Despite the ongoing war in Ukraine, couples there continue to get married. For many, the war itself prompted them to officially tie the knot – especially military couples. At least one jewelry store provides military couples with free wedding bands; wedding ceremonies are often held online, at times, literally from the front lines. Anna Kosstutschenko has the story.
…

After two days of deliberations in which they reached verdicts on nearly all of the questions put before them, jurors in a civil trial who were deciding on sexual abuse allegations against Bill Cosby will have to start from scratch on Monday.

By the end of the court day Friday, the Los Angeles County jury had come to agreement on whether Cosby had sexually assaulted plaintiff Judy Huth at the Playboy Mansion when she was 16 in 1975, and whether Huth deserved any damages. In all they had answered eight of nine questions on their verdict form, all but one that asked whether Cosby acted in a way that should require punitive damages.

Judge Craig Karlan, who had promised one juror when she agreed to serve that she could leave after Friday for a prior commitment, decided over the objections of Cosby’s attorneys to accept and read the verdict on the questions the jury had answered. But he had to change course when deputies at the Santa Monica Courthouse appeared and required him to clear the courtroom. The courthouse has a required closure time of 4:30 p.m. because of no budget for deputies’ overtime.

Karlan refused to require the departing juror, who had been chosen as foreperson, to return on Monday, so jurors will have to begin again with an alternate in her place.

“I won’t go back on my word,” Karlan said.

It was a bizarre ending to a strange day of jury deliberations. It began with a note to the judge about what he called a “personality issue” between two of the jurors that was making their work difficult.

After calling them to the courtroom and getting them to agree that every juror would be heard in discussions, the jurors resumed, but had a steady flurry of questions on issues with their verdict form that the judge and attorneys had to discuss and answer. One question was on how to calculate damages.

After the lunch break, Cosby lawyer Jennifer Bonjean moved for a mistrial because of a photo taken by a member of Cosby’s team that showed a juror standing in close proximity to a Cosby accuser who had been sitting in the audience and watching the trial.

Karlan said the photo didn’t indicate any conversation had happened, and quickly dismissed the mistrial motion, getting assurances from the juror in question, then the entire jury, that no one had discussed the case with them.

The accuser, Los Angeles artist Lily Bernard, who has filed her own lawsuit against Cosby in New Jersey, denied speaking to any jurors.

“I never spoke to any juror, ever,” Bernard told the judge from her seat in the courtroom. “I would never do anything to jeopardize this case. I don’t even look at them.”

Karlan fought to get past the hurdles and have jurors deliberate as long as possible, and kept lawyers, reporters and court staff in the courtroom ready to bolt as soon as a verdict was read, but it was fruitless in the end.

Jurors had begun deliberating Thursday morning after a two-week trial.

Cosby, 84, who was freed from prison when his Pennsylvania criminal conviction was thrown out nearly a year ago, did not attend. He denied any sexual contact with Huth in a clip from a 2015 video deposition shown to jurors. The denial has been repeated throughout the trial by his spokesperson and his attorney.

In contentious closing arguments, Bonjean urged the jurors to look past the public allegations against Cosby and consider only the trial evidence, which she said did not come close to proving Huth’s case.

Huth’s attorney Nathan Goldberg told jurors Cosby had to be held accountable for the harm he had done to his client.

The Associated Press does not normally name people who say they have been sexually abused, unless they come forward publicly, as Huth and Bernard each have. 
…

The price of bitcoin fell below $20,000 Saturday for the first time since late 2020, in a fresh sign that the sell-off in cryptocurrencies is deepening. 

Bitcoin, the most popular cryptocurrency, fell below the psychologically important threshold, dropping by as much as 9% to less than $19,000 and hovering around that mark, according to the cryptocurrency news site CoinDesk. 

The last time bitcoin was at that level was in November 2020, when it was on its way up to its all-time high of nearly $69,000, according to CoinDesk. Many in the industry had believed it would not fall under $20,000. 

Bitcoin has now lost more than 70% of its value since reaching that peak. 

Ethereum, another widely followed cryptocurrency that’s been sliding in recent weeks, took a similar tumble Saturday. 

It’s the latest sign of turmoil in the cryptocurrency industry amid wider turbulence in financial markets. Investors are selling off riskier assets because central banks are raising interest rates to combat quickening inflation. 

The overall market value of cryptocurrency assets has fallen from $3 trillion to below $1 trillion, according to coinmarketcap.com, a company that tracks crypto prices. On Saturday, the company’s data showed crypto’s global market value stood at about $834 billion. 

A spate of crypto meltdowns has erased tens of billions of dollars of value from the currencies and sparked urgent calls to regulate the freewheeling industry. Last week, bipartisan legislation was introduced in the U.S. Senate to regulate the digital assets. The crypto industry has also upped its lobbying efforts — flooding $20 million into congressional races this year for the first time, according to records and interviews. 

Cesare Fracassi, a finance professor at the University of Texas at Austin who leads the school’s Blockchain Initiative, believes Bitcoin’s fall under the psychological threshold isn’t a big deal. Instead, he said the focus should be on recent news from lending platforms. 

Cryptocurrency lending platform Celsius Network said this month that it was pausing all withdrawals and transfers, with no sign of when it would give its 1.7 million customers access to their funds. Another crypto lending platform, Babel Finance, said in a notice posted on its website Friday that it will suspend redemptions and withdrawals on products due to “unusual liquidity pressures.” 

“There is a lot of turbulence in the market,” Fracassi said. “And the reason why prices are going down is because there is a lot of concern the sector is overleveraged.” 

The cryptocurrency exchange platform Coinbase announced Tuesday that it laid off about 18% of its workforce, with the company’s CEO and co-founder Brian Armstrong placing some of the blame on a coming “crypto winter.” 

Stablecoin Terra imploded last month, losing tens of billions of dollars in value in a matter of hours. 

Crypto had permeated much of popular culture before its recent tumble, with many Super Bowl ads touting the digital assets and celebrities and YouTube personalities routinely promoting it on social media. 

David Gerard, a crypto critic and author of “Attack of the 50 Foot Blockchain,” said the recent meltdowns show a failure by regulators, who he believes should have put more scrutiny on the industry years ago. Many nascent investors — especially young people — invested in crypto based on a false hope that was sold to them, he said. 

“There are real human victims here that are ordinary people.” 
…

The dogs get the spotlight, but the upcoming Westminster Kennel Club show is also illuminating a human issue: veterinarians’ mental health.

In conjunction with a first-time Veterinarian of the Year award that will be presented on the show’s final day Wednesday, the club is giving $10,000 to a charity focused on veterinary professionals’ psychological welfare.

It’s new emotional territory for the 145-year-old event at a point when the coronavirus pandemic, and a changing culture, have bared the internal struggles of people from schoolchildren to health care workers to college athletes and professional sports stars. 

For veterinarians, too, the pandemic added new strains — wrung-out clients, soaring caseloads and more — and amplified long-standing ones.

“We love what we do, and there’s a certain mystique about working with animals — a lot of people think we play with puppies all day long. But there’s a lot behind this,” said American Veterinary Medicine Association President José Arce of San Juan, Puerto Rico. He hopes Westminster’s award will educate people about vets’ well-being.

The show began with an agility competition Saturday and continues Monday through Wednesday, with the best in show prize awarded live on Fox Sports’ FS1 channel Wednesday night. For the first time, some action will also appear on the Spanish-language FOX Deportes.

Nearly 3,500 canines — the most since the 1970s — are expected at the historic Lyndhurst estate in Tarrytown, New York, show co-chairman David Haddock said. The 200-plus breeds and varieties include two newcomers, the mudi and the Russian toy. 

It’s the second year in a row that pandemic concerns shifted the United States’ most storied dog show to its June date and suburban outdoor venue, rather than New York City’s Madison Square Garden in winter. 

Westminster has given scholarships to veterinary students since 1987, but the new award recognizes a practicing vet. Inaugural winner Dr. Joseph Rossi has treated many show dogs at North Penn Animal Hospital in Lansdale, Pennsylvania, and his wife’s Norwich terrier Dolores won the breed at Westminster in 2020. 

Co-sponsored by pet insurer Trupanion, the honor comes with a contribution to MightyVet, which offers mentors, courses and other support on topics including work-life balance, handling tough conversations with clients and looking for signs that colleagues might be in serious distress. 

“We want to make sure that our animals are taken care of, but to do that, we need to make sure that our vets are taken care of,” Westminster spokesperson Gail Miller Bisher said. 

Concerns and research about burnout, depression and suicidality among veterinarians have percolated for decades in the field. 

But the issue got wider attention after a 2019 study in the Journal of the American Veterinary Medicine Association showed that a higher proportion of deaths due to suicide among U.S. veterinarians than in the general population. Various other occupations have above-average suicide rates, according to the federal Centers for Disease Control and Prevention. 

As in human medicine, veterinarians feel the strain of handling emergencies, caring for the sick — and, often, starting out a career with six-figure student debt. 

Veterinary doctors, however, also confront the responsibility of advising pet owners about euthanasia and carrying it out. 

There are emotionally painful, ethically trying moments when people can’t let go of a suffering pet — or, conversely, can’t afford treatment that could be lifesaving. (Some charities and veterinary facilities provide financial help.) Even when euthanasia isn’t under discussion, there are the challenges of communicating with anguished pet owners and coming to terms with cases that don’t go as hoped. 

“As the veterinarian, it hits us hard,” Rossi said. “We love animals, and that’s why we do this.” 

In an average week, several veterinarians or other staffers seek out one-on-one guidance for a problem — job-related or not — from veterinary social worker Judith Harbour, who also works with pet owners at the Schwarzman Animal Medical Center in New York. 

Veterinarians need to be able to move from crisis to crisis at AMC, which treats more than 50,000 animals a year and has a 24/7 emergency room and highly specialized care. 

“But then there needs to be a time when the difficult experiences are dealt with,” says Harbour. She aims to help vets and other staffers talk though those experiences “in a productive way that’s not just a venting session.” 

She advises them to focus on their inner motivations and values, be kind to themselves and remember that many situations don’t have perfect solutions. 
…

A gnawing uncertainty hung over the Yellowstone National Park gateway town of Gardiner this week following unprecedented flooding that shut down one of America’s most beloved natural attractions and swept away roads, bridges and homes.

Gardiner itself escaped the flooding but briefly became home to hundreds of park visitors stranded when the road leading into it was closed along the surging Yellowstone River. When the road reopened, the tourists vanished.

“Town is eerie right now,” said Katie Gale, who does booking for a company that offers rafting and other outdoor trips. “We had all those folks trapped in here, and then as soon as they opened the road … it was just like someone just pulled the plug in a bathtub.”

That draining of visitors has become a major concern for businesses in towns such as Gardiner and Red Lodge that lead to Yellowstone’s northern entrances and rely on tourists passing through.

Officials have said the park’s southern part, which features Old Faithful, could reopen as soon as next week. But the north end, which includes Tower Fall and the bears and wolves of Lamar Valley, could stay closed for months after sections of major roads inside Yellowstone were washed away or buried in rockfall. Roads leading to the park also have widespread damage that could take months to repair.

Red Lodge is facing a double disaster: It will have to clean up the damage done by the deluge to parts of town and also figure out how to survive without the summer business that normally sustains it for the rest of the year.

“Winters are hard in Red Lodge,” Chris Prindiville said as he hosed mud from the sidewalk outside his shuttered cafe, which had no fresh water or gas for his stoves. “You have to make your money in the summer so you can make it when the bills keep coming and the visitors have stopped.”

Yellowstone is one of the crown jewels of the park system, a popular summer playground that appeals to adventurous backpackers camping in grizzly country, casual hikers walking past steaming geothermal features, nature lovers gazing at elk, bison, bears and wolves from the safety of their cars, and amateur photographers and artists trying to capture the pink and golden hues of the cliffs of the Grand Canyon of Yellowstone and its thundering waterfall.

All 4 million visitors a year have to pass through the small towns that border the park’s five entrances.

The flooding — triggered by a combination of torrential rain and rapid snowmelt — hit just as hotels around Yellowstone were filling up with summer tourists. June is typically one of Yellowstone’s busiest months.

At least 88 people were rescued by the Montana National Guard over the past few days from campsites and small towns, and hundreds of homes, including nearly 150 in Red Lodge, were damaged by muddy waters. One large house in Gardiner that was home to six park employees was ripped from its foundation and floated miles downstream before sinking. Four to five homes could still topple into the Stillwater River, which already washed several cabins away, according to a spokesperson for Stillwater County.

No deaths or serious injuries have been reported.

Red Lodge remained under a boil-water advisory, and trucks supplied drinking water to half of the town that was without it. Portable toilets were strategically placed for those who couldn’t flush at home.

The Yodeler Motel, once home to Finnish coal miners, faced its first shutdown since it began operating as a lodge in 1964. Owner Mac Dean said he is going to have to gut the lower level, where 13 rooms flooded in chest-high waters.

“Rock Creek seemed to take in its own course,” he said. “It just jumped the bank and it came right down Main Street and it hit us.”

Dean had been counting on a busy summer tied to the park’s 150th anniversary. The Yodeler had the most bookings in the 13 years Dean and his wife have owned the business. Now he’s hoping to get some help, possibly from the Federal Emergency Management Agency.

“The damage is catastrophic,” he said. “We’re between a rock and a hard place. And if we don’t get some assistance, we’re not gonna make it.”

President Joe Biden declared a disaster in Montana, ordering federal assistance be made available.

The tourism season had started well for Cara McGary, who guides groups through the Lamar Valley to see wolves, bison, elk and bears. She had seen more than 20 grizzlies some days this year.

Now, with the road from Gardiner into northern Yellowstone washed out, the wildlife is still there, but it’s out of reach to McGary. Her guide business, In Our Nature, is suddenly in trouble.

“The summer that we prepared for is not at all similar to the summer that we’re going to have,” she said. “This is an 80% to 100% loss of business during the high season.”

Officials and business leaders are hoping Gardiner, Red Lodge and other small communities can draw visitors even without access to the park.

Sarah Ondrus, owner of Paradise Adventure Company, that rents out cabins and offers rafting, kayaking and horseback riding trips, was frustrated she was getting so many cancellations.

“Montana and Wyoming still exist. I don’t know how I can convince these people,” Ondrus said. “Once our water quality is good and our law enforcement thinks it’s OK, we’re good to go again. It’s still a destination. You can still horseback ride, go to cowboy cookouts, hike in the national forest.”

That could be a tall order for anyone coming from the south or east sides of the park who had hoped to exit in the north. After the southern portion of the park reopens, it would take an almost 200-mile (320 kilometers) detour through West Yellowstone and Bozeman to reach Gardiner. It would require a nearly 300-mile (480 kilometers) drive from Cody, Wyoming.

Montana Gov. Greg Gianforte, a Republican, has faced criticism from Democrats and members of the public for being out of the country during the disaster.

Spokesperson Brooke Stroyke said the governor had left last week on a long-scheduled personal trip with his wife and was due back Thursday. She would not say where he was, citing security reasons.

In his absence, Montana’s Lt. Gov. Kristen Juras signed an emergency disaster declaration Tuesday.
…

For many Hong Kongers, their city has always been distinct from China. Government, laws, language, schooling, cuisine, culture, outlook — you name it, all different.

And that sense, coupled with continuing political changes, propelled many Hong Kongers to emigrate after the 2019 pro-democracy protests when Beijing implemented the far-reaching Hong Kong version of China’s National Security Law. Even in the law that tightens Beijing’s control over the former British colony, Hong Kong is different.

Belle, an artist, left Hong Kong for New York last year.

Her work is now part of show called “Wandering Hong Kong” mounted by the Lion Rock Cafe in lower Manhattan near Chinatown. The exhibition, which runs through Sunday at the Sohotel pop-up space on Broome Street, explores what it means to be “wandering” — defined as “a life with no place to settle down, needing to move around” in promotional material.

An art teacher and full-time artist in Hong Kong, Belle met her boyfriend during the 2019 Hong Kong protests.

“But as the movement went on, we realized there are concerns, there is something there that we cannot draw. Or we can draw it, but we cannot show it. So, what’s the point? That just got many of us to thinking: What’s the next step for us?” said Belle, who asked VOA Mandarin not to use her real name to avoid attracting Beijing’s attention.

For Belle and her boyfriend, the next step meant heading to New York City.

Understanding through art

In New York, she joined Lion Rock Cafe, an organization modeled on a French salon with no fixed location but a focus on “deepening understanding and solidarity between the United States and Hong Kong through arts and culture,” according to its website.

Lion Rock Cafe is now hosting the exhibition “Wandering Hong Kong,” a show of art by Belle and other Hong Kong artists who belong to a diaspora perched throughout the U.S., U.K., Taiwan and Canada.

“Wandering Hong Kong” exhibited dozens of works in various media paintings, installation art and videos.

The show’s organizer told VOA Mandarin that since 2019 more than 100,000 Hong Kongers have emigrated or gone into exile to avoid living under Beijing’s rule.

“Hong Kongers have become a vagrant group,” said Tom, who asked that his real name not be used. “We want to express this wandering mentality, simply saying that there is no home, or the feeling of leaving home, and express it with art, and let Hong Kong artists freely express some of their ideas and works of art in this free land.”

“It was shocking,” Tom said. “Some political dissidents have the strongest feelings of wandering, and they can empathize with it the most. So when they use art to express it, through some patterns and their works, they can better feel the feeling of leaving Hong Kong with some burdens, regrets, some apprehensions, and maybe some worries about the future. Those emotions are also reflected in the works.”

Saying goodbye

Tommy, another Hong Konger who is now a New York artist, was inspired by the moment he said goodbye to family and friends, according to Tom.

Tommy’s work reflects the three very deep and formal bows many Hong Kongers made rather than voicing farewell.

Belle said, “The feeling of leaving my hometown, I would say, is complicated. It’s hard to express with a few words, because it’s so much mixed feelings and emotions into that decision.”

Would she return? Belle replied that “at this moment, we are not sure if it would be a good choice, a good decision to ever go back to Hong Kong.”
…

Music is truly a magical, universal language: one that students in a South African township outside of Johannesburg are learning. Romain Chanson reports for VOA in this story, narrated by Carol Guensburg.
…

The Golden State Warriors triumphed over the Boston Celtics on Thursday with a 103-90 victory in Game Six of the NBA Finals in Boston, marking the fourth time the Warriors have won the trophy in eight years.

The Warriors’ victory came just two seasons after finishing at the bottom of the league, following injuries to star players Stephen Curry and Klay Thompson.

Curry and Thompson were at the top of their game Thursday, however, with Curry scoring 34 points, while Thompson scored 12 points on 5 of 20 shooting in the championship finale. The two players hugged each other at the final bell.

Draymond Green also contributed to the Warriors win with 12 points, 12 rebounds and eight assists.

The Celtics Jaylen Brown scored 34 points and teammate Al Horford scored 19 with 14 rebounds. Meanwhile, their Celtics teammate Jayson Tatum was held to 13 points on 6 of 18 shooting.

The Celtics last won the NBA title in 2008.
…

The 16 cities of the first World Cup spread across three nations were revealed, and FIFA President Gianni Infantino made a bold statement summing up the goal of the 2026 tournament, to be played largely in the United States.

“By 2026, futbol — soccer — will be the No. 1 sport in this country,” he proclaimed.

Roughly four years before soccer’s showcase comes to the U.S., Mexico and Canada, there already were winners and losers Thursday: Atlanta, Houston, Miami, Philadelphia, Seattle and Kansas City, Missouri, were picked after missing out on hosting the 1994 tournament.

Baltimore, Cincinnati, Denver, Nashville, Tennessee, and Orlando, Florida, missed the cut.

Arlington, Texas; East Rutherford, New Jersey; Foxborough, Massachusetts, and Inglewood and Santa Clara, California, were the holdover areas from the 1994 tournament that boosted soccer’s American prominence.

Mexico City’s Estadio Azteca, which hosted the 1970 and ’86 finals and will become the first stadium in three World Cups, was selected along with Guadalajara’s Estadio Akron and Monterrey’s Estadio BBVA.

Toronto’s BMO Field and Vancouver, British Columbia’s B.C. Place were picked while Edmonton, Alberta’s Commonwealth Stadium was dropped.

Following the withdrawal of the outmoded FedEx Field in Landover, Maryland, Baltimore’s omission means this will be the first World Cup with no matches in the vicinity of a host’s capital, though Infantino promised a fan fest on Washington’s National Mall.

“The story is always who doesn’t get chosen,” U.S. Soccer Federation President Cindy Parlow Cone said.

Infantino’s goal of reaching the top of U.S. sports appears to be quite a reach. The NFL averaged 17.1 million viewers for television and digital during its 2021 season, while the 2018 World Cup averaged 5.04 million in U.S. English- and Spanish-language television.

“I know it was giggles and laughs,” Canada Soccer Association President Victor Montagliani said of the reaction to Infantino. “He wasn’t joking.”

The 1994 tournament set records with a 3.59 million total attendance and average of 68,991 a match. The capacities of the 11 U.S. stadiums for 2026 are all 60,000 and higher.

“Will be much, much, much bigger,” Infantino said. “I think this part of the world doesn’t realize what will happen here in 2026. These three countries will be upside down. The world will be invading Canada, Mexico and the United States.”

The bid plan envisioned 60 games in the U.S., including all from the quarterfinals on, and 10 each in Mexico and Canada.

Specific sites for each round will be announced later, and Infantino said worldwide television times were a factor for the final, which makes the Eastern and Central time zones more likely. FIFA has gradually moved back the kickoff time of the final from 3:30 p.m. EDT to 10 a.m. EDT for this year’s tournament, which is 10 p.m. in Beijing.

The U.S. selections included none of the nine stadiums used at the 1994 World Cup. The Rose Bowl in Pasadena, California, and Orlando’s Camping World Stadium were the only ones remaining in contention, and they were among the sites dropped in the final round.

New stadiums were selected in five areas used in 1994. AT&T Stadium in Texas replaced Dallas’ Cotton Bowl; SoFi Stadium in Inglewood took over for Pasadena’s Rose Bowl; and Levi’s Stadium instead of Stanford Stadium.

Met Life Stadium in East Rutherford, New Jersey, and Gillette Stadium in Foxborough, Massachusetts, replaced torn-down stadiums that were adjacent, Giants Stadium and Foxboro Stadium.

Orlando’s Camping World was dropped among existing 1994 venues. The Detroit area, where the old Pontiac Silverdome hosted games, was cut in 2018 and Baltimore’s M&T Bank Stadium was dropped after FedEx Field in Landover, Maryland, dropped out. Washington’s RFK Stadium was used in 1994.

Chicago, which hosted the 1994 opener at Soldier Field, refused to bid, citing FIFA’s economic demands.

In contrast to the 1992 site announcement during a news conference, the 2026 announcement was made during a televised show from Fox’s studio in Manhattan. 
…

Citing “concern about holding individual athletes accountable for the actions and decisions of their governments,” the U.S. Tennis Association will let Russian and Belarusian tennis players participate in the U.S. Open later this summer.

Wimbledon will still maintain the ban on those athletes, which will include the world’s No. 1 player, Daniil Medvedev. Medvedev is the defending U.S. Open champion.

Wimbledon starts June 27 in England. The U.S. Open starts August 29 in New York.

Players from Russia and Belarus will participate under a neutral flag.

Since Russia’s invasion of Ukraine in February, Russian athletes have been banned from competing in a variety of sports, including soccer’s World Cup qualifying playoffs.

Some information in this report comes from The Associated Press and Reuters.
…

Growing up in the Democratic Republic of Congo, Bismack Biyombo dreamed of playing professional basketball in the United States. His dream has been reality ever since he was drafted into the NBA more than a decade ago. But what he’s doing off the court gives a notable assist to his home country.

The 29-year-old center for Arizona’s Phoenix Suns calls himself “a child of Africa” who “stepped onto a basketball court at the age of 13 in Lubumbashi,” a major city in southeastern DRC. “And I was lucky enough to have, you know, parents that supported me,” he told VOA in an interview at the Suns’ practice facility earlier this spring.

Biyombo credits his father Francois Biyombo and mother Françoise Ngoy with nurturing a spirit of purpose and generosity. They sacrificed to ensure that the eldest of their seven children could play basketball, including when he went to Yemen at 16 to try out for a local team, and later when he joined a club league in Spain. After Biyombo was drafted into the NBA in 2011, they encouraged his giving back.

He has. Bismack Biyombo has donated time and millions of dollars to support education and health care in the DRC, largely through the self-named foundation he started in 2017 in Florida. (Before joining the Phoenix Suns for the 2021-22 season, he played with the Orlando Magic — also in Florida — as well as the Charlotte Hornets in North Carolina and Toronto Raptors in Canada.)

Biyombo heavily funded the Kivu International School, which opened in Goma in 2017. “Each year, we award more than 150 scholarships within the DRC and the U.S.,” he said in a video clip posted on the foundation website. The foundation has brought more than 60 DRC students to the United States to study, he told VOA. Biyombo also hosts free basketball camps each summer in the DRC, equipping youths with new skills, athletic shoes and other gear.

“My job becomes to inspire kids across Congo and make sure that we give all of them an equal opportunity,” he said in the VOA interview.

Biyombo’s foundation has supported Congolese mobile clinics and upgrades to public health facilities. It also provided hundreds of thousands of dollars’ worth of health care equipment, including face masks and hazmat suits, to help combat the COVID-19 pandemic in the DRC.

“And now we’ve set bigger goals and we’re going for it,” Biyombo said.

That includes building a Lubumbashi hospital in honor of his father, who died last August at age 61 of complications from COVID-19. Biyombo announced earlier this year that he would donate his salary for the 2021-2022 season — $1.3 million, according to his foundation’s website — toward that mission.

“I want to build my dad a hospital that will continue servicing people, because he believed in one guy, which is me,” Biyombo said. “And now we get to do it for him.”

Such humanitarian gestures are right out of the playbook of retired NBA great Dikembe Mutombo, a Congolese player who, Biyombo said, is “like a big brother.”

Mutombo, who hung up his jersey in 2009 and was inducted into the Basketball Hall of Fame six years later, started a foundation in 1997 to aid people, especially those in his native DRC. That foundation’s projects include building the Biamba Marie Mutombo Hospital in his hometown of Kinshasa.

Dr. Joseph Nsambi Bulanda, health minister for Haut Katanga province where Lubumbashi is located, told VOA his government appreciated Biyombo’s offer of a new hospital. Construction has not yet begun.

“We can give him some advice,” Nsambi said, noting his government aims “to improve and to let all Congolese and all people from Haut Katanga province have a very good health system.”

Nsambi said of Biyombo, “He’s someone with very good will.” He added that the public health system in his country – one of the world’s poorest — welcomes an assist. “We need people. We need organizations.”

Biyombo’s generosity has brought him accolades. TIME named him to its 2021 list of Next Generation Leaders. The NBA and health care provider Kaiser Permanente honored him this year with a “community cares” award — and a $10,000 check for his foundation — for his efforts to aid the DRC.

The athlete wants others to benefit from basketball, as he has.

“So many young African American leaders [are] now coming into the NBA that I think the future of Africa there is great,” Biyombo said. He also talked up the Basketball Africa League, a partnership of the NBA and International Basketball Federation (FIBA).

“The reality of the league,” Biyombo said, “is that I think a lot of these kids are given an opportunity to actually stay home” and still prosper in the sport.

“You know, most of the kids want to find a way to escape what’s happening in Africa,” he said. “And you got to give them a reason to stay. I think that’s one thing that motivated me to invest so much in the younger generation. … The more tools we can give to the next generation, they’ll be able to solve more of the problems that we’re dealing with today.

“There is an opportunity to make an impact,” Biyombo said. “And I don’t want to waste it.”

VOA Lingala service’s Eddy Isango contributed to this report.
…

About 5 million Ukrainian refugees have fled to other parts of Europe since Russia’s assault on their homeland began in February. Among them: nearly three dozen dancers from the Kyiv City Ballet. They’ve found refuge in Paris and continue to perform and plan foreign tours, but the conflict is never far away. For VOA, Lisa Bryant has more from Paris.
…

A startup professional golf tour backed by Saudi Arabia’s sovereign wealth fund has roiled the usually staid world of professional golf — the PGA Tour — in the United States.

The PGA suspended 17 professional players last week for participating in the inaugural Saudi tournament, which began June 9.

The new tour, the LIV Golf Invitational Series, has caused controversy for months, in large part because critics of the Saudi regime’s policies claimed it was a way to launder the reputation of the country’s monarchy, particularly that of Crown Prince Mohammed bin Salman.

The crown prince has been held in disrepute internationally since at least 2018, when agents of his government allegedly assassinated journalist Jamal Khashoggi at the Saudi embassy in Istanbul and dismembered his body to hide the evidence. The CIA later concluded that Salman ordered the killing.

U.S. President Joe Biden, who, as a candidate in 2019, declared that Saudi Arabia should be considered a “pariah” state based on its record of human rights abuses, including the Khashoggi killing, is currently attempting a rapprochement with the Saudi regime. He is expected to visit Riyadh in July.

A new approach

The Roman numerals in the new tour’s name — LIV, or 54 — refer to its format. Unlike the traditional PGA Tour, which typically involves four rounds of golf totaling 72 holes, LIV Golf consists of just three rounds, for a total of 54 holes.

LIV Golf markets itself as taking a fresh approach to a sport steeped in history, decorum and understatement. Its tournaments feature loud music, a team format and “shotgun” starts in which all teams begin play at the same time at different holes.

The new tour also offers large purses. On Saturday, South African golfer Charl Schwartzel won the tournament’s top individual prize of $4 million. Schwartzel’s side also won the team competition, splitting an additional $3 million between the four of them.

The Saudis are also reportedly paying top players undisclosed appearance fees, which in some cases might exceed the prize money on offer at specific tournaments.

Indeed, the amount of money the Saudis are pouring into LIV Golf appears be a major reason it has been able to separate well-known players, including Dustin Johnson, Bryson DeChambeau and Patrick Reed, from the PGA Tour.

LIV ‘leverage’

Early this year, American golfer Phil Mickelson, one of the most popular and successful players of his generation, sparked anger after a biographer quoted him weighing the pros and cons of playing in the new league.

Characterizing the Saudi leadership as “scary,” Mickelson said, “We know they killed Khashoggi and have a horrible record on human rights. They execute people over there for being gay. Knowing all of this, why would I even consider it?”

Mickelson went on to say that he has joined LIV Golf because he saw the new league as a way to force change on the PGA Tour, which he characterized as “manipulative” and “coercive,” toward players.

“The Saudi money has finally given us that leverage,” he said.

Mickelson was immediately dropped by a number of high-profile sponsors. He later apologized and withdrew from professional golf for months. However, he was on hand when the inaugural LIV Golf Invitational London tournament kicked off June 9 in Hemel Hempstead, England.

Dueling statements

As the LIV event began, PGA Tour Commissioner Jay Monahan sent a letter to the tour members announcing that 17 players had been suspended for their participation. Ten of them had already voluntarily resigned their PGA Tour membership.

“These players have made their choice for their own financial-based reasons,” a decision, he wrote, that “disrespects you, our fans and our partners.”

He added: “I am certain our fans and partners — who are surely tired of all this talk of money, money and more money — will continue to be entertained and compelled by the world-class competition you display each and every week, where there are true consequences for every shot you take and your rightful place in history whenever you reach that elusive winner’s circle.”

LIV Golf responded immediately with a statement of its own.

“Today’s announcement by the PGA Tour is vindictive and it deepens the divide between the Tour and its members,” it said. “It’s troubling that the Tour, an organization dedicated to creating opportunities for golfers to play the game, is the entity blocking golfers from playing. This certainly is not the last word on this topic. The era of free agency is beginning as we are proud to have a full field of players joining us in London, and beyond.”

‘Staggering’ amount of money

John A. Fortunato, a professor at Fordham University’s Gabelli School of Business, told VOA that the question of “free agency” in golf is not new. Some European players, for example, play in PGA Tour events in the U.S. but also participate in non-PGA events in Europe.

Fortunato, the author of the book Making the Cut: Life Inside the PGA Tour System, also said that freedom from the PGA’s participation rules is probably not the main driver behind some players opting for the LIV, he said.

“The amount of money is staggering,” he said. Indeed, Schwartzel’s $4 million purse in the LIV opener dwarfed the approximately $1.5 million that Rory McIlroy took home for winning a PGA Tour event in Canada on the same weekend.

Television deals and sponsors

Fortunato said the new league’s long-term success will hinge in part on getting television networks to cover its tournaments — a task that will be difficult in the U.S., given that most major broadcast networks as well as cable sports giant ESPN have long-standing relationships with the PGA Tour.

He said another factor will be how two “major” tournaments in the U.S. that are not run by the PGA Tour decide to address the issue of LIV participation.

One of those tournaments, the U.S. Open, begins Thursday, June 16, and appears poised to allow LIV participants to play. But that may be in part because the organizers did not have time to develop a policy toward the new tour.

The next Masters Tournament, held by the Augusta National Golf Club, will not take place until spring 2023. The Masters could prevent LIV participants from playing in Augusta.

“That’s the big domino that I’m watching,” Fortunato said. “And that is the thing that the PGA Tour, I think, is most hoping for.”
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June is Lesbian, Gay, Bisexual, Transgender and Queer Pride Month. In the Western U.S. state of Colorado, multimedia artists are exploring the intersections of gender identity and disability. VOA’s Scott Stearns has the story from Denver. WARNING: The video contains a brief depiction of nudity.
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“A Strange Loop,” an irreverent, sexually frank work about Blackness and queerness took home the best new musical crown at the Tony Awards on Sunday, as voters celebrated Broadway’s most racially diverse season by choosing an envelope-pushing Black voice.

Michael R. Jackson’s 2020 Pulitzer Prize drama winner is a theater meta-journey — a tuneful show about a Black gay man writing a show about a Black gay man. Jackson also won for best book. Many of the night’s other Tonys were spread over several productions.

The victory of a smaller, more offbeat musical against more commercial offerings continues a recent trend, as when the intimate musical “The Band’s Visit” beat the big brand-musicals “Frozen,” “Mean Girls” and “SpongeBob SquarePants” in 2018 or when “Hadestown” bested “Tootsie,” “Beetlejuice” and “Ain’t Too Proud” a year later.

“A Strange Loop” beat “MJ,” a bio musical of the King of Pop’s biggest hits, for the top prize, although the other Jackson musical nabbed four Tony Awards including for best choreography. Myles Frost moonwalked away with the award for best lead actor in a musical for playing Michael Jackson, becoming the youngest solo winner in that category. “Mom, I made it!” he said.

“MJ” represents the 22-year-old Frost’s Broadway debut as he plays Jackson with a high, whispery voice, a Lady Diana-like coquettishness and a fierce embrace of Jackson’s iconic dancing and singing style. “Heal the world,” Frost said from the stage, channeling Jackson.

Joaquina Kalukango won the Tony for best leading actress in a musical for her work in “Paradise Square,” a show about Irish immigrants and Black Americans jostling to survive in New York City around the time of the Civil War. Earlier in the night, she blew the house down with a stunning performance of the musical’s “Let It Burn.”

A gender-swapped revival of Stephen Sondheim’s “Company” rode the fondness Broadway has for the late iconic composer by earning five statuettes, including best musical revival. 

“Company” is an exploration of a single person’s conflicted feelings about commitment, traditionally focusing on a 35-year-old bachelor. This time, it had a bachelorette and the sexes of several couples were swapped.

Marianne Elliott made Tony history by becoming the only woman to have won three Tonys for directing, the latest for “Company.” She thanked Sondheim for letting her put a woman “front and center.” She dedicated her award to everyone fighting to keep theaters open. 

Patti LuPone won best featured actress in a musical for her work in the revival, thanking COVID-19 safety officials in her acceptance speech. Matt Doyle won for best featured actor in a musical for “Company.”

“The Lehman Trilogy,” spanning 150 years and running three and a half hours, follows the fortunes of a single family into the financial crash of 2008. It was crowned best new play and Sam Mendes won for best direction of a play, praising the season for its “rampant creativity.” One of its three stars, Simon Russell Beale, won for best actor in a play and thanked the audience for coming to see a trio of British actors tell a New York story.

Deirdre O’Connell won for best actress in a play for her work in “Dana H.,” about a real woman kidnapped by a former convict and white supremacist. O’Connell never speaks, instead, lip-syncing to an edited recording of the survivor. On Sunday, O’Connell urged the crowd to ignore safe options and “make the weird art.”

“Take Me Out” won for best play revival, and “Modern Family” star Jesse Tyler Ferguson won the Tony for best featured actor in a play for his work in it. “Mom, Dad, thank you for letting me move to New York when I was 17-years-old. I told you it would be OK,” said Ferguson, who also thanked his understudy and his husband.

Host Ariana DeBose kicked off her portion of the show in a sparkling white jumpsuit and wide-brimmed hat, dancing and singing to the song “This Is Your Round of Applause,” which mashed up shards of musical theater favorites, like “Chicago, “The Wiz,” “Evita,” “Rent,” “Hair,” “Cabaret,” “Hairspray” and “West Side Story,” the movie remake for which she recently won an Oscar.

Still panting while welcoming viewers, she told the crowd that this was the season “Broadway got it’s groove back.”

Phylicia Rashad won best featured actress in a play for “Skeleton Crew.” The Dominique Morisseau play is about blue-collar job insecurity set in a Detroit auto stamping plant. “It’s wonderful to present humanity in all it’s fullness,” Rashad said.

And the Tonys ushered in the latest EGOT winner: Jennifer Hudson, who has an Emmy, Grammy and Oscar, and joined that elite group Sunday when “A Strange Loop” won best musical — she’s a producer.

A starry revival of the classic show “The Music Man” with Hugh Jackman and Sutton Foster walked away empty-handed despite six nominations and being a box office smash, regularly pulling in more than $3 million a week.

The season was marked by the embrace of seven Black playwrights, from contemporary writers like Dominique Morisseau, Keenan Scott II and Antoinette Nwandu, to underappreciated historical playwrights like Alice Childress and Ntozake Shange. DeBose said Broadway was more representative.

DeBose celebrated the Black voices and onstage talent — as well as noting that two Broadway theaters were being renamed for Black icons James Earl Jones and Lena Horne — saying that The Great White Way was now a nickname “as opposed to a how-to guide.”

DeBose also hailed the heroic efforts of understudies, swings and standbys to keep shows going throughout pandemic spikes, noting that she and many other Tony nominees had once been unheralded understudies and swings. After the cast of “Six” performed, DeBose noted that one was a fill-in at the last minute. 

Having been freed of handling the technical awards, the main telecast had a less frantic, more airy feel. DeBose was an assured, funny and versatile host, one who roamed the seats, sat in Andrew Garfield’s lap, danced with Sam Rockwell and prompted Laurence Fishburne to do a Daffy Duck imitation. She closed the show with a medley of the musical nominees, at one point making “MJ” part of the Dylan show: “You’ve been hit by/A rolling stone.”

Some of the show highlights included the massive cast of “The Music Man” filling the massive Radio City stage with “Seventy-Six Trombones,” as well as Prince Jackson and Paris Jackson introducing the show about their father before the “MJ” cast danced to an energetic “Smooth Criminal.”

Billy Crystal taught the crowd “Yiddish scatting,” and the original cast of the 2007 Tony-winning musical “Spring Awakening” — including Lea Michele and Jonathan Groff — reunited for a performance.

Many acceptance speeches thanked the audiences for braving spikes in COVID-19 to come to see shows, and Marsha Gay Harden cheered 150 safety officers invited as guests to the Tonys.

Earlier, Darren Criss and Julianne Hough kicked off the four-hour awards, handing out mostly design awards. Criss opened the telecast with the original song, “Set the Stage,” as he and Hough energetically danced up ladders, on laundry hampers and in sliding theater seats to celebrate the artists who keep theater alive.

The first award of the night — for best score — went to “Six: The Musical,” with music and lyrics by Toby Marlow and Lucy Moss. Marlow became the first out nonbinary composer-lyricist to win a Tony. “Six: The Musical” also picked up the award for best costumes for a musical.

The season — with 34 new productions — represents a full return to theaters after nearly two years of a pandemic-mandated shutdown. At the last Tonys nine months ago, the winners were pulled from just 18 eligible plays and musicals, and many of the competitive categories were depleted.

Sondheim, the iconic composer who died in late 2021, was honored in a special segment by Bernadette Peters singing his song “Children Will Listen.” Angela Lansbury, who was honored with a lifetime achievement Tony, wasn’t present so her “Sweeney Todd” co-star Len Cariou accepted on her behalf.
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Darren Criss and Julianne Hough kicked off the four-hour Tony Award celebrations at Radio City Music Hall on Sunday night, handing out mostly design awards exclusively on the streaming Paramount+. 

Criss opened the telecast with the original song, “Set the Stage,” as he and Hough energetically danced up ladders, on laundry hampers and in sliding theater seats to celebrate the artists who keep theater alive. 

The first award of the night — for best score — went to “Six: The Musical,” with music and lyrics by Toby Marlow and Lucy Moss. Marlow is the first out nonbinary composer-lyricist to win a Tony. 

Criss and Hough have an hour to hand out a total of eight technical awards for things such as best lighting and sound design, along with best score, orchestrations and choreography. They will then pass hosting duties to Ariana DeBose for the main three-hour telecast on CBS and Paramount+ from the same stage, live coast to coast for the first time. 

The season — with 34 new productions — represents a full return to theaters after nearly two years of a pandemic-mandated shutdown. At the last Tonys nine months ago, the winners were pulled from just 18 eligible plays and musicals, and many of the competitive categories were depleted. 

DeBose, the Tony-nominated theater veteran and freshly minted Oscar winner for “West Side Story,” said Broadway is due for a party. 

“I feel like if there was ever the time, the time is now,” she said. “I think it’s a triumph to have simply made it to this point, to have made art and to have a show.” 

The telecast will have performances from this year’s Tony Award-nominated musicals, including “A Strange Loop,” “Company,” “Girl from the North Country,” “MJ,” “Mr. Saturday Night,” “Music Man,” “Paradise Square” and “Six.” The original cast members of the 2007 Tony-winning musical “Spring Awakening” will also reteam and perform. 

“A Strange Loop,” a theater meta-journey about a playwright writing a musical, goes into the show with a leading 11 Tony nominations. Right behind with 10 nominations each is “MJ,” a bio musical of the King of Pop stuffed with his biggest hits, and “Paradise Square,” a musical about Irish immigrants and Black Americans jostling to survive in New York City around the time of the Civil War. 

Front-runners for best actress in a musical are Sharon D Clarke from the revival of “Caroline, or Change” and Joaquina Kalukango of “Paradise Square.” The best actor in a musical may come down to Jaquel Spivey from “A Strange Loop” versus Myles Frost as the King of Pop in “MJ the Musical.” 

“The Lehman Trilogy,” Stefano Massini’s play spanning 150 years about what led to the collapse of financial giant Lehman Brothers, is the leading best new play contender, while David Morse in a revival of Paula Vogel’s “How I Learned to Drive” is the leading contender as best actor in a play. His co-star, Mary-Louise Parker, could become the first actor to receive consecutive Tonys for best actress in a play. 
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An exhibition at the Smithsonian’s National Museum of Asian Art is showcasing a sculpture of a Hindu god that was carved into a Cambodian mountain around year 600. VOA’s Chetra Chap reports on the importance of this Hindu sculpture to a nation that is now primarily Buddhist.
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Favorite Mo Donegal romped to victory at the 154th Belmont Stakes on Saturday while Rich Strike, the longshot winner of the Kentucky Derby could not pull off another surprise at Elmont, New York. 

Mo Donegal, fifth at the Kentucky Derby, settled in midpack for much of the mile-and-a-half race then made his move coming onto the home stretch. 

Under jockey Irad Ortiz Jr.’s urging Mo Donegal powered away from the field coming home ahead of stable mate Nest to give trainer Todd Pletcher a 1-2 finish and a fourth Belmont win. 

Skippylongstocking finished third. 

“This has been a dream I’ve had for 40 years,” said Mo Donegal owner Mike Repole, a native New Yorker. “This is New York’s biggest race, and to win it here, with family, friends, I’m sort of overwhelmed.” 

Rich Strike had given up a shot at the Triple Crown when owner Rick Dawson decided to skip the second jewel, the Preakness Stakes, in order to rest the chestnut colt for the Belmont marathon known as the “test of a champion.” 

At 80-1 odds Rich Strike was one of the greatest longshots to win the Kentucky Derby but no one was overlooking the chestnut colt on Saturday going off as second favorite. 

The distance proved too much as Rich Strike spent most of the race trailing the eight-horse field finishing sixth. 

“Our biggest change today was that we decided to stay a little out, off the rail and try to give him a good open run when he would take off,” said Rich Strike trainer Eric Reed. “He is a routine horse, and this is the first time he has not been on the inside rail. 

“The whole way. If you watch, his head turned he’s trying to get to the inside I guess we made a mistake not putting him on the fence.” 
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Although the war in Ukraine has entered its fourth month, local artists have not stopped working. For many Ukrainians, art during the wartime is a powerful tool that helps people stay strong and inspired. Omelyan Oshchudlyak has the story.
Video Editor: Yuriy Dankevych
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British prosecutors said on Wednesday they had authorized charges to be brought against former Hollywood movie producer Harvey Weinstein on two counts of indecent assault against a woman 26 years ago.

“Charges have been authorized against Harvey Weinstein, 70, following a review of the evidence gathered by the Metropolitan Police in its investigation,” Rosemary Ainslie, head of the Crown Prosecution Service’s (CPS) Special Crime Division.

The CPS said the alleged assault took place in August 1996 in London. London’s Metropolitan Police said the accusation involved a woman, now aged in her 50s.

Weinstein is currently serving a 23-year prison sentence in the United States after being convicted in 2020 of assaulting former production assistant Mimi Haleyi and raping former aspiring actor Jessica Mann.

That conviction was upheld by a New York appeals court last week.

The verdict was considered a landmark in the #MeToo movement where women came forward to accuse dozens of powerful men of sexual misconduct. Many view the accusations against Weinstein, which surfaced in 2017, as the key spark for that movement.

“The Crown Prosecution Service reminds all concerned that criminal proceedings against the defendant are active and that he has the right to a fair trial,” Ainslie said.
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The stars of the new Saudi-funded golf league tried to fend off concerns on Tuesday about human rights abuses and signing up to accept hundreds of millions of dollars, despite the risk of being banned from long-standing events. 

After announcing he quit the PGA Tour to join the LIV Golf series, Dustin Johnson evaded questioning about the source of the $25 million prize fund for each event flowing from Saudi Arabia’s sovereign wealth fund. The first LIV Golf Invitational is taking place outside London from Thursday. 

Another former major winner — Graeme McDowell — was left at a news conference trying to publicly reconcile causing fractures in golf by signing for the rebel series that appears to be part of Saudi Arabia’s attempt to reshape its image as a backer of lavish sports events rather than one associated with human rights abuses. 

The Northern Irish golfer, who won the U.S. Open and Ryder Cup in 2010, did bring up the 2018 murder of Jamal Khashoggi in the Saudi consulate in Istanbul as a legitimate area of concern of joining a series he accepts is “incredibly polarizing” for the sport. 

“Take the Khashoggi situation,” he said. “We all agree that’s reprehensible. Nobody is going to argue that fact.” 

U.S. intelligence services said they believe the killing of the U.S.-based Saudi journalist came at the orders of the crown prince, Mohammed bin Salman, who heads the Public Investment Fund. The prince denies wrongdoing. 

The fund is providing the hundreds of millions of dollars in sign-on fees and prize money that is enticing players away from the established tours and jeopardizing their participation in the majors and Ryder Cup. 

Human rights groups describe Saudi Arabia’s efforts as “sportswashing” its image. 

McDowell tried to avoid discussing the specifics of the country he is effectively working for. 

“I really feel like golf is a force of good in the world — I just try to be a great role model to kids,” he said. “We are not politicians. I know you guys hate that expression, but we are really not, unfortunately. We are professional golfers. 

“If Saudi Arabia wanted to use the game of golf as a way for them to get to where they want to be and they have the resources to accelerate that experience, I think we are proud to help them on that journey using the game of golf and the abilities that we have to help grow the sport and take them to where they want to be.” 

How, though, McDowell was asked, is that journey helping women who are oppressed in Saudi Arabia, the LGBTQ individuals whose rights to live freely are criminalized, the migrant workers whose rights are violated, the victims of the Saudi-led bombing of Yemen, or the 81 men who were executed by the kingdom in March? 

“I wish I had the ability to be able to have that conversation with you,” McDowell said. “As golfers, if we tried to cure geopolitical situations in every country in the world that we play golf in, we wouldn’t play a lot of golf. It’s a really hard question to answer. 

“We’re just here to focus on the golf and kind of what it does globally for the role models that these guys are.” 

McDowell did most of the talking on Saudi rights issues, with two-time major winner Johnson responding earlier, “I would pretty much say the exact same thing. I’d agree with what Graeme said.” 

The series is being overseen by Greg Norman with 54-hole tournaments and a shotgun start that sees every group start at the same time on different holes. The winner gets $4 million, while last place gets $120,000. 

The golfers are taking more heat than some other athletes who have competed in Saudi Arabia. While sports, including golf, soccer and Formula One, have chosen to take events to Saudi Arabia without the stars having a say, LIV is a case of the players opting out of existing structures to go all-in on the kingdom’s project. Tiger Woods and Rory McIlroy are among the players to reject an approach from LIV. 

“An opportunity like this comes along,” the 42-year-old McDowell said, “where you can play the last three or four years of your career, in a very financially lucrative environment. It would be crazy to walk away from that as a businessman.” 

Ari Fleischer, a former White House press secretary in George W. Bush’s presidency, was the tournament organizer’s host of the two news conferences involving players Tuesday. He posed questions to the golfers before the media had the opportunity. 

Fleischer was asked about a tweet he posted in 2011 that talked about Saudi Arabia and implied that the king was willing to “spend hundreds of billions so he won’t be overthrown.” He said that comment was made “a long, long time ago.” 
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No 15-year-old figure skaters will be allowed to compete at the 2026 Olympics following the controversy surrounding Russian national champion Kamila Valieva at this year’s Beijing Games.

A new age limit for figure skaters at senior international events was passed Tuesday by the International Skating Union in a 110-16 vote that will raise the minimum age to 17 before the next Winter Olympics in Milan-Cortina d’Ampezzo, Italy.

“This is a very important decision,” ISU president Jan Dijkema said. “I would say a very historic decision.”

The limit will be phased in with 15-year-olds continuing to be allowed to compete next season, a minimum age of 16 in the 2023-24 season, rising to 17 the season after, which is the last before the Olympics.

The ISU said the new rule was “for the sake of protecting the physical and mental health, and emotional well-being of the skaters.”

It should disrupt the career of top Russian junior Sofia Akateva, who is 14. Her birthday in July falls days after the July 1 deadline to classify skaters’ ages for the upcoming season, though for the 2026 Olympics she will be 18 and able to compete.

The change was coming even before figure skating at the Beijing Olympics was dominated by the emotional stress put on the 15-year-old Valieva. She was the favorite to take individual gold, after helping the Russians win the team title, before her positive doping test from December was belatedly revealed during the Olympics.

The teenager was allowed to train under intense scrutiny as a Court of Arbitration for Sport hearing was prepared that allowed her to compete pending the full investigation in Russia. That is still ongoing.

However, her main routine was filled with errors and she dropped to fourth place. She was then criticized rink-side by her coach, Eteri Tutberidze.

The ISU drafted an age-limit proposal saying “burnout, disordered eating, and long-term consequences of injury” were a risk to young teenage skaters who are pushed to perform more quadruple jumps.

The decision was criticized in Russia, where skaters are currently banned by the ISU from international competitions because of the country’s military invasion of Ukraine.

“I think it was done to more or less even out the competition, so that our Russian female skaters couldn’t have the opportunity to win world championship, European, Olympic medals,” Dmitri Soloviev, a team event gold medalist for Russia at the 2014 Sochi Olympics, told broadcaster Match TV.

“But in my opinion Eteri Tutberidze will find a way to get our athletes into ideal condition at the age of 17 or 18,” Soloviev said, “so that they can show their best results at international competitions at that age in particular.”
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At a lunch for Tony Award nominees last month, veteran theater producer Ron Simons looked around and smiled. It seemed appropriate that the gathering was held at The Rainbow Room. 

“I can guarantee you I have not seen this many people of color represented across all categories of the Tony Awards,” he recalled. “It was a diverse room. I was so uplifted and impressed by that.” 

For the first full season since the death of George Floyd reignited a conversation about race and representation in America, Broadway responded with one of its most diverse Tony slates yet. 

Multiple Black artists were nominated in every single performance category, including three of five featured actors in a musical, four of six featured actresses in a play, two of seven leading actors in a play and three of five leading actresses in a play. There are 16 Black performance nods out of 33 slots — a very healthy 48%. 

By comparison, at the 2016 Tonys — the breakout season that included the diverse “Hamilton,” “Eclipsed” and “The Color Purple” revival — 14 of the 40 acting nominees for plays and musicals or 35% were actors of color. 

“Let’s hope that the diversity that we saw in the season continues to be the norm for Broadway, that this isn’t just an anomaly or a blip in reaction to what we’ve been through, but just a reset,” said Lynn Nottage, the first writer to be nominated for both a play (“Clyde’s”) and musical (“MJ”) in a single season. 

The new crop of nominees also boasts more women and people of color in design categories, such as first-time nominees Palmer Hefferan for sound design of a play (“The Skin of Our Teeth”), Yi Zhao for lighting design of a play (“The Skin of Our Teeth”) and Sarafina Bush for costume design of a play (“for colored girls who have considered suicide/when the rainbow is enuf”). 

Other firsts this season included L Morgan Lee of “A Strange Loop” becoming the first out trans performer to be nominated for a Tony. Adam Rigg, scenic designer of “The Skin of Our Teeth,” became the first out agender (does not identify with a particular gender) designer nominated, and Toby Marlow, “Six” co-creator is the first out nonbinary composer-lyricist nominated. 

Eleven performers — including Jaquel Spivey from “A Strange Loop,” Myles Frost in “MJ” and Kara Young from “Clyde’s” — received a nod for their Broadway debut performances and 10 designers received nominations for their Broadway debuts, as did creators such as “A Strange Loop” playwright Michael R. Jackson and “Paradise Square” co-book writer Christina Anderson. 

“I’m very, very excited about all the new voices we’re hearing, all the new new writers who are represented on Broadway for the first time,” said A.J. Shively, an actor nominated for “Paradise Square.” “I really hope that trend continues.” 

Perhaps nowhere is the diversity more apparent than in the oldest play currently on Broadway. “Macbeth,” directed by Sam Gold, has a Black Lady Macbeth in Ruth Negga, a woman taking on a traditional male role (Amber Gray plays Banquo), a non-binary actor (Asia Kate Dillon) and disability representation (Michael Patrick Thornton). 

“If all the world’s a stage, our stage certainly is the world. I’m really proud to be up there with all the actors,” says Thornton, who uses his wheelchair as a cunning asset to play the savvy nobleman Lennox. 

But while representation was seen across Broadway this season so was an invisible virus that didn’t care. The various mutations of COVID-19 sickened actors in waves and starved many box offices of critical funds. Skittish theater-goers who returned often had an appetite for only established, comfort shows. 

Several of the Black-led productions came up short, including “Thoughts of a Colored Man,” “Chicken and Biscuits,” and “Pass Over.” They debuted in the fall, just as Broadway was slowly restarting and audiences were most fearful. “Thoughts of a Colored Man” closed early because it didn’t have enough healthy actors, at one point enlisting the playwright himself to get onstage and play a role. 

One of the most painful blows was a revival of Ntozake Shange’s “for colored girls,” which struggled to find an audience. The cast of seven Black women included deaf actor Alexandria Wailes and, until recently, a pregnant Kenita R. Miller. It earned strong notices and a whopping seven Tony nominations. But it will close this week. 

“In past seasons, had there been a play with seven Tony nominations and this bevy of glowing reviews, the show would have gone on for quite a while,” says Simons, the lead producer. “There’s an audience for this show. That’s not the problem. The problem is getting the audience into the theater to see the show.” 

Despite a glut in inventory and not enough consumers, there were clear game-changers, like “A Strange Loop,” a musical about a gay Black playwright, that captured a leading 11 nominations, besting establishment options like a Hugh Jackman-led “The Music Man.” Broadway veterans agree that extraordinary storytelling was available for those hardy souls who bought tickets. 

“I’m really proud to be a part of one of the voices of Broadway this year,” said Anna D. Shapiro, who directed Tracy Letts’ Tony-nominated play “The Minutes,” which exposes delusions at the dark heart of American history. ” I am so impressed by the vitality and the dynamism.” 

Broadway data often suggest improvements one year, then a drop off the next. Take the 2013-14 season, which was rich with roles for African Americans, including “A Raisin in the Sun” starring Denzel Washington, Audra McDonald channeling Billie Holiday in “Lady Day at Emerson’s Bar & Grill” and the dance show “After Midnight.” 

There were also African Americans in nontraditional roles, like James Monroe Iglehart as the Genie in “Aladdin,” Nikki M. James and Kyle Scatliffe in “Les Miserables,” and Norm Lewis becoming the first Black Phantom on Broadway in “The Phantom of the Opera.” 

That season, Black actors represented 21% of all roles. But the next season, the number fell to 9%. 

Camille A. Brown, who this season together with Lileana Blain-Cruz became only the second and third Black women to be nominated for best direction of a play, has weathered the ups and downs. 

“My thing is, let’s see what the next year and the year after that and the year after that look like?” she says. “I think the landscape was definitely a challenge, especially after George Floyd and the events that happened after that. But this is only the first season out after all of that stuff happened. So let’s see if it keeps going and keeps evolving and keeps progressing.” 

Simons is optimistic the gains this year will last and celebrates that, at the very least, a group of diverse actors got their Broadway credits this season. He predicts more Tony winners of color than ever before. 

“Even though the box office hurt all of our feelings, it really is a celebration because never have we seen this kind of diversity happen on Broadway,” he says. “It is a rare year and it is a rare year for both the good and the bad.” 
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 Jennifer Lopez made an emotional speech about how believers and skeptics contributed to her success as she accepted a career achievement honor at the MTV Movie & TV Awards on Sunday. 

“I want to thank the people who gave me joy and the ones who broke my heart — the ones who were true and the ones who lied to me,” said Lopez, who nabbed this year’s Generation Award for actors whose diverse contributions have made them household names. She also took home best song — a new category — for the track “On My Way” from the “Marry Me” soundtrack. 

MTV’s youth-focused celebration of film and TV offered a lighter, breezier awards show with 26 categories in gender-neutral categories such as best villain, best kiss and new category “here for the hookup.” Hosted by Vanessa Hudgens, the ceremony returned to a live format after being pre-recorded for several years. 

Lopez shed tears as she thanked fans, her longtime manager and children for “teaching me to love,” bringing the audience to their feet at the Barker Hangar in Santa Monica, California. 

“I want to thank the people who gave me this life,” said Lopez, 52, later adding, “You’re only as good as the people who you work with. But if you’re lucky, they make you better. I’ve been very lucky in that regard.”

Lopez’s first breakthrough came as a dancer on the 1990s sketch comedy series “In Living Color.” She pursued an acting career and landed a leading role in “Selena” in 1997. She would go on to appear in such films including “Anaconda,” “Out of Sight,” “The Wedding Planner,” “Hustlers” and her latest, “Marry Me.” 

As a singer, Lopez has earned success on the pop and Latin charts with multiple hit songs and albums. She released her multi-hit debut “On the 6” in 1999 and topped the Billboard Hot 100 chart with songs like “If You Had My Love,” “All I Have” and the remixes of “I’m Real” and “Ain’t It Funny.” 

And in 2020, Lopez performed during the Super Bowl halftime show alongside Shakira. 

“Spider-Man: No Way Home” entered the awards as the leading nominee with seven. It took home best movie, and the film’s star Tom Holland won for best performance in a movie. With almost $1.9 billion earned at the box office, it was the biggest film of the year and a fan favorite, but was largely overlooked by the major awards shows. 

Zendaya won for best performance in a show for her role in “Euphoria,” which came away with best show. The HBO series also won here for the hookup. 

Early in the broadcast, 19-year-old singer Olivia Rodrigo won best music documentary for her project “Olivia Rodrigo: driving home 2 u.” Rodrigo, who won three Grammys this year including best new artist, spoke about the importance of creating the film, which involves a road trip, live performances and reflections on her debut album “Sour.” 

“I made ‘driving home 2 u’ for the fans, especially those who couldn’t come to see me on tour,” Rodrigo said. 

Jack Black also received a career achievement award, Comic Genius. He ran onstage and seemed almost out of breath before giving his acceptance speech. 

“I need a little blast of oxygen,” he said before rattling off several films he starred in, like “School of Rock” and two “Jumanji” films. He played in other comedies including “Shallow Hal,” “Tropic Thunder” and the animated “Kung Fu Panda” franchise films, where Black voiced the main character. 

“Comedic genius. C’mon are you kidding? For what?” he said. “I don’t deserve this, but I’ll take it.” 

The ceremony kicked off with “Loki” star Sophia Di Martino winning breakthrough performance for her role as Sylvie on the Disney Plus television series. After the actor claimed her trophy, she talked about being 9 months pregnant when she was offered the role, and her baby being just 3 months old when she started filming. 

“It’s been quite the journey, so this really means a lot to me,” she said. “Thank you to the audience. It’s all for you. Thank you for letting Sylvie into your imaginations.” 

Daniel Radcliffe won best villain for his portrayal of a billionaire in the adventure comedy “The Lost City.” 

Diplo and Swae Lee performed “Tupelo Shuffle” from the upcoming “Elvis” biopic from director Baz Luhrmann. 
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