestra’s frontman Oleh Psiuk, donning a pink hat, said before the performance that he hoped more Ukrainian bands would be present next year.
…

The box office roared back to life with the long-awaited release of “Black Panther: Wakanda Forever.”

The Marvel sequel earned $180 million in ticket sales from more than 4,396 theaters in the U.S. and Canada, according to estimates from The Walt Disney Co. on Sunday, making it the second biggest opening of the year behind “Doctor Strange in the Multiverse of Madness.” Overseas, it brought in an additional $150 million from 50 territories, bringing its worldwide total to $330 million.

“Wakanda Forever” was eagerly anticipated by both audiences and exhibitors, who have weathered a slow spell at the box office since the summer movie season ended and there were fewer bigger budget blockbusters in the pipeline. The film got off to a mighty start a bit stronger than even the first film with an $84 million opening day, including $28 million from Thursday previews.

“Some may have hoped for $200 million like the first film, but this is solid,” said Paul Dergarabedian, Comscore’s senior media analyst. “This is the type of movie that theaters really need to drive audiences.”

The first film opened to $202 million in February 2018 and went on to gross over $1.4 billion worldwide, making it one of the highest grossing films of all time and a cultural phenomenon. A sequel was inevitable, and development began soon after with director Ryan Coogler returning, but everything changed after Chadwick Boseman’s unexpected death in August 2020. “Wakanda Forever” became, instead, about the death of Boseman’s King T’Challa/Black Panther, and the grieving kingdom he left behind. Returning actors include Angela Bassett, Lupita Nyong’o, Letitia Wright, Winston Duke and Danai Gurira, who face off against a new foe in Tenoch Huerta’s Namor. The film would face more complications too, including Wright getting injured and some COVID-19 related setbacks. All told, it cost a reported $250 million to make, not accounting for marketing and promotion.

AP Film Writer Jake Coyle wrote in his review that, “‘Wakanda Forever’ is overlong, a little unwieldy and somewhat mystifyingly steers toward a climax on a barge in the middle of the Atlantic. But Coogler’s fluid command of mixing intimacy with spectacle remains gripping.”

It currently holds an 84% on Rotten Tomatoes and, as is often the case with comic book films, the audience scores are even higher.

Superhero films have fared well during the pandemic, but none yet have reached the heights of “Spider-Man: No Way Home,” which opened to $260.1 million in Dec. 2021. Other big launches include “Doctor Strange in the Multiverse of Madness” ($187.4 million in May), “Thor: Love and Thunder” ($144.2 million in July) and “The Batman” ($134 million in March).

“Wakanda Forever” is the first film to open over $100 million since “Thor” in July, which has been difficult for exhibitors that are already dealing with a calendar that has about 30% fewer wide releases than in a normal year.

Holdovers populated the rest of the top five, as no film dared launch nationwide against a Marvel behemoth. Second place went to the DC superhero “Black Adam,” with $8.6 million, bringing its domestic total to $151.1 million. “Ticket to Paradise” landed in third, in weekend four, with $6.1 million. The Julia Roberts and George Clooney romantic comedy has made nearly $150 million worldwide. “Lyle, Lyle, Crocodile” and “Smile” rounded out the top five with $3.2 million and $2.3 million, respectively.

Some awards hopefuls have struggled in their expansions lately, but Searchlight Pictures’ “The Banshees of Inisherin,” with Colin Farrell and Brendan Gleeson, looks like an exception. The Martin McDonagh film expanded to 960 theaters in its fourth weekend and got seventh place on the charts with $1.7 million, bringing its total to $5.8 million.

“It’s been a very interesting post-summer period for movie theaters, with some gems out there doing well like ‘Ticket to Paradise’ and ‘Smile,'” Dergarabedian said. “But movie theaters can’t survive on non-blockbuster style films. The industry needs more of these.”

After “Black Panther,” the next blockbuster on the schedule is “Avatar: The Way of Water,” arriving Dec. 16.

The weekend wasn’t completely without any other high-profile releases. Steven Spielberg’s autobiographical drama ” The Fabelmans” opened in four theaters in New York and Los Angeles with $160,000. Universal and Amblin will roll the film out to more theaters in the coming weeks to build excitement around the likely Oscar-contender. Michelle Williams and Paul Dano play parents to the Spielberg stand-in Sammy Fabelman, who is falling in love with movies and filmmaking as his parents’ marriage crumbles.

“This will be an interesting holiday season,” Dergarabedian said. “I think a lot of the dramas and independent films will have their time to shine over the next couple months.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Black Panther: Wakanda Forever,” $180 million.

2. “Black Adam,” $8.6 million.

3. “Ticket to Paradise,” $6.1 million.

4. “Lyle, Lyle, Crocodile,” $3.2 million.

5. “Smile,” $2.3 million.

6. “Prey for the Devil,” $2 million.

7. “The Banshees of Inisherin,” $1.7 million.

8. “One Piece Film Red,” $1.4 million.

9. “Till,” $618,000.

10. “Yashoda,” $380,000.

 
…

At first, Saskia Nino de Rivera was excited about going to Qatar for a World Cup that would mark a significant professional event for her partner, a sports agent for Mexico soccer players. She even contemplated privately proposing there during a game, and posting photos once they left the country. 

But as the lesbian couple learned more about laws on same-sex relations in the conservative Gulf country, the plans no longer sounded like a good idea. Instead, Nino de Rivera proposed at an Amsterdam stadium this summer and opted to skip the World Cup altogether. 

“As a lesbian woman, it’s really hard for me to feel and think that we are going to a country where we don’t know what could happen and how we could be safe,” she said. “It was a really hard decision.” 

Nino de Rivera’s concerns are shared by many LGBTQ soccer fans and their allies worldwide. Some have been mulling whether to attend the tournament, or even watch it on television. 

Qatar’s laws against gay sex and treatment of LGBTQ people are flashpoints in the run-up to the first World Cup to be held in the Middle East, or in any Arab or Muslim country. Qatar has said all are welcome, including LGBTQ fans, but that visitors should respect the nation’s culture, in which public displays of affection by anyone are frowned on. With his country facing criticism over a number of issues, Qatar’s emir, Sheikh Tamim bin Hamad Al Thani, recently argued it “has been subjected to an unprecedented campaign” that no host country has ever faced. 

An ambassador for the World Cup in Qatar, however, has described homosexuality as a “damage in the mind” in an interview with German public broadcaster ZDF. Aired this week, the comments by former Qatari national team player Khalid Salman highlighted concerns about the conservative country’s treatment of gays and lesbians. 

Some LGBTQ rights activists are seizing the moment to draw attention, with a heightened sense of urgency, to the conditions of LGBTQ citizens and residents in Qatar. They want to raise concerns about how these people may be treated after the tournament ends and the international spotlight fades. 

Dario Minden, who is from Germany, said he’s keen on soccer but won’t watch a single minute of the tournament as a show of solidarity with LGBTQ people in Qatar. Recently, he jumped at the opportunity to lobby for change. 

At a human rights congress hosted by the German soccer federation in Frankfurt, Minden told the Qatari ambassador to Germany that Qatar should abolish its penalties for homosexuality. 

“I happen to be a gay football fan and I thought that this is a great opportunity to … speak in front of such a high representative, to connect the topic with a face,” Minden said in an interview. 

Rasha Younes, LGBTQ rights senior researcher in the Middle East and North Africa at Human Rights Watch, said that while Qatari officials have offered some reassurances for LGBTQ fans, the possibility of stigma and discrimination remained in housing, access to health care and safely reporting potential sexual violence. 

At the same time, she argued, “suggestions that Qatar should make an exception for outsiders are implicit reminders that Qatari authorities do not believe that its LGBT residents deserve basic rights or exist,” adding her organization was concerned about conditions for local LGBTQ people, including after the tournament. 

Qatari law calls for a prison sentence of one to three years for whoever is “instigating” or “seducing” a male to “commit sodomy,” as well as for “inducing or seducing a male or a female in any way to commit illegal or immoral actions.” 

In the run-up to the World Cup, Qatari security forces have been accused of mistreating LGBTQ people. In a statement, the Qatari government has denied those allegations: “Qatar does not tolerate discrimination against anyone, and our policies and procedures are underpinned by a commitment to human rights for all.” 

Dr. Nasser Mohamed, an openly gay Qatari activist who now lives in the United States, is among those saying that international attention is disproportionately focused on visitors and not enough on LGBTQ people in Qatar. He publicly came out and has been lobbying to expand the conversation before the World Cup. 

“Being in a country that has no LGBT visibility, no conversations about what it’s like to be an LGBT person, made me feel like there’s something wrong with me,” he said in an interview. With the current intense public debates, “I feel like there is a moment of urgency to … put something out there now to actually let people know that we’re not OK.” 

Josie Nixon of the You Can Play Project, which advocates for LGBTQ people in sports, said the group was part of a coalition of LGBTQ rights organizations that made demands of FIFA and the Qatari organizers. These included repealing laws targeting LGBTQ people, providing “explicit safety guarantees” against harassment, arrest or detention, and working to ensure the long-term safety of LGBTQ people in the region. 

“FIFA and Qatar have taken steps to make sure that LGBTQ fans are safe, but is that enough to change the way Qatar views LGBTQ citizens?” said Nixon, who lives in Colorado. “My answer is no.” 

Even before the tournament kicks off, questions about what legacy it would leave behind loomed large amid intense international scrutiny over Qatar’s human rights record, including treatment of migrant workers. As the World Cup neared, Qatari officials sounded increasingly frustrated, saying their country’s achievements and progress were being overlooked and that the attacks raise questions about the motive behind them. 

“Qatar believes strongly in the power of sport to bring people together and build bridges of cultural understanding,” the Qatari government said in a statement to The Associated Press in response to questions. “The World Cup can help change misconceptions, and we want fans to travel home with a better understanding of our country, culture and region. We believe this tournament … can show that people of different nationalities, religions and backgrounds in fact have more in common than they think.” 

The statement added that Qatar is a country of “warm hospitality” and will continue to ensure the safety of all “regardless of background.” 

FIFA’s top officials have recently urged the teams preparing for the World Cup to focus on soccer and avoid letting the game be dragged into ideological or political battles. The officials did not address or identify any specific issue in their message, which angered some human rights activists. 

In soccer-crazy Argentina, Juan Pablo Morino, president of the group Gays Passionate About Soccer said he was dismayed by FIFA’s decision to organize the World Cup in Qatar. 

“In the election of a host, basic parameters of coexistence should be met. It cannot be that any country is a candidate,” he said. 

In Mexico, Nino de Rivera said she would be supporting her fiancée, who will attend the tournament for work, from afar. That makes her sad. 

The decision to sit out the World Cup “has to do with being true to your own values and bringing a lot of money to a country where you’re not welcome because of your sexual orientation,” she said. She was scared that if they went as a couple, they might have been harassed or worse while having dinner or walking back to the hotel. 

“The World Cup is normally an event that brings people together, where it doesn’t matter what part of the world you’re from … what religion you have; it doesn’t matter what community you belong to,” she said. “We all speak the same language. We all speak football.” 

 
…

Playwriting and theater production have opened a new world for a California man who spent 17 years in prison. Mike O’Sullivan reports on an arts program that teaches creative skills to former prisoners seeking new lives.
…

Jimmy Kimmel is ready to host the Oscars again, completing a trilogy that started with him presiding over the chaotic “envelope-gate” ceremony. 

The late-night talk show host will preside over the ceremony in March, the show’s producers said Monday. 

“We’re super thrilled to have Jimmy score his hat trick on this global stage,” executive producers and showrunners Glenn Weiss and Ricky Kirshner said in a joint statement. “We know he will be funny and ready for anything!” 

Kimmel has hosted the show twice before, in 2017, when he managed the chaotic final moments in which the wrong best picture winner was called, and then the next year, which came just months into the #MeToo reckoning. 

“Being invited to host the Oscars for a third time is either a great honor or a trap,” Kimmel said. “Either way, I am grateful to the academy for asking me so quickly after everyone good said no.” 

After the 90th Oscars in 2018, which Kimmel hosted to generally positive reviews, the Academy Awards went without a host until the 94th ceremony earlier this year when Regina Hall, Amy Schumer and Wanda Sykes shared the stage. 

“Jimmy is the perfect host to help us recognize the incredible artists and films of our 95th Oscars,” added academy CEO Bill Kramer and academy President Janet Yang. “His love of movies, live TV expertise, and ability to connect with our global audiences will create an unforgettable experience for our millions of viewers worldwide.” 

Molly McNearney, who is the co-head writer and executive producer of “Jimmy Kimmel Live!” and is married to Kimmel, will also serve as an executive producer on the Oscars broadcast. Ratings have been on a bit of a rollercoaster for the esteemed Hollywood awards show. The 94th Oscars was an improvement with 15.36 million viewers, but that was also in comparison to the previous year’s record low, which befell many COVID-modified awards shows. As always ratings will be paramount for broadcaster ABC. 

“Having Jimmy Kimmel return to host the Oscars is a dream come true. As we see every night on his own show, Jimmy can handle anything with both heart and humor, and we know that he will deliver the laughs and celebratory moments that define the Oscars,” said Craig Erwich, president of ABC Entertainment, Hulu & Disney Branded Television Streaming Originals. “We love being the home of Hollywood’s biggest night and can’t wait to toast the success of this year’s cinema and storytelling.” 

This next event is a landmark anniversary year for the show, and the first to follow “the slap,” in which Will Smith struck presenter Chris Rock on stage. Smith, who went on to win best actor that night, was banned from the Oscars for 10 years as a result. The organization’s leadership has said that they’d like to move on from the slap and focus on a ceremony that celebrates cinema. 

The 95th Oscars will be held on Sunday, March 12 at the Dolby Theatre in Los Angeles and will be broadcast live on ABC in more than 200 territories worldwide. 
…

Kenyans Evans Chebet and Sharon Lokedi made huge splashes in their New York City Marathon debuts Sunday.

Chebet won the men’s race and Lokedi the women’s race in her first-ever marathon on an unseasonably warm day, with temperatures in the 70s making it one of the hottest in race history since the marathon was moved to November in 1986.

Chebet finished in 2 hours, 8 minutes and 41 seconds, which was 13 seconds ahead of second-place finisher Shura Kitata of Ethiopia.

There was a scary moment in the men’s race when Daniel Do Nascimento, who had been leading the entire way, collapsed 21 miles in. Race officials said later that he was OK.

The Brazilian ran the first half of the race in a blistering 1:01.22, which put him 2 minutes ahead of the course record pace. He had been leading by nearly 2 minutes for the first 15 miles before he started to slow down a bit.

Do Nascimento went down right before heading back into Manhattan and was quickly attended to by medical professionals. A few miles earlier, he had taken a quick 20-second bathroom break and also had stopped to walk briefly a few minutes before he collapsed.

Chebet saw Do Nascimento on the ground and said he “felt bad for him but had to continue to race.”

“He knew that it was hot and humid and (Do Nascimento) was going at a high pace,” Chebet said through a translator. “He has a lot of experience, and he knew he was going to surpass him.”

Chebet, 33, pulled away from the pack when chasing Do Nascimento as they headed over the bridge into Manhattan for the first time. After Do Nascimento’s collapse, Chebet took the lead and wasn’t threatened the rest of the way.

Chebet won the Boston Marathon earlier this year.

“Boston was actually harder and it prepared him for the win for New York,” the translator said for Chebet. “He’s very thankful.”

The victory continued a drought for American men in the race: No runner from the U.S. has won since 2009. The Americans’ top hope, Galen Rupp, was in the chase pack before withdrawing from the race right before the 19-mile mark.

It was Lokedi’s first-ever marathon, and she finished in 2:23.23 — just ahead of Lonah Chemtai Salpeter of Israel.

“I’m just so happy that I just won, you know?!” said Lokedi, laughing. “I’m really excited, just so happy that I did it here. The people out there, the course was amazing, the cheers, everything. I’m just thankful.”

The 28-year-old was in a tight race before she pulled ahead of Chemtai Salpeter in the final 2 miles to win by seven seconds and finish about 50 seconds off the course record.

“I didn’t expect to win, I expected to run well,” Lokedi said. “It was a good outcome and I’m really excited.”

An hour earlier, the men’s and women’s wheelchair races ended with course records being broken.

Marcel Hug of Switzerland was victorious in the men’s wheelchair race for the fifth time, tying Kurt Fearnley for most-ever victories in that event. Hug finished the 26.2-mile (42.2 kilometers) course that goes through all five boroughs of New York in 1:25.26 to break the previous mark of 1:29.22 set by Fearnley of Australia in 2006.

“The conditions were great for us. A tail wind the first half. It was very good conditions. I think that’s the reason,” Hug said of the record time. “I didn’t know the time. My goal was to go as fast as possible and didn’t focus on the time.”

Hug, who also won the race last year, earned $50,000 for besting the course record. He crossed the finish line more than 2 minutes ahead of second-place finisher Daniel Romanchuk of Illinois.

The 36-year-old Hug, nicknamed the “The Silver Bullet,” has been on quite a streak, winning four gold medals at the Tokyo Paralympics last year as well as the Tokyo, Berlin, London and Chicago Marathons in 2022.

Susannah Scaroni also broke the course record in the women’s wheelchair race, finishing in 1:42.43. That was 21 seconds better than the old mark, which was held by Tatyana McFadden.

Scaroni, a 31-year-old from Illinois, pulled away from the field early and also earned the bonus money for topping the course record. Scaroni won the Chicago Marathon last month and was victorious for the first time in New York after finishing third in 2019.

The warm weather wasn’t ideal for the 50,000 runners who started the 51st edition of the marathon, which was back to full capacity for the first time since the pandemic. Race organizers said that there were nine misting stations on the 26.2-mile (42.2 kilometers) racecourse and there was plenty of water available along the way as well as bananas and energy gels.

There were a couple of celebrities who ran the race, including Ashton Kutcher and Chelsea Clinton, who completed it for a second straight year. Both were running for charity.

Samantha Judge, the wife of New York Yankees’ home run champion Aaron Judge, also ran the marathon. The baseball free agent presented her with her medal when she finished along with Yankees outfielder/designated hitter Giancarlo Stanton.
…

The German version of the television show The Voice had a special guest Saturday on its final episode of the season.

Rana Mansour, an Iranian American singer, performed the protest song For, (Baraye) a song dedicated to Mahsa Amini, the 22-year-old Iranian woman who died recently after being arrested by Iranian police. Amini was detained for wearing her headscarf “improperly.”

Mansour performed the song in English so that it could be understood by an international audience.

Demonstrators have taken to the streets across Iran since Amini’s death, protesting not only her death, but the restrictions that many, especially women, face in Iran.

At the end of her performance, Mansour held up her fingers in the Victory sign and said, “Woman, life, freedom,” a phrase chanted by Iranian protesters.

Mansour received a standing ovation.
…

For now and forever, Dusty Baker, the epic storyteller, first-class name-dropper, toothpick chewer and baseball lifer will bear a most distinguished title: World Series champion manager.

The man who can weave a tale like few others, wistfully recalling his time under Hank Aaron’s tutelage or chance encounters with Jimi Hendrix, John F. Kennedy Jr. and countless more, completed the only missing chapter in his own story Saturday night.

After 25 seasons as a big league skipper peppered with a couple of painful near-misses, the 73-year-old Baker finally made it all the way home when his Houston Astros beat the Philadelphia Phillies 4-1 to win the title.

When Yordan Alvarez connected on a go-ahead three-run homer in the sixth inning, cameras panned to a beaming Baker who raised both arms high above his head.

He became the oldest manager to win a World Series in his third trip as a manager to the Fall Classic. As a player he went three times with the Dodgers, winning it all in 1981.

He entered Saturday’s game as the winningest manager without a World Series title and improved to 2,094-1,790 with this most memorable victory.

“I got 2,000 wins and all they talk about is I haven’t won the World Series yet,” he said Thursday.

They can’t say that anymore.

He joins Dave Roberts (Dodgers, 2020) and Cito Gaston (Blue Jays, 1992, 1993) as the only Black managers to win a World Series.

“I don’t think about being an African American manager because I look in the mirror every day and I know what I am,” he said before the game. “You know what I’m saying? (But) I do know that there’s certain pressure from a lot of people that are pulling for me, especially people of color. And that part I do feel. I hear it every day. and so I feel that I’ve been chosen for this.”

He helped the Astros to their second World Series title and first since the scandal-tainted one in 2017 that made Houston the most hated team in baseball. Baker helped clean up the team’s image after that and some begrudgingly began rooting for the Astros because they admired him.

While beloved across the game, he quickly became a fan favorite in Houston. Saturday night several fans proudly displayed signs that read “Do it 4 Dusty.”

Baker is the 12th manager in major league history to reach 2,000 wins and the first Black man to do it. Ten of the 11 other managers who have accumulated at least 2,000 wins are in the Hall of Fame. Bruce Bochy (2,003), who isn’t yet eligible, is the only exception.

Baker managed San Francisco, the Chicago Cubs, Cincinnati and Washington before coming to Houston. He’s the only manager in major league history to take five different teams to the postseason.

Baker had come close before. In 2002, his San Francisco Giants starring Barry Bonds entered Game 6 against the Anaheim Angels a win away from a title. As the road team for the last two games of that series, the Giants squandered a five-run lead in a 6-5 loss in the sixth game before the Angels won the title with a 4-1 victory in Game 7.

After the crushing loss in Game 7, Baker met with his father, Johnnie B. Baker Sr., who delivered a harsh message.

“He goes: ‘Man, after the way (you) lost that one, I don’t know if you’ll ever win another one,’” Baker recalled last year.

Even though his father has been gone for more than a decade he still thinks about him every day and often recalls that moment. He’s been driven to prove his father wrong.

After being fired by the Nationals following a 97-win season in 2017, Baker wondered if he’d ever get another shot to manage, much less win that elusive title.

Back home in Northern California, as he worked on his wine business and grew collard greens in his garden, he often felt perplexed he had been passed over for interviews so many times as managerial openings came and went, having made inquiries that he said were unanswered over the years.

Then came 2019 and the stunning revelation that the Astros had illicitly stolen signs in 2017 and again in 2018. Manager A.J. Hinch was suspended for a year and subsequently fired, making way for Baker to return to the game.

Baker took over for the 2020 COVID-19-shortened season. The Astros squeaked into the postseason as a wild-card team before heating up in playoffs to come one win shy of reaching the World Series.

Baker made his return to the Series last season but came up short again as Houston fell to Atlanta in six games.

Baker was lifelong friends with Aaron, who died in January 2021 at 86. He joked that he probably didn’t have Aaron on his side last year against his Braves, but that things should be different this time around.

“He was probably rooting for the Braves last year,” Baker said last month. “I figure now he’s rooting for me.”

Hammerin’ Hank would certainly have been proud to see his buddy finally reach this milestone since Baker was by his side for his biggest one.

Baker was on deck and among the Braves congregated at the plate to celebrate with Aaron on April 8, 1974, when he hit his 715th home run to pass Babe Ruth for most all-time.

Baker thought about his dad, mom, Aaron and so many others he’s lost earlier this week.

“A couple days ago it was All Souls Day and I think about all the guys that I’ve played with and grew up with and that influenced my life,” he said. “And you think about the souls that – All Souls Day is about the angels that are protecting you. And I believe in that.”

Baker went through his normal routine before coming to the ballpark Saturday. He picked up coffee from a favorite spot in Rice Village and retrieved his clothes from the dry cleaners.

Baker also went to the cobbler to get some “expensive shoes” that he was having repaired because the sole came off.

Good thing, too, because after Saturday night’s win he’ll need a nice pair of shoes at the end of his career for a likely walk into the Hall of Fame.
…

Aaron Carter, the singer-rapper who began performing as a child and had hit albums starting in his teen years, was found dead Saturday at his home in Southern California. He was 34.

Representatives for Carter’s family confirmed the singer’s death. They did not provide any immediate further comment.

Carter, the younger brother of Nick Carter of the Backstreet Boys, performed as an opening act for Britney Spears as well as his brother’s boy band, and appeared on the family’s reality series “House of Carters” that aired on E! Entertainment Television.

Deputies responded around 11 a.m. following reports of a medical emergency at the home in Lancaster, a desert city about 70 miles (112 kilometers) north of downtown Los Angeles, said Deputy Alejandra Parra with the Los Angeles County Sheriff’s Department.

Parra said the deputies found a deceased person at the residence, but she could not immediately confirm it was Carter.

Carter’s fiancé, Melanie Martin, asked for privacy as the family grieves.

“We are still in the process of accepting this unfortunate reality,” Martin said in a statement Saturday. “Your thoughts and prayers are greatly appreciated.”

Hits included ‘I Want Candy’

Carter opened for the Backstreet Boys tour in 1997 — the same year his gold-selling debut self-titled album was released. He reached triple-platinum status with his sophomore album in 2000, “Aaron’s Party (Come Get It),” which produced hit singles including the title song and “I Want Candy.” His videos received regular airplay on Disney and Nickelodeon.

The singer earned acting credits through his appearance on television shows including “Lizzie McGuire.” He starred alongside his brother, Nick, and their siblings B.J., Leslie and Angel Carter on the E! unscripted series “House of Carters” in 2006.

Music and dancing

Carter made his Broadway debut in 2001 as JoJo in “Who in Seussical the Musical.” In 2009, he appeared on the ABC competition show “Dancing with the Stars,” finishing in fifth place with partner Karina Smirnoff. He was featured on the Food Network cooking show “Rachel vs. Guy: Celebrity Cook-Off” in 2012.

In 2017, Carter opened up about his substance abuse on an episode of “The Doctors.” He was in rehab that same year after he was arrested on suspicion of driving under the influence and marijuana charges. He checked himself in for treatment on a few occasions in an effort to regain custody of his son Prince.

Carter’s fifth and final studio album, “LOVE,” was released in 2018.
…

An ancient Christian monastery possibly dating as far back as the years before Islam spread across the Arabian Peninsula has been discovered on an island off the coast of the United Arab Emirates, officials announced Thursday.

The monastery on Siniyah Island, part of the sand-dune sheikhdom of Umm al-Quwain, sheds new light on the history of early Christianity along the shores of the Persian Gulf. It marks the second such monastery found in the Emirates, dating back as many as 1,400 years — long before its desert expanses gave birth to a thriving oil industry that led to a unified nation home to the high-rise towers of Abu Dhabi and Dubai.

The two monasteries became lost to history in the sands of time as scholars believe Christians slowly converted to Islam as that faith grew more prevalent in the region.

Today, Christians remain a minority across the wider Middle East, though Pope Francis arrived in nearby Bahrain on Thursday to promote interfaith dialogue with Muslim leaders.

For Timothy Power, an associate professor of archaeology at the United Arab Emirates University who helped investigate the newly discovered monastery, the UAE today is a “melting pot of nations.”

“The fact that something similar was happening here a 1,000 years ago is really remarkable and this is a story that deserves to be told,” he said.

The monastery sits on Siniyah Island, which shields the Khor al-Beida marshlands in Umm al-Quwain, an emirate some 50 kilometers northeast of Dubai along the coast of the Persian Gulf. The island, whose name means “flashing lights” likely due to the effect of the white-hot sun overhead, has a series of sandbars coming off of it like crooked fingers. On one, to the island’s northeast, archaeologists discovered the monastery.

Carbon dating of samples found in the monastery’s foundation date between 534 and 656. Islam’s Prophet Muhammad was born around 570 and died in 632 after conquering Mecca in present-day Saudi Arabia.

Viewed from above, the monastery on Siniyah Island’s floor plan suggests early Christian worshippers prayed within a single-aisle church at the monastery. Rooms within appear to hold a baptismal font, as well as an oven for baking bread or wafers for communion rites. A nave also likely held an altar and an installation for Communion wine.

Next to the monastery sits a second building with four rooms, likely around a courtyard — possibly the home of an abbot or even a bishop in the early church.

On Thursday, the site saw a visit from Noura bint Mohammed al-Kaabi, the country’s culture and youth minister, as well as Sheikh Majid bin Saud Al Mualla, the chairman of the Umm al-Quwain’s Tourism and Archaeology Department and a son of the emirate’s ruler.

The island remains part of the ruling family’s holdings, protecting the land for years to allow the historical sites to be found as much of the UAE has rapidly developed.

The UAE’s Culture Ministry has sponsored the dig in part, which continues at the site. Just hundreds of meters away from the church, a collection of buildings that archaeologists believe belongs to a pre-Islamic village sit.

Elsewhere on the island, piles of tossed-aside clams from pearl hunting make for massive, industrial-sized hills. Nearby also sits a village that the British blew up in 1820 before the region became part of what was known as the Trucial States, the precursor of the UAE. That village’s destruction brought about the creation of the modern-day settlement of Umm al-Quwain on the mainland.

Historians say early churches and monasteries spread along the Persian Gulf to the coasts of present-day Oman and all the way to India. Archaeologist have found other similar churches and monasteries in Bahrain, Iraq, Iran, Kuwait and Saudi Arabia.

In the early 1990s, archaeologists discovered the first Christian monastery in the UAE, on Sir Bani Yas Island, today a nature preserve and site of luxury hotels off the coast of Abu Dhabi, near the Saudi border. It similarly dates back to the same period as the new find in Umm al-Quwain.

However, evidence of early life along the Khor al-Beida marshlands in Umm al-Quwain dates as far back as the Neolithic period — suggesting continuous human inhabitance in the area for at least 10,000 years, Power said.

Today, the area near the marshland is more known for the low-cost liquor store at the emirate’s Barracuda Beach Resort. In recent months, authorities have demolished a hulking, Soviet-era cargo plane linked to a Russian gunrunner known as the “Merchant of Death” as it builds a bridge to Siniyah Island for a $675 million real estate development.

Power said that development spurred the archaeological work that discovered the monastery. That site and others will be fenced off and protected, he said, though it remains unclear what other secrets of the past remain hidden just under a thin layer of sand on the island.

“It’s a really fascinating discovery because in some ways it’s hidden history — it’s not something that’s widely known,” Power said.
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The movies have returned to Indian-administered Kashmir after an absence of more than three decades.

A new multiplex cinema, INOX Srinagar, lit up its three screens for the first time on September 30, almost 33 years after all of the region’s theaters shut down in the face of a campaign by armed militants opposed to cinemas, beauty parlors and liquor shops.

Even today, the threat of violence remains high for the several dozen theatergoers who visit the multiplex each day, seeking a novel experience in the case of the younger generation or, in the case of their elders, a nostalgic reminder of times past.

Would-be patrons must pass through a tight security cordon, having their cars checked by a rifle-bearing policeman, and then being frisked at the main gate before entering the theater. An armored truck with at least a dozen policemen is stationed near the entry gate, and an elevated security tower stands next to the ticket counter.

The Kashmir Valley boasted some 15 movie theaters until 1989, when militants opposed to Indian rule in the region demanded their closure. All were shut down on January 1, 1990.

Some were turned into malls, some into hospitals, and some into bunkers now occupied by Indian paramilitary forces. Several, subjected to grenade or firebomb attacks, are nothing more than piles of bricks. A few short-lived attempts to reopen theaters since 1990 failed in the face of heavy security and militant threats.

None of that history has dampened the enthusiasm of INOX Srinagar owner Vikas Dhar, whose family has owned movie theaters in Srinagar since the 1960s. He told VOA that for him, the opening of his multiplex marks the realization of a dream.

So far attendance has been sparse, with a little more than 5,000 patrons visiting the 524-seat complex in its first month of operation. But Dhar is already looking ahead.

“It is not a big figure, but it will increase with the passage of time when people will come out of their houses without being afraid of anyone,” he said.

“We are planning to provide a wholesome entertainment for the entire family, and it requires more development,” Dhar continued. “The launch of multiplex is generating interest among people and will surely increase in the near future. We are also thinking of developing a play area for children and food court for the adults next year.”

A peek at the past

For Mahjabeen Ashai, a homemaker in her early 60s, a visit to the cinema brought back the past. “Though hard but I visited INOX Srinagar just to recollect memories of old times when I used to watch movies in halls with my husband,” she told VOA.

But for a younger generation of Kashmiris who have never visited a movie theater, there is the question of why they should put up with the security risks when they can enjoy the same films in their own homes on streaming video – commonly referred to in the region as OTT (Over The Top).

“I like watching stuff from the comfort of my home,” said Tayba Gulnar, a 27-year-old lawyer. “Almost all of us have big TV screens with OTT subscriptions at home. Cinema is a public place and is different from what it used to be 10-15 years ago.

“Why should I go to the cinema to watch a movie?” she asked. “I would only watch an animated movie in cinema, if I ever go there.”

But Dhar is convinced that even younger Kashmiris will learn to appreciate the unique experience of watching a film in a cinema. He said that movies such as “Avatar” and “Avengers” with their dramatic special effects can only be fully enjoyed on the big screen.

Dhar’s optimism is shared by Manmohan Singh Gauri, whose Palladium Cinema was perhaps the best-known theater in the region before shutting down with the others at the beginning of 1990. India’s first prime minister, Jawaharlal Nehru, was photographed shaking hands in front of the theater with Sheikh Mohammad Abdullah, then prime minister of Jammu and Kashmir, not long after independence from Britain.

Gauri told VOA that he hopes to open his own two-screen multiplex if he is granted permission by the government. He said he expects his bid could make a big impact, adding that the return of cinema to the valley can give younger Kashmiris access to more information about what is happening around the world.

Despite the strict security measures, the threat of violence remains a concern; just in the past week four militants were killed in twin encounters with Indian forces in Kashmir.

But Dhar said he is taking steps to keep his patrons safe. “At present we are running three to four shows in a day and don’t have any plans for late evening shows,” he said.
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